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Kevin Abstract © Lucas Creighton
Columns, Music, Today's SongOctober 21, 2023<October 21, 2023

Today’s Song: Kevin Abstract’s “Blanket” Is Scary… But in a Good Way

by Sofia Sar
Atwood Magazine's Weekly Roundup | October 20, 2023
Features, Interviews, MusicOctober 20, 2023<October 27, 2023

Atwood Magazine’s Weekly Roundup: October 20, 2023

by Atwood Magazine Staff
Lovetta © John Fiorentino
Columns, Music, Today's SongOctober 20, 2023<October 20, 2023

Lovetta Finds Her North Star on “Havin’ a Good Time,” a Spirited Ode to Finding Happiness in the Everyday

by Mitch Mosk
shallow pools © Sarah Mentus
Debut, Features, Interviews, Music, Track-by-TrackOctober 20, 2023<October 29, 2023

Feature: Dive Headfirst into shallow pools’ Urgent, Empowering, & Irresistible Debut Album ‘I Think About It All the Time’

by Mitch Mosk
Sister. © 2023
Debut, Features, Interviews, MusicOctober 20, 2023<October 20, 2023

Maximalist, Homemade, & Joyful: A Guide to sister.’s Deeply Vulnerable Debut Album, ‘Abundance’

by Mitch Mosk
MisterWives © Matty Vogel
Concerts, Interviews, Music, ReviewsOctober 20, 2023<October 20, 2023

Interview: MisterWives Reflect on Their ‘Nosebleeds’ Era and Face-Melting Don’t Look Down Tour

by Kelly McCafferty Dorogy
Emily Vaughn © 2023
Music, Music Videos, PremieresOctober 19, 2023<October 19, 2023

Premiere: Emily Vaughn’s “is anybody happy?” Is a Vulnerable, Raw Reckoning With Adult Anxiety

by Mitch Mosk
Matilda Lyn © 2023
Columns, Music, Today's SongOctober 19, 2023<October 19, 2023

Artist to Watch: Matilda Lyn’s “Fooled by September” Is a Fragile Ode to Fleeting Beauty

by Mitch Mosk
Signe Vange © Sara Galbiati
Music, Music Videos, PremieresOctober 19, 2023<October 19, 2023

Premiere: The Dreamy Warmth & Existential Ache of Signe Vange’s “Skyscraper” ft. Lise Westzynthius

by Mitch Mosk
Imogen Clark © Michelle Grace Hunder
Music, PremieresOctober 19, 2023<October 19, 2023

“If I want in, I gotta get out”: Imogen Clark Channels Angst, Energy, & Ambition into Her Spirited New Single

by Mitch Mosk
Gregory Alan Isakov © Glen Ross
Features, Interviews, MusicOctober 19, 2023<October 19, 2023

“Punching into a Daydream Factory”: Gregory Alan Isakov and the Quiet Warmth of ‘Appaloosa Bones’

by Mitch Mosk
Maisie Peters © courtesy of the artist
Concerts, Music, ReviewsOctober 18, 2023<October 18, 2023

Live Review: Maisie Peters Stuns in Texas with the Spectacular Good Witch Show

by Kelly McCafferty Dorogy
GUTS - Olivia Rodrigo
Music, ReviewsOctober 18, 2023<October 18, 2023

Olivia Rodrigo Spills Her ‘GUTS’ in New Album, Tapping into Fears of Youth, Aging, & Heartbreak

by Claire Meyer
Tunes & Tumblers x The Bobby Lees 2023
Music, Podcast, Tunes & TumblersOctober 18, 2023<October 24, 2023

Podcast: Tunes & Tumblers Features The Bobby Lees and a Junkyard Juice (ft. Macky Bowman)

by Atwood Magazine Staff
Ricky Montgomery © Haley Appell
Features, Interviews, Music, Track-by-TrackOctober 18, 2023<October 17, 2023

Track-by-Track: Ricky Montgomery’s ‘Rick’ Is a Big, Bold Record With Big, Raw Feelings

by Mitch Mosk
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  • Atwood Magazine’s Weekly Roundup: June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation

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Recent Posts

  • Atwood Magazine’s Weekly Roundup: June 23, 2026 June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream June 23, 2026
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
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