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beabadoobee & Laufey © 2023
Columns, Music, Today's SongNovember 4, 2023<November 4, 2023

Today’s Song: Beabadoobee and Laufey Create an Unforgettable Track With “A Night to Remember”

by Laurent Chavannes
Wild Nothing's Jack Tatum © Ethan Hickerson
Columns, Music, Today's SongNovember 3, 2023<November 3, 2023

Today’s Song: Wild Nothing Pushes the Limits in Reflective Track “Prima” Off New LP ‘Hold’

by Beau Hayhoe
The Vaughns © Brian Hughes
Features, Interviews, Music, Track-by-TrackNovember 3, 2023<November 3, 2023

Track-by-Track: With ‘Egg Everything,’ The Vaughns Cook Up an Inventive, Impassioned, & Achingly Emotive Sophomore Album

by Mitch Mosk
Taking Back Sunday '152' © DJay Brawner
Features, Interviews, MusicNovember 3, 2023<November 3, 2023

“A Newfound Zest”: Reflecting on the Past & Looking to the Future with Taking Back Sunday’s Shaun Cooper

by Isabella Le
Victoria Bigelow © Eric Daniels
Features, Interviews, Music, Track-by-TrackNovember 3, 2023<November 3, 2023

Nostalgic, Dusky, & Contemplative: Victoria Bigelow’s Beautifully Brutal ‘Songs for No One Vol. 1’

by Mitch Mosk
Atwood Magazine's Weekly Roundup | November 3, 2023
Columns, Features, Music, Weekly RoundupNovember 3, 2023<November 3, 2023

Atwood Magazine’s Weekly Roundup: November 3, 2023

by Atwood Magazine Staff
Florida Girl - Lydia Luce
Features, Interviews, Music, Track-by-TrackNovember 2, 2023<November 2, 2023

Colorful, Ambient, & Orange: Lydia Luce Embraces Her Inner ‘Florida Girl’ on Intimate & Vulnerable Third LP

by Mitch Mosk
Now and Then: The Long and Winding Road to the Last Beatles Song © Aidan Moyer
Features, Music, ReviewsNovember 2, 2023<January 6, 2024

Now and Then: The Long and Winding Road to the Last Beatles Song

by Aidan Moyer
mehro © Russell Tandy
Columns, Music, Today's SongNovember 2, 2023<November 2, 2023

Today’s Song: mehro’s New Single Is an Intimate Rush of Raw “dopamine”

by Mitch Mosk
Rett Madison © Mikayla Miller
Features, Interviews, Music, Track-by-TrackNovember 1, 2023<November 1, 2023

Catharsis, Honesty, & Healing: Rett Madison Leans into Grief on ‘One for Jackie,’ Her Soul-Stirring Sophomore LP

by Mitch Mosk
Squirrel Flower's Ella Williams © Alexa Viscius
Music, ReviewsNovember 1, 2023<November 1, 2023

Review: Squirrel Flower Puts It All Out There in Shimmering Third Album, ‘Tomorrow’s Fire’

by Rachel Leong
Allie X "Black Eye" © Marcus Cooper
Columns, Music, Today's SongNovember 1, 2023<November 1, 2023

“There’s no need to cry”: Allie X Returns With Enticingly Eerie Dark-Pop Single “Black Eye”

by Marissa DeLeon
Lee Lewis © Shamaal
Artist to Watch, Columns, Debut, Music, Today's SongOctober 31, 2023<October 31, 2023

His Beautiful Dark Twisted Melancholy: LA’s Lee Lewis Bares His Soul on Lovelorn Debut Single “Willing & Able”

by Mitch Mosk
teddy
MusicOctober 31, 2023<November 1, 2023

“I wanted to explore the person I was becoming”: Teddy Geiger Premieres ‘Teresa,’ an Album of Transition, Reconnection, & Self-Discovery

by Mitch Mosk
Maple Glider © Bridgette Winten
Features, Interviews, Music, Track-by-TrackOctober 31, 2023<October 31, 2023

“A Warm and Safe Space”: Maple Glider Is Vulnerable, Raw, & Exposed on ‘I Get into Trouble,’ Her Breathtaking Sophomore Album

by Mitch Mosk
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Brand New

  • Atwood Magazine’s Weekly Roundup: June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation

:: discover something new ::

Recent Posts

  • Atwood Magazine’s Weekly Roundup: June 23, 2026 June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream June 23, 2026
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
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