Music, Music Videos, PremieresDecember 4, 2023<December 4, 2023 Premiere: Clay Parker and Jodi James Ponder the Blue & Winding Homespun Flow of “Nothing at All” by Kendall Graham
Features, Interviews, Music, Track-by-TrackDecember 1, 2023<December 1, 2023 “Glittery, Gory, & Grungy”: Daisy Grenade’s ‘Cult Classic’ Is a Sparkling Pop Punk Explosion by Mitch Mosk
Interviews, MusicDecember 1, 2023<December 2, 2023 “I’m Just Trying to Keep the Letter Alive”: The Preservation of Humanity in Charlie Mars’ Latest Album ‘Times Have Changed’ by Lauren Hicks
Columns, Music, Today's SongDecember 1, 2023<December 1, 2023 Palm Desert’s pen pin Dwell in Sun-Soaked Doldrums on “The Boredom” by Mitch Mosk
Columns, Features, Music, Weekly RoundupDecember 1, 2023<December 1, 2023 Atwood Magazine’s Weekly Roundup: December 1, 2023 by Atwood Magazine Staff
Columns, Music, Today's SongNovember 30, 2023<November 30, 2023 Today’s Song: Sparks Fly in Ethel’s Ethereal, Enchanting “Pixie Dust” by Mitch Mosk
Interviews, MusicNovember 30, 2023<November 30, 2023 Interview with Jauz, a Part-Wise, Part-Wicked, All-Talented EDM Machine by Josh Weiner
Interviews, MusicNovember 30, 2023<November 30, 2023 Interview: Maudlin Strangers’ Jake Hays Gets Deep on Addiction, Tour Stories, New Music, & More by Chloe Robinson
Interviews, MusicNovember 30, 2023<November 30, 2023 Interview: Blind Pilot’s Israel Nebeker Discusses Two New Albums in 2024 by Mitch Mosk
Mistletones, Music, PremieresNovember 30, 2023<November 30, 2023 Premiere: Will Knox and néomí’s “Christmas Song” Aches With a Beautiful Sadness by Mitch Mosk
Artist to Watch, Music, Music Videos, PremieresNovember 29, 2023<November 29, 2023 Artist to Watch: Lily Seabird Aches With Cathartic Pain & Raw Melancholia in “Cavity” by Mitch Mosk
Music, ReviewsNovember 29, 2023<November 29, 2023 Review: Psychedelic Porn Crumpets’ ‘Fronzoli’ Takes Listeners Through a Fast, Chaotic, and Maximal Kaleidoscope of Textured Sound by Guest Writer
Features, Interviews, MusicNovember 29, 2023<November 29, 2023 Interview: Clementine Creevy of Cherry Glazerr’s “Freeing and Liberating” Musical Process in ‘I Don’t Want You Anymore’ by Minna Abdel-Gawad
Columns, Music, Today's SongNovember 29, 2023<November 29, 2023 Today’s Song: The Scuzzy Seduction of two blinks, i love you’s “sentiment” by Mitch Mosk
Debut, Features, Interviews, MusicNovember 29, 2023<November 29, 2023 Premiere: Tafari Anthony Dives into Love on Empowering Debut Album ‘When I Met Your Girlfriend’ by Mitch Mosk
For the Love of Music
For the Love of Music
