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The Warning © 2023
Columns, Music, Today's SongJuly 11, 2023<July 11, 2023

Today’s Song: The Warning Pack an Electric Punch on “MORE”

by Kendall Graham
Crave! - Frankie Morrow © Tabitha Wykeham
Columns, Music, Today's SongJuly 10, 2023<July 10, 2023

Today’s Song: Frankie Morrow’s “Crave!” Burns with a Seductive & Sweltering Heat

by Mitch Mosk
Hanne Mjøen © 2023
Music, ReviewsJuly 10, 2023<July 10, 2023

Track-by-Track: Hanne Mjøen Sings of Love’s Trials & Tribulations in ‘Fall in Love / Apart’ EP

by Joe Beer
Kevin Gates © Jimmy Fontaine
Interviews, MusicJuly 10, 2023<July 10, 2023

Interview: Two Questions with Kevin Gates, the Man Behind the Hit Song, “Two Phones”

by Nick Polak
Liz Phair’s ‘Exile in Guyville,’ 30 Years Later
Essays, Music, ReviewsJuly 10, 2023<July 10, 2023

Liz Phair’s ‘Exile in Guyville,’ 30 Years Later

by Claire Meyer
Hanne Kah © 2023
Columns, Essays, Music, Pride MonthJuly 10, 2023<July 10, 2023

“Why Role Models are Crucial in the Queer Community”: A Pride Month Essay by Hanne Kah

by Guest Writer
Atwood Magazine's Weekly Roundup | July 7, 2023
Columns, Features, Music, Weekly RoundupJuly 7, 2023<July 7, 2023

Atwood Magazine’s Weekly Roundup: July 7, 2023

by Atwood Magazine Staff
Noizu © 2023
Interviews, MusicJuly 7, 2023<October 11, 2023

A Conversation with Noizu, A Spicy Hot EDM Producer from England

by Josh Weiner
Leo © Claire Giuffre
Columns, Music, Today's SongJuly 7, 2023<July 9, 2023

Today’s Song: The Raw Inner Reckoning of Leo’s Soul-Stirring “Rough Hands”

by Mitch Mosk
Sunday Lendis © Maria Alzamora 2023
Debut, Features, Interviews, Music, Track-by-TrackJuly 7, 2023<July 8, 2023

Vulnerable, Intricate, & Beautiful: Leeds’ Sunday Lendis Shines on Debut EP ‘Long Exposure’

by Mitch Mosk
Noel Gallagher © Matt Crockett
Music, ReviewsJuly 7, 2023<July 7, 2023

Review: ‘Council Skies’ Is a Soaring Exploration of Talent From Noel Gallagher’s High Flying Birds

by Brianna Corrine
Portugal. The Man © Michael Greco
MusicJuly 6, 2023<July 6, 2023

Festival Review: Tennessee Heat Boils Over at Bonnaroo 2023

by Michael Greco
KTJ & CARLY © Joseph Lee
Features, Interviews, MusicJuly 6, 2023<July 6, 2023

Interview: KTJ & CARLY’s New EP ‘NUKETOWN’ Explores Life’s Musical Explosions

by Julius Robinson
Indigo De Souza © Angella Chloe 9.6
Music, Our Take, ReviewsJuly 6, 2023<July 6, 2023

Our Take: Indigo De Souza Reaches Enlightenment in ‘All of This Will End’

by Nic Nichols
Eliza Elliott © Katie Kutchmire
Columns, Music, Today's SongJuly 6, 2023<July 6, 2023

Today’s Song: The Warm Glow of Eliza Elliott’s Vulnerable, Visceral, & Vivid “Live in My Brain”

by Mitch Mosk
Posts pagination
1 … 180 181 182 183 184 … 726

Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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