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Nothing But Thieves © Beatriz Oliveira
Features, Interviews, MusicSeptember 27, 2023<September 27, 2023

Interview: Nothing But Thieves’ Upward Trajectory Is Without Limits

by Michael Greco
Greta Van Fleet © Neil Krug 7.6
Music, Our Take, ReviewsSeptember 27, 2023<September 25, 2023

Our Take: Greta Van Fleet’s ‘Starcatcher’ Embarks Upon the Hero’s Journey

by Audrey Connelly
Levitation Room © Ivan Trejo
Columns, Interviews, Music, Today's SongSeptember 27, 2023<September 27, 2023

Interview: Levitation Room Tackle Climate Change With Fresh Single “Cool It, Baby”

by Miles Campbell
Wild Nothing's Jack Tatum © Ethan Hickerson
Columns, Music, Today's SongSeptember 26, 2023<September 26, 2023

Today’s Song: Wild Nothing Return With Vibrant, ‘80s-Esque Earworm “Suburban Solutions”

by Beau Hayhoe
Reneé Rapp's debut album 'Snow Angel,' released in August 2023 via Interscope Records
Concerts, Music, ReviewsSeptember 26, 2023<September 26, 2023

Live Review: Reneé Rapp Proves the Hype Is Right on ‘Snow Hard Feelings’ Tour, Night 1

by Kelly McCafferty Dorogy
Faye Webster © Michelle Mercado
Columns, Music, Today's SongSeptember 25, 2023<September 25, 2023

Today’s Song: Faye Webster Matures With Romantic New Single “Lifetime”

by Julia Dzurillay
nobody likes you pat © Sawyer Brice
Features, Interviews, Music, Track-by-TrackSeptember 25, 2023<September 25, 2023

“Bittersweet, but Beautiful”: nobody likes you pat Sings Six Letters to Loved Ones in ‘dear…’ EP

by Mitch Mosk
Soda Blonde © Patricio Cassinoni
Features, Interviews, Music, Track-by-TrackSeptember 25, 2023<October 23, 2024

Feature: Soda Blonde ‘Dream Big’ and Win Big on Ambitious, Empowered, & Liberating Sophomore Album

by Mitch Mosk
Tupac Shakur
Music, ReviewsSeptember 24, 2023<September 24, 2023

Why the Message of Tupac Shakur’s “Keep Ya Head Up” Still Resonates with Us, 30 Years After Its Release

by Jada Moore
Josh Weiner
Columns, Meet Our WritersSeptember 23, 2023<September 23, 2023

Meet Our Writers: Boston’s Josh Weiner!

by Josh Weiner
stillblue © 2023
Columns, Music, Today's SongSeptember 23, 2023<September 23, 2023

Today’s Song: Miami’s stillblue Assert That Love Exists With “Wait for Me”

by Laurent Chavannes
Glassio & Beauty Queen © 2023
Columns, Music, Today's SongSeptember 22, 2023<September 22, 2023

The Friendly Fire and Smoldering Seduction of Glassio & Beauty Queen’s “A Friend Like You”

by Mitch Mosk
semiwestern's Ty Bohrnstedt and his dog
Debut, Features, Interviews, Music, Track-by-TrackSeptember 22, 2023<September 24, 2023

Unpolished, Melodic, & Introverted: semiwestern’s Self-Titled Debut Is a Dusty, Lo-Fi Seduction

by Mitch Mosk
Abby Holliday © Grace Holliday
Features, Interviews, Music, Track-by-TrackSeptember 22, 2023<September 22, 2023

Track-by-Track: Abby Holliday’s ‘I’M OK NO I’M NOT (Deluxe Edition)’ Is an Intimate & Cinematic Expansion

by Mitch Mosk
Atwood Magazine's Weekly Roundup | September 22, 2023
Columns, Features, Music, Weekly RoundupSeptember 22, 2023<September 22, 2023

Atwood Magazine’s Weekly Roundup: September 22, 2023

by Atwood Magazine Staff
Posts pagination
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Brand New

  • “Our Personal Algorithms Have Us All Spinning Out”: Hudson Freeman on “If You Know Me” & His Search for Good Faith Human Connection
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2!
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year

:: discover something new ::

Recent Posts

  • “Our Personal Algorithms Have Us All Spinning Out”: Hudson Freeman on “If You Know Me” & His Search for Good Faith Human Connection December 22, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2! December 22, 2025
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
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