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Jasmine Jethwa © Daniel A Harris
Artist to Watch, Columns, Features, Interviews, Music, Track-by-TrackApril 24, 2023<April 30, 2023

“Immediate, Defiant, & Vulnerable”: Jasmine Jethwa Shines on Intimate, Soul-Stirring EP ‘Same Streets But I Don’t See You Around’

by Mitch Mosk
J.E. Sunde © Nicholas Despis
Music, PremieresApril 24, 2023<April 30, 2023

“I got one life to live, but I’m not doing it right…”: J.E. Sunde Premieres “Stop Caring,” an Existential Crisis Solved in Song

by Mitch Mosk
Morat © Amanda Imm
Features, Music, ReviewsApril 24, 2023<April 30, 2023

Meet Morat, a Colombian Band Looking to “Salir Con Vida” into the Spotlight

by Josh Weiner
Drake © Universal Music Group
Covers, Music, ReviewsApril 24, 2023<April 30, 2023

Passionate About “Passionfruit”: Drake’s Unflappable, Shape-Shifting Spring Song

by Julia Dzurillay
King Krule © Frank Lebon
Columns, Today's SongApril 24, 2023<April 30, 2023

King Krule’s “Seaforth” Is an Emotionally Intimate Exploration of the ‘Space Between’

by Miles Campbell
Lilly Eason © Maria Mattingly
Columns, Meet Our WritersApril 22, 2023<April 30, 2023

Meet Our Writers: Nashville’s Lilly Eason!

by Lilly Eason
Atwood Magazine's Editor's Picks 96
Columns, Editor's Picks, Features, MusicApril 21, 2023<April 22, 2023

Editor’s Picks 96: Babygirl, sunbleached, Hollyy, Isaac Stuart, dani mack, & Augustine!

by Mitch Mosk
Rodrigo y Gabriela © Ebru Yildiz
Interviews, Music, ReviewsApril 21, 2023<April 30, 2023

“But At Least We Had Music”: A Conversation with Rodrigo y Gabriela

by Adrian Vargas
Atwood Magazine's Weekly Roundup | April 21, 2023
Columns, Features, Music, Weekly RoundupApril 21, 2023<May 15, 2023

Atwood Magazine’s Weekly Roundup: April 21, 2023

by Atwood Magazine Staff
Similar Kind © Sam Lockyer
Columns, Music, Today's SongApril 21, 2023<April 30, 2023

Today’s Song: “Face to Face” Is Similar Kind’s Emotionally-Charged Indie Rock Fever Dream

by Mitch Mosk
A Plan To Get Home - SOMOH
Debut, Features, Interviews, Music, Track-by-TrackApril 20, 2023<April 30, 2023

Delicate, Emotional, Punchy: London’s SOMOH Dives into ‘A Plan to Get Home,’ Her Unapologetically Vulnerable Debut EP

by Mitch Mosk
Voice Notes - Yazmin Lacey
Debut, Features, Interviews, Music, Track-by-TrackApril 20, 2023<April 30, 2023

Feature: Yazmin Lacey Delves Deep in ‘Voice Notes,’ Her Beautifully Raw & Diaristic Debut

by Mitch Mosk
Beach Weather © Olivia Smith
Features, Interviews, MusicApril 20, 2023<April 30, 2023

Pineapple Sunrise: Beach Weather’s Catchy, Breezy & Alternative Debut Album Explores Personal Growth

by Lauren Turner
Kim Petras © Byron Spencer, illustration Lucas David
Columns, Music, Music You Should KnowApril 20, 2023<April 30, 2023

Music You Should Know: Turn On (and Turn Up) ‘Turn Off the Light’ by Kim Petras

by Julia Dzurillay
MORGXN © Shervin Lainez
Columns, Music, Today's SongApril 20, 2023<April 30, 2023

Today’s Song: MORGXN Finds Hope in the Darkness on Triumphant Anthem “Beacon”

by Mitch Mosk
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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