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Mouraine © Mat Dunlap
Debut, Features, Interviews, Music, Track-by-TrackAugust 3, 2023<August 3, 2023

In Search of Gold: Mouraine Shines With Passion & Purpose on Radiant Debut Album

by Mitch Mosk
By Now - Jessica Woodlee
Columns, Music, Today's SongAugust 2, 2023<August 2, 2023

Today’s Song: Jessica Woodlee Explores How to React When Things Don’t Go As Planned on “By Now”

by Josh Weiner
Blondes © Charlie Harris
Features, Interviews, Music, Track-by-TrackAugust 2, 2023<August 2, 2023

Track-by-Track: Blondes’ ‘In Separation’ EP Is an Oasis of Raw Emotion & Radiant Energy

by Mitch Mosk
There are certain chord preferences that sound the “best.”
Editorials, MusicAugust 2, 2023<August 2, 2023

The Prevalence (or Disappearance) of Four-Chord Songs

by Julia Dzurillay
The Bright Light Social Hour © Jaycee Grover
Music, PremieresAugust 2, 2023<August 2, 2023

Premiere: The Bright Light Social Hour Deliver Smoldering Psychedelia on “Lifers Only” Off 5th Album, ‘Emergency Leisure’

by Mitch Mosk
KARD © Freya Rinaldi
Features, Interviews, MusicAugust 2, 2023<August 2, 2023

Interview: Co-ed K-Pop Group KARD Speaks on Challenging the Norm & Taking Risks at the Dallas Stop of Their World Tour

by Freya Rinaldi
Little Fuss © Caleb Whelan
Features, Music, Premieres, Track-by-TrackAugust 2, 2023<August 2, 2023

EP Premiere: Boston’s Little Fuss Sizzle & Soar on the Irresistible ‘Lovely Distraction’

by Mitch Mosk
Sofia Machray © Olivia Melhop
Features, Interviews, Music, Track-by-TrackAugust 1, 2023<August 4, 2023

“Letters to my future self”: Sofia Machray Speaks the ‘Language of Flowers’ on Her Delicate & Dynamic Debut EP

by Mitch Mosk
Misterwives 'Nosebleeds' © Matty Vogel
Features, Interviews, MusicAugust 1, 2023<August 1, 2023

Reclaiming Our Feelings: MisterWives Discuss Their 4th Studio Album, ‘Nosebleeds’

by Kelly McCafferty Dorogy
Tunes & Tumblers x Barbenheimer July 2023
Music, Podcast, Tunes & TumblersAugust 1, 2023<August 1, 2023

Podcast: Tunes & Tumblers’ Oops! All Barbenheimer!

by Atwood Magazine Staff
Curling © 2023
Columns, Music, Today's SongAugust 1, 2023<August 1, 2023

“Don’t be defined by these chains”: Curling’s Heated, Anthemic Alt-Rock Surrender, “Patience”

by Mitch Mosk
BAYEM © Owen Thomas
Features, Interviews, Music, Track-by-TrackJuly 31, 2023<July 31, 2023

Track-by-Track: BAYEM Embraces Life’s In-Betweens on Vaporwave-Inspired ‘OASIS’ EP

by Mitch Mosk
Nina de Vitry © Joseph Ross Photography
Music, PremieresJuly 31, 2023<July 31, 2023

Premiere: It’s the Right Time for Nina de Vitry’s Seductive & Liberating “Wrong Thing”

by Mitch Mosk
Katelyn Tarver © Irida Mete
Columns, Music, Today's SongJuly 31, 2023<July 31, 2023

Today’s Song: Katelyn Tarver Shines a Light in the Dark With “Starting to Scare Me”

by Kelly McCafferty Dorogy
Niia © Diego Vourakis
Columns, Music, Today's SongJuly 30, 2023<July 29, 2023

A License for Letting Go: Niia’s “Alfa Romeo” Sets the Stage for New Album, ‘Bobby Deerfield’

by Lauren Hicks
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Brand New

  • “Our Personal Algorithms Have Us All Spinning Out”: Hudson Freeman on “If You Know Me” & His Search for Good Faith Human Connection
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2!
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year

:: discover something new ::

Recent Posts

  • “Our Personal Algorithms Have Us All Spinning Out”: Hudson Freeman on “If You Know Me” & His Search for Good Faith Human Connection December 22, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2! December 22, 2025
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
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