8.4 Music, Our Take, ReviewsOctober 11, 2023<October 11, 2023 Our Take: Omar Apollo Shares the Voices of Vulnerability in ‘Live for Me’ by Sofia Sar
Concerts, Music, ReviewsOctober 11, 2023<October 11, 2023 Live Review: The Hails Storm the Stage of Boston’s The Middle East for an Electric Night of Indie Rock by Minna Abdel-Gawad
Music, Music Videos, PremieresOctober 10, 2023<October 10, 2023 Video Premiere: Alexz Johnson Takes the Blame in a Stunningly Cinematic, Emotional Reckoning by Mitch Mosk
Columns, Features, Music, Weekly RoundupOctober 6, 2023<October 9, 2023 Atwood Magazine’s Weekly Roundup: October 6, 2023 by Atwood Magazine Staff
Debut, Features, Interviews, Music, Track-by-TrackOctober 6, 2023<October 6, 2023 “Unrestrained Femme Catharsis”: BROODS’ Georgia Nott Is Reborn & Unleashed As Georgia Gets By by Mitch Mosk
Interviews, MusicOctober 6, 2023<October 6, 2023 Interview: Mike Dunton Transports Listeners to a Whole Other Time & Place With “Hotel Lobby” by Chloe Robinson
Features, Interviews, MusicOctober 6, 2023<October 10, 2023 A Musical Rebirth: Colbie Caillat Talks New Album ‘Along the Way,’ Nashville, and Being a Woman in the Music Industry Today by Emily Frances Algar
Music, Music Videos, PremieresOctober 5, 2023<October 5, 2023 Premiere: Amethysts Dwell in the Deep End on “Bloodline,” a Moody, Brooding, & Beautiful Dreampop Reverie by Mitch Mosk
Features, Interviews, Music, Track-by-TrackOctober 5, 2023<October 5, 2023 “Big Sky Energy”: NYC’s Raia Was Is ‘Captain Obvious’ on Her Seductive & Soul-Stirring Sophomore Album by Mitch Mosk
Music, PremieresOctober 5, 2023<October 5, 2023 Premiere: Queen’s Brian May Joins Flarelight on “Glimmer,” a Hopeful & Hard-Hitting Alt-Rock Fever Dream by Mitch Mosk
Features, Interviews, MusicOctober 5, 2023<October 5, 2023 “This is what my heart sounds like”: Birthh Bares Her Soul on Third Album ‘Moonlanded’ by Mitch Mosk
Columns, Music, Today's SongOctober 4, 2023<October 4, 2023 “Cool” Girls and the Male Gaze: Sarah Johnsone’s “Sofia” Is a Seductive Critique by Mitch Mosk
Features, Interviews, Music, Premieres, Track-by-TrackOctober 4, 2023<October 4, 2023 Album Premiere: Hello June’s ‘Artifacts’ Is a Spirited, Churning, & Charged Sophomore Triumph by Mitch Mosk
Music, ReviewsOctober 4, 2023<October 4, 2023 Review: Kid Bloom’s ‘Shaky Knees’ Is the Soundtrack to a Never-Ending Summer by Eric Schuster
9.4 Music, Our Take, ReviewsOctober 4, 2023<October 4, 2023 Our Take: The National Go Back to the Well with the Soul-Stirring ‘Laugh Track,’ Their Second LP of 2023 by Beau Hayhoe
For the Love of Music
For the Love of Music
