Features, Interviews, Music, Track-by-TrackSeptember 18, 2023<September 19, 2023 “A technicolor hug”: Phosphene ‘Transmute’ Pain into Human Connection on Kaleidoscopic Third LP by Mitch Mosk
6 Music, Our Take, ReviewsSeptember 18, 2023<September 20, 2023 Our Take: Kim Petras’ ‘Problématique’ Is a Self-Aware Fan Favorite Finally Released by Julia Dzurillay
Music, PremieresSeptember 18, 2023<March 2, 2025 “Now I know to just go with the flow”: Frankie Bird Finds Herself Anew in “Float,” a Song of Renewal, Surrender, & Self-Love by Mitch Mosk
Columns, Music, Today's SongSeptember 18, 2023<September 18, 2023 Today’s Song: Mitski’s “Star b/w Heaven” Is a Symphonic Double Feature by Sofia Sar
Columns, Music, Today's SongSeptember 16, 2023<September 20, 2023 Today’s Song: King Princess’ “Let Us Die” Is a Love Song About Letting Go by Eric Schuster
Columns, Features, Music, Weekly RoundupSeptember 15, 2023<September 16, 2023 Atwood Magazine’s Weekly Roundup: September 15, 2023 by Atwood Magazine Staff
Features, Interviews, Music, Track-by-TrackSeptember 15, 2023<September 15, 2023 Track-by-Track: Austin’s Briscoe Debut ‘West of It All’ With Warm Folk Rock Wonder & Spirited Passion by Mitch Mosk
Columns, Music, Today's SongSeptember 15, 2023<September 15, 2023 Today’s Song: Opening a Time Capsule for Love in Anabella Paige’s “This I Miss” by Lauren Hicks
Features, Interviews, Music, Track-by-TrackSeptember 15, 2023<September 19, 2023 “Sad Girly Triumph”: The Beaches Go Track-By-Track Through ‘Blame My Ex,’ Their Anthemic & Aching Sophomore LP by Mitch Mosk
Features, Interviews, Music, Track-by-TrackSeptember 14, 2023<September 14, 2023 Feature: Sofía Valdés Dives into ‘Silvia,’ Her Intimate, Vulnerable, & Soul-Stirring Seduction by Mitch Mosk
Features, Interviews, MusicSeptember 14, 2023<September 14, 2023 Interview: K.Flay Reflects on Her Triumphant New Album, ‘MONO’ by Michael Greco
Music, Music Videos, PremieresSeptember 14, 2023<September 14, 2023 Premiere: NYC’s Ava Della Pietra Steps into a Bold New Era with “ego,” an Unapologetic Anthem of Empowerment by Mitch Mosk
Columns, Music, Today's SongSeptember 14, 2023<September 14, 2023 Sydney Sprague’s “Smiley Face” and a Sprightly Stroll Through the Meadows of Feigned Emotions by Guest Writer
Debut, Features, Interviews, Music, Track-by-TrackSeptember 13, 2023<September 13, 2023 “A Love Letter to Myself”: Melbourne’s Winten Dives into Her Breathtaking Debut Album ‘Waving to My Girl’ by Mitch Mosk
Features, Interviews, Music, Track-by-TrackSeptember 13, 2023<September 13, 2023 Feature: Scotch Mist’s ‘Cabo Blanco’ Is a Sweaty & Seductive Fever Dream of 21st Century Funk by Mitch Mosk
For the Love of Music
For the Love of Music
