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Atwood Magazine's Editor's Picks 98
Columns, Editor's Picks, Features, MusicMay 4, 2023<May 4, 2023

Editor’s Picks 98: Superbloom, Nick & June, eundohee, Claud, Arliston, & Kaleah Lee!

by Mitch Mosk
cool girl island © 2023
Music, PremieresMay 4, 2023<May 4, 2023

Premiere: Basking in Cool Girl Island’s Intimate & Enchanting “LA Lullaby”

by Mitch Mosk
Brittain Ashford © Jacki Paolella
Music, PremieresMay 4, 2023<May 5, 2023

Premiere: Brittain Ashford Dwells in Soul-Stirring Melancholy on “Hand Wringing/In the Wings”

by Mitch Mosk
Sadye © SJ Spreng
Columns, Debut, Music, Today's SongMay 4, 2023<May 4, 2023

Today’s Song: Sadye Explores the Pitfalls of Blind Faith in “Biblical”

by Sophie Severs
Draag © Devonte Johnson
Features, Interviews, Music, Track-by-TrackMay 3, 2023<May 3, 2023

“Soothing Existential Dread”: Dwelling in Draag’s Cathartic Debut Album, ‘Dark Fire Heresy’

by Mitch Mosk
Ann Annie © 2023
Asian American and Pacific Islander Heritage Month, Columns, Essays, MusicMay 3, 2023<May 31, 2023

“Finding My Identity in Film Scores”: An Essay by Ann Annie for AAPI Heritage Month

by Guest Writer
Firewoodisland © Dave Newbould
Music, Music Videos, PremieresMay 3, 2023<May 3, 2023

“The beauty starts the moment you love yourself”: Firewoodisland Premiere “Looking for Love,” Their Inspiring Song & Mantra

by Mitch Mosk
Tayls © 2023
Music, Music Videos, PremieresMay 3, 2023<May 3, 2023

Video Premiere: Tayls’ “Nightmare” Is a Haunting, Heavy-Hitting Anthem for These Hard Times

by Kelly McCafferty Dorogy
DPR LIVE & DPR IAN
Concerts, Music, ReviewsMay 3, 2023<June 2, 2023

Concert Review: DPR Live & DPR Ian Reign Supreme at Their Coachella ’23 Debut

by Freya Rinaldi
Photo Ops © 2023
Features, Interviews, Music, Track-by-TrackMay 2, 2023<May 2, 2023

Feature: Photo Ops ‘Burns Bright’ on His Iridescent, Honest & Melodic Fourth Album

by Mitch Mosk
Babygirl © Becca Hamel
Features, Interviews, MusicMay 2, 2023<May 3, 2023

“Both timely and timeless”: Babygirl Bridge Humanity & Musicianship on ‘Be Still My Heart’

by Isabella Le
A member of The Old 97’s and Chris Pratt as Peter Quill/Star-Lord in Marvel Studios' The Guardians of the Galaxy Holiday Special, exclusively on Disney+. Photo by Jessica Miglio. © 2022 MARVEL
Essays, MusicMay 2, 2023<May 2, 2023

‘Guardians of the Galaxy Vol. 3’ and Marvel’s Lessons in Music Therapy

by Julia Dzurillay
Everything But The Girl © Edward Bishop, 2022
Music, ReviewsMay 2, 2023<May 2, 2023

Album Review: Everything But The Girl’s ‘Fuse’ & the Weight of the World

by David Buyze
"Learn To Swim, Pt II" music video still - Joshua Idehen
Debut, Music, Music Videos, PremieresMay 2, 2023<June 9, 2023

Video Premiere: Joshua Idehen’s Moving “Learn to Swim Pt 2” Is Food for the Soul

by Mitch Mosk
Ryan Beatty © Lucas Creighton
Columns, Music, Today's SongMay 2, 2023<May 2, 2023

Today’s Song: Ryan Beatty’s “Ribbons” Marks a Delicate, Intimate Comeback

by Brendan Le
Posts pagination
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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