Artist to Watch, Debut, Interviews, MusicDecember 5, 2023<December 12, 2023 Artist to Watch: The Buzz About Bristol’s HUNNY BUZZ, an Indie Pop Band With an Irresistible Sound by Mitch Mosk
Columns, Music, Today's SongDecember 4, 2023<December 4, 2023 Today’s Song: Armand Hammer Weave Hip-Hop Tapestry on “When It Doesn’t Start With a Kiss” by Jake Fewx
Interviews, MusicDecember 4, 2023<December 4, 2023 Interview: Alberta Native Rebecca Lappa Transports Us to the Snowy North on ‘Tales of a Taurus’ by Josh Weiner
Music, ReviewsDecember 4, 2023<December 4, 2023 Review: Taylor Swift’s ‘1989 (Taylor’s Version)’ Is a Swiftie’s Wildest Dreams by Guest Writer
Music, Music Videos, PremieresDecember 4, 2023<December 4, 2023 Premiere: Clay Parker and Jodi James Ponder the Blue & Winding Homespun Flow of “Nothing at All” by Kendall Graham
Features, Interviews, Music, Track-by-TrackDecember 1, 2023<December 1, 2023 “Glittery, Gory, & Grungy”: Daisy Grenade’s ‘Cult Classic’ Is a Sparkling Pop Punk Explosion by Mitch Mosk
Interviews, MusicDecember 1, 2023<December 2, 2023 “I’m Just Trying to Keep the Letter Alive”: The Preservation of Humanity in Charlie Mars’ Latest Album ‘Times Have Changed’ by Lauren Hicks
Columns, Music, Today's SongDecember 1, 2023<December 1, 2023 Palm Desert’s pen pin Dwell in Sun-Soaked Doldrums on “The Boredom” by Mitch Mosk
Columns, Features, Music, Weekly RoundupDecember 1, 2023<December 1, 2023 Atwood Magazine’s Weekly Roundup: December 1, 2023 by Atwood Magazine Staff
Columns, Music, Today's SongNovember 30, 2023<November 30, 2023 Today’s Song: Sparks Fly in Ethel’s Ethereal, Enchanting “Pixie Dust” by Mitch Mosk
Interviews, MusicNovember 30, 2023<November 30, 2023 Interview with Jauz, a Part-Wise, Part-Wicked, All-Talented EDM Machine by Josh Weiner
Interviews, MusicNovember 30, 2023<November 30, 2023 Interview: Maudlin Strangers’ Jake Hays Gets Deep on Addiction, Tour Stories, New Music, & More by Chloe Robinson
Interviews, MusicNovember 30, 2023<November 30, 2023 Interview: Blind Pilot’s Israel Nebeker Discusses Two New Albums in 2024 by Mitch Mosk
Mistletones, Music, PremieresNovember 30, 2023<November 30, 2023 Premiere: Will Knox and néomí’s “Christmas Song” Aches With a Beautiful Sadness by Mitch Mosk
Artist to Watch, Music, Music Videos, PremieresNovember 29, 2023<November 29, 2023 Artist to Watch: Lily Seabird Aches With Cathartic Pain & Raw Melancholia in “Cavity” by Mitch Mosk
For the Love of Music
For the Love of Music
