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Tunes & Tumblers x BottleRock Napa Valley 2023
Music, Podcast, Tunes & TumblersJune 7, 2023<June 7, 2023

Podcast: Tunes & Tumblers’ Great BottleRock Adventure!

by Atwood Magazine Staff
joan © Jacob Ruth
Debut, Features, Interviews, Music, Track-by-TrackJune 7, 2023<June 7, 2023

“Life, death, and everything between”: joan Go Track-by-Track Through ‘superglue,’ Their Intimately Cinematic Debut Album

by Mitch Mosk
Babe Rainbow © Maclay Heriot
Features, Interviews, MusicJune 7, 2023<June 7, 2023

Interview: Babe Rainbow’s “Super Ego” Is a Summer Psychedelic Masterpiece

by Miles Campbell
swim school "duality" © Rory Barnes
Music, ReviewsJune 7, 2023<June 7, 2023

Review: swim school Offer a Compelling Look at ‘duality’ with New EP

by Brianna Corrine
Winten © Matthew Shaw
Columns, Music, Today's SongJune 7, 2023<June 7, 2023

The Intimate Warmth, Freeing Energy, & Cathartic Release of Winten’s “Bad Ones”

by Mitch Mosk
Diamond Day © Ariana Molly
Music, PremieresJune 7, 2023<June 7, 2023

Premiere: Montréal’s Diamond Day Debut with “Noisemaker,” a Hypnotic & Shoegazey Alt-Pop Fever Dream

by Mitch Mosk
The Aces "I've Loved You For So Long" © Julian Burgueño
Features, Interviews, MusicJune 6, 2023<December 21, 2023

‘I’ve Loved You For So Long’: The Aces Unpack Anxiety, Youth, & Queerness on Liberating Third LP

by Mitch Mosk
The Travelin' McCourys © Taylor Lewis Photography
Festival, Music, ReviewsJune 6, 2023<June 6, 2023

Review: DelFest 2023 Brings Music to Fill the Cumberland Air

by Christopher Snyder
King Gizzard & the Lizard Wizard © Keith Griner 2023
Concerts, Music, ReviewsJune 6, 2023<June 6, 2023

Live Review: King Gizzard & The Lizard Wizard Rock 4 Nights of No Repeats in Rural Tennessee

by Max Kalnitz
Timothy Edward Carpenter © 2023
Columns, Music, Today's SongJune 6, 2023<June 6, 2023

Today’s Song: Timothy Edward Carpenter Celebrates Love With the Beautiful “emiliejane”

by Mitch Mosk
The Collection © Griffin Hart Davis
Columns, Editorials, Music, Pride MonthJune 6, 2023<June 6, 2023

“The Authenticity Required”: A Pride Month Essay by The Collection’s David Wimbish

by Guest Writer
Annahstasia © Julian Dakdouk
Features, Interviews, Music, Track-by-TrackJune 5, 2023<June 5, 2023

“I’m just one woman, trying to carry that weight”: Inside Annahstasia’s Grounding, Still, & Timeless ‘Revival’ EP

by Mitch Mosk
Lanterns on the Lake © Rob Irish
Features, Interviews, Music, Track-by-TrackJune 5, 2023<June 5, 2023

“Am I a wreck? You bet”: Lanterns on the Lake Unveil ‘Versions of Us,’ Their Cinematic & Soul-Stirring Fifth Album

by Mitch Mosk
Hangout Music Festival 2023
Festival, Music, ReviewsJune 5, 2023<June 5, 2023

A Perfect Weekend of Poolside Paradise: A Review of Hangout Music Festival 2023!

by Nick Polak
The Aces © Julian Burgueño
Columns, Music, Today's SongJune 5, 2023<June 5, 2023

Today’s Song: The Aces Aren’t Fading Away Anytime Soon with “Not the Same”

by Julia Dzurillay
Posts pagination
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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