• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Billy Joel at 21, standing in Cold Spring Harbor; 28, stratospheric success with ‘The Stranger’; 44, eyeing pop retirement; 74, turning the lights back on. “Thirteen albums was good enough for the Beatles, it’s good enough for me!” © Aidan Moyer
Features, Music, ReviewsFebruary 7, 2024<February 7, 2024

Sooner or Later it Comes Down to Fate: Billy Joel’s “Turn the Lights Back On” Marks a Triumphant Return

by Aidan Moyer
BAILEN - 'Tired Hearts' Deluxe Album © Erica Snyder
Features, Interviews, MusicFebruary 7, 2024<February 7, 2024

“Finding the beauty in all of that struggle”: BAILEN Discuss ‘Tired Hearts,’ a Breathtaking Record of Struggle, Connection, Hope, & Raw Humanity

by Mitch Mosk
Jade Bird "Burn the Hard Drive" © Aries Moross
Features, Interviews, MusicFebruary 7, 2024<February 7, 2024

“What’s Beginning Is a Creative Era With My Light Back”: Jade Bird on New Mura Masa Collab “Burn the Hard Drive” & a Restored Sense of Self

by Kendall Graham
Ride © Cal McIntyre
Columns, Music, Today's SongFebruary 6, 2024<February 6, 2024

Today’s Song: Shoegaze Legends Ride Find New Light in the Everyday Haze With “Peace Sign”

by Kevin Cost
Rec Hall © Charlie Park
Debut, Features, Interviews, MusicFebruary 6, 2024<February 6, 2024

“Raw emotion pins me to the ground”: Southern California’s Rec Hall Debut Their Sun-Kissed Indie Rock With ‘Localism’ EP

by Mitch Mosk
Sunny Reyne © Kadi Jatta
Debut, Features, Interviews, Music, Track-by-TrackFebruary 6, 2024<February 6, 2024

Track-by-Track: Melbourne’s Sunny Reyne Awakens Our Spirits on ‘I’ve Been Sleeping Too Long,’ Her Soul & Jazz-Drenched Debut

by Mitch Mosk
Saviors - Green Day 7.7
Music, Our Take, ReviewsFebruary 6, 2024<February 6, 2024

Our Take: Green Day Throw a Big Birthday Bash for Two of Their Classics on ‘Saviors’

by Josh Weiner
DijahSB © Vonny Lorde
Features, Interviews, MusicFebruary 5, 2024<February 5, 2024

Interview: Rapper DijahSB on Third Album ‘The Flower That Knew,’ Reflection & Growth, Finding Clarity, & Trusting the Process

by Kendall Graham
Talk Show © Ashley Rommelrath
Columns, Music, Today's SongFebruary 5, 2024<February 5, 2024

Today’s Song: Talk Show’s “Red/White” Is an Urgent, Unrelenting Post-Punk Fever Dream

by Mitch Mosk
sombr's Shane Boose © Emily Harris
Concerts, Music, ReviewsFebruary 5, 2024<February 5, 2024

Live: sombr Brings His Indie Rock Sound Home to Brooklyn’s Baby’s All Right

by Blake McMillan
U2's 'Achtung Baby' released in 1991
Columns, Music, Music & CitiesFebruary 5, 2024<March 19, 2024

Music & Cities: U2’s ‘Achtung Baby’ Resonates from New York to México

by David Buyze
Prelude to Ecstasy - The Last Dinner Party
Debut, Music, ReviewsFebruary 5, 2024<February 5, 2024

Review: The Last Dinner Party’s Debut Album ‘Prelude to Ecstasy’ Is a Triumphant Exploration of Maximalism in Music

by Olivia Martinez
Dimitra Gurduiala
Columns, Meet Our WritersFebruary 4, 2024<February 5, 2024

Meet Our Writers: Italy’s Dimitra Gurduiala!

by Dimitra Gurduiala
Too Percent Milk
Columns, Music, Today's SongFebruary 4, 2024<February 4, 2024

Today’s Song: In Too Percent Milk’s Devastating “Intangible,” the Darkest of Intrusive Thoughts Win

by Connor Muldowney
IDLES © Daniel Topete
Columns, Music, Today's SongFebruary 3, 2024<February 3, 2024

Today’s Song: IDLES Break Free from the Reins on “Gift Horse”

by Aidan Mega
Posts pagination
1 … 149 150 151 152 153 … 736

Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services