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Housefires © 2023
Asian American and Pacific Islander Heritage Month, Columns, Editorials, MusicMay 16, 2023<May 22, 2023

Essay: Housefires’ Ryan Ellis on What AAPI Heritage Month Means to Him

by Guest Writer
Chris Lanzon © 2023
Features, Interviews, MusicMay 15, 2023<May 16, 2023

The Creator and the Self: How Chris Lanzon’s ‘Dark Side’ Portrays the Duality of Human Nature and Artistry

by Lauren Hicks
Dark Corners and Alchemy - mehro
Debut, Features, Interviews, Music, Track-by-TrackMay 15, 2023<May 15, 2023

Feature: mehro Shines a Light on the Shadows in ‘Dark Corners and Alchemy,’ His Breathtaking Debut Album

by Mitch Mosk
coslee © Mariza Kapsambeli
Columns, Music, Today's SongMay 15, 2023<May 15, 2023

Today’s Song: Greece’s coslee & papatanice Get Freaky in Funk-Fueled Fever Dream “do_Fr3ak.wav”

by Mitch Mosk
Metallica © Tim Saccenti 8.5
Music, Our Take, ReviewsMay 15, 2023<May 15, 2023

Our Take: Metallica Return From Hiatus in Dark & Energetic Fashion on ’72 Seasons’

by Josh Weiner
Atwood Magazine's Editor's Picks 99
Columns, Editor's Picks, Features, MusicMay 12, 2023<May 16, 2023

Editor’s Picks 99: Jo Hill, BETWEEN FRIENDS, The Satellite Station, Harrison Storm, Chenayder, & Matilda Mann!

by Mitch Mosk
Matt Maltese © Reed Schick
Features, Interviews, MusicMay 12, 2023<May 12, 2023

“Just love alone isn’t enough”: Matt Maltese Talks Existence, Joy, and Emotional Authenticity on ‘Driving Just To Drive’

by Isabella Le
Lizzy McAlpine live in Philadelphia © 2023
Concerts, Music, ReviewsMay 12, 2023<May 12, 2023

Concert Review: Lizzy McAlpine Is Effortlessly Unbelievable

by Kelly McCafferty Dorogy
Atwood Magazine's Weekly Roundup | May 12, 2023
Columns, Features, Music, Weekly RoundupMay 12, 2023<May 15, 2023

Atwood Magazine’s Weekly Roundup: May 12, 2023

by Atwood Magazine Staff
Jessie Ware © Jack Grange
Columns, Music, Today's SongMay 11, 2023<May 11, 2023

Today’s Song: Jessie Ware Celebrates Rediscovering the Spark on “Hello Love”

by Brendan Le
'Winner' - Overcoats
MusicMay 11, 2023<May 11, 2023

Interview: Overcoats’ Triumphant ‘Winner’ Redefines Success for Everyday Life

by Mitch Mosk
Gabriella Rose © Amy Lynn
Music, Music Videos, PremieresMay 11, 2023<May 11, 2023

Premiere: Gabriella Rose Seeks Playful Revenge with “Because You Got Caught”

by Frankie Rose
FORAGER © Evan Carter
Music, PremieresMay 11, 2023<May 12, 2023

Premiere: Basking in FORAGER’s Funk-Fueled Fever Dream, “Fuji or a Trek”

by Mitch Mosk
Wila Frank © David Piñeros
Debut, Features, Interviews, Music, Premieres, Track-by-TrackMay 11, 2023<May 11, 2023

Cathartic, Cinematic, & Honest: Wila Frank Premieres Her Soul-Stirring Debut Album ‘Black Cloud’

by Mitch Mosk
Hangout Music Festival © Alive Coverage
Festival, Music, PreviewsMay 11, 2023<May 11, 2023

2023 Hangout Music Festival Preview: Party on the Beach with SZA, Calvin Harris, Lil Nas X, & Skrillex!

by Nick Polak
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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