• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Noah Kahan © Pooneh Ghana
Columns, Music, Today's SongFebruary 12, 2024<February 11, 2024

“I won’t be alone for the rest of my life”: Noah Kahan’s Intimate & Epic “Forever” Is a Beautiful Coda to ‘Stick Season’

by Mitch Mosk
M Field © 2022
Columns, Music, Today's SongFebruary 11, 2024<February 11, 2024

“Yes I want to be desired”: Luminescent Confessions in M Field’s Sunny “Another Moon”

by Kate Millar
Dhani Harrison: Montage of stills from Joel Kazuo Knoerschild’s “I.C.U” music video, featuring the Celtic rune Ægishjálmur, which translates as magic helmet or “Helm of Awe” © Aidan Moyer
Columns, Music, Today's SongFebruary 10, 2024<February 9, 2024

Today’s Song: Dhani Harrison Takes a Mystical Celtic Stroll on “I.C.U”

by Aidan Moyer
Atwood Magazine's Weekly Roundup | February 9, 2024
Columns, Features, Music, Weekly RoundupFebruary 9, 2024<February 9, 2024

Atwood Magazine’s Weekly Roundup: February 9, 2024

by Atwood Magazine Staff
Sabrina Song © Livy Wicks
Columns, Music, Today's SongFebruary 9, 2024<February 9, 2024

“Excess with no restraint”: Sabrina Song Embraces Vulnerability in “Okay, Okay,” an Impassioned Vow of Love

by Mitch Mosk
'Weird Faith' - Madi Diaz
Music, ReviewsFebruary 9, 2024<February 9, 2024

Madi Diaz Looks Both Within & to Others in the Effort to Find ‘Weird Faith’

by Kevin Krein
Katelyn Tarver © Irida Mete
Features, Interviews, MusicFebruary 9, 2024<February 9, 2024

“I’m living for me now”: Katelyn Tarver on New Album ‘Quitter,’ Unlearning, & Asking the Big Questions

by Kelly McCafferty Dorogy
Middle Kids © Pooneh Ghana
Columns, Music, Today's SongFebruary 8, 2024<February 8, 2024

Today’s Song: Middle Kids Explode Through the Negativity with “Terrible News”

by Frankie Rose
Alas, - Lily Seabird
Features, Interviews, Music, Track-by-TrackFebruary 8, 2024<February 8, 2024

“Nothing is permanent”: Inside Lily Seabird’s Dark, Dynamic, & Hopeful LP ‘Alas,’ a Record of Grief & Letting Go

by Mitch Mosk
Ashley Kutcher © Brittany Harper
Debut, Features, Interviews, MusicFebruary 8, 2024<February 8, 2024

Interview: Ashley Kutcher’s Debut Album ‘House on the Water’ Is a Formidable Cross-Genre Effort

by Noah Wade
Lotusbliss © Keith Kaselampao
Music, Music Videos, PremieresFebruary 8, 2024<February 8, 2024

Premiere: Deafening and Silent, lotusbliss Blast Off With a Fiery Passion on “Tear Me Apart”

by Mitch Mosk
Hayley Reardon: Live at Starseed Studios © Chelsey Reardon
Interviews, Music, PremieresFebruary 8, 2024<February 8, 2024

Concert Premiere: Hayley Reardon Is Intimate, Up-Close & Personal on ‘Live at Starseed Studios’

by Mitch Mosk
Madeline Rhodes © Ana Lefaux
Features, Music, Music VideosFebruary 8, 2024<February 8, 2024

Premiere: Madeline Rhodes’ Debut Single “Bailing on Your Birthday” Invites Listeners to Cancel Their Party Plans & Focus on Mental Health Instead

by Olivia Martinez
Suki Waterhouse © Madeleine Waterhouse
Columns, Music, Today's SongFebruary 7, 2024<February 7, 2024

“Oh my God, take me back the way that I was”: Suki Waterhouse’s Riveting, Cinematic Anthem “OMG” Yearns for What Once Was

by Lauren Turner
Brown Horse © Katie Jones Barlow
Debut, Features, Interviews, Music, Track-by-TrackFebruary 7, 2024<February 7, 2024

Track-by-Track: Brown Horse’s ‘Reservoir’ Is a Haunting, Intimate Alt-Country Reverie

by Mitch Mosk
Posts pagination
1 … 148 149 150 151 152 … 736

Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services