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Ben Howard © Toby Coulson
Features, Interviews, MusicSeptember 13, 2023<March 29, 2024

Interview: Ben Howard Talks New Record ‘Is It?,’ Mini-Strokes, & Italian Novelists

by Sam Franzini
Cry Baby © Gabe Ruckus
Artist to Watch, Columns, Music, Today's SongSeptember 13, 2023<September 13, 2023

Artist to Watch: Cry Baby Usher in a New Era on “Pretend,” a Soul-Stirring Eruption of Noughties Nostalgia & Modern Charm

by Mitch Mosk
Far Caspian self-portrait © Joel Johnston
Features, Interviews, MusicSeptember 12, 2023<October 26, 2023

Gibberish, Vulnerability, & Evolving Past People Pleasing: A Conversation with Far Caspian

by Kate Millar
Ethansroom © Noah Tidmore
Music, PremieresSeptember 12, 2023<September 12, 2023

Premiere: ethansroom Learns to Let Go in “Laughing Out Loud,” a Dusty & Cinematic Indie Rock Reverie

by Mitch Mosk
Wilderado © Laura Webster
Columns, Music, Today's SongSeptember 12, 2023<September 12, 2023

Today’s Song: Wilderado Paint a Warm Western Landscape Somewhere “In Between” Right Here and Now

by Mitch Mosk
Looms © 2023
Music, PremieresSeptember 11, 2023<September 11, 2023

Premiere: Looms’ New Single “The Water” Depicts the Heavy Weight of a Sinking Friendship

by Mitch Mosk
Bruce Springsteen: Between What’s Flesh and What’s Fantasy © Aidan Moyer
Concerts, Music, ReviewsSeptember 11, 2023<January 6, 2024

Between What’s Flesh & What’s Fantasy: Bruce Springsteen and His Hometown at MetLife Stadium, NJ

by Aidan Moyer
Christine and the Queens and SG Lewis © 2023
Columns, Music, Today's SongSeptember 11, 2023<September 11, 2023

Today’s Song: Christine and the Queens Takes “To be honest” to the Dance Floor with SG Lewis Remix

by Julia Dzurillay
corner club © Vincent Po
Columns, Music, Today's SongSeptember 9, 2023<September 11, 2023

Today’s Song: corner club Ponder Mortality and the Love We Leave Behind in “when i die”

by Sophie Severs
Atwood Magazine's Weekly Roundup | September 8, 2023
Columns, Features, Music, Weekly RoundupSeptember 8, 2023<September 11, 2023

Atwood Magazine’s Weekly Roundup: September 8, 2023

by Atwood Magazine Staff
Boyish © Stolen Besos (Maya)
Features, Interviews, Music, Track-by-TrackSeptember 8, 2023<September 8, 2023

Feature: Boyish Turn Teenage Trauma into Soul-Stirring Sound on ‘Little Demon Boy’

by Mitch Mosk
PRONOUN © Merissa Blitz
Columns, Music, Today's SongSeptember 8, 2023<September 8, 2023

THWACK! PRONOUN Takes the Hits in “SLAP ME IN THE FACE,” Reckoning with a Big, Ugly World

by Mitch Mosk
Sylvan Esso at Hinterland Music Festival © Andrea Escobar
Festival, Music, ReviewsSeptember 8, 2023<September 8, 2023

2023 Hinterland Music Festival: A Hidden Gem in the Midwest Festival Scene

by Nick Polak
Pearl - Bobby Bazini
Features, Interviews, Music, Track-by-TrackSeptember 7, 2023<September 7, 2023

Track-by-Track: Bobby Bazini Breaks Down ‘Pearl,’ His Cinematic, Cathartic, & Soul-Stirring Fifth LP

by Mitch Mosk
Barbaro © Wolfskull Creative
Columns, Music, Today's SongSeptember 7, 2023<September 7, 2023

Today’s Song: The Beauty & the Aching of Barbaro’s Evergreen “Gardens”

by Mitch Mosk
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Brand New

  • Atwood Magazine’s Weekly Roundup: June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation

:: discover something new ::

Recent Posts

  • Atwood Magazine’s Weekly Roundup: June 23, 2026 June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream June 23, 2026
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
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