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Arliston © Wolf James
Features, Interviews, Music, Track-by-TrackJuly 20, 2023<July 20, 2023

Track-by-Track: Inside Arliston’s Beautifully Tender Tempest, ‘How in Heaven’

by Mitch Mosk
B-Drop
Features, Music, PremieresJuly 20, 2023<July 20, 2023

Premiere: B-Drop Worldwide Showcases Mia Mormino & Gal Musette

by Mitch Mosk
Local Natives © Loma Vista
Columns, Music, Today's SongJuly 20, 2023<March 2, 2025

Today’s Song: Local Natives Find Their Way Back Together With New LP & Standout Track “Just Before The Morning”

by Beau Hayhoe
The Murlocs © Izzie Austin
Features, Interviews, MusicJuly 19, 2023<July 19, 2023

Living Under a Rock: A Long-Overdue Conversation With The Murlocs

by Ben Niesen
Hanging Valleys © 2023
Features, Interviews, Music, Track-by-TrackJuly 19, 2023<July 19, 2023

Growth, Distance, & Love: The Ambient Embrace of Hanging Valleys’ Soul-Stirring EP, ‘Tomorrow I’ll Be Gone’

by Mitch Mosk
Old Man Canyon © Cody Briggs
Music, PremieresJuly 19, 2023<July 19, 2023

Premiere: Old Man Canyon’s “Never Apart” Is a Groovy, Golden Dream of Human Connection & Healing

by Mitch Mosk
Fractures © Joey Clough
Columns, Music, Today's SongJuly 19, 2023<July 20, 2023

Today’s Song: Fractures Turns a New Leaf with Electric & Bold “Secret”

by Lauren Hicks
Rumours - Fleetwood Mac
Music, ReviewsJuly 18, 2023<July 20, 2023

Fleetwood Mac’s ‘Rumours’: The Timeless Album Dominating the Sound of Summer

by Guest Writer
Matilda Mann © Caity Krone
Features, Interviews, Music, Track-by-TrackJuly 18, 2023<July 18, 2023

Track-by-Track: Matilda Mann on the Romance, Lights, & Cinema of ‘You Look Like You Can’t Swim’ EP

by Mitch Mosk
The Japanese House © Jay Seba
Features, Interviews, MusicJuly 18, 2023<October 11, 2024

In the End It Always Does: A Conversation with The Japanese House

by Nasim Elyasi
Tunes & Tumblers x Curtis Waters
Columns, Music, Podcast, Tunes & TumblersJuly 18, 2023<July 25, 2023

Podcast: Tunes & Tumblers Features Curtis Waters and a Himalayan Himbo

by Atwood Magazine Staff
The Vegabonds, Courtesy of Hangout Music Festival © Alive Coverage
Interviews, MusicJuly 18, 2023<July 18, 2023

A Conversation With The Vegabonds: Built on a Southern Rock Foundation, But Not Afraid to Evolve

by Nick Polak
Sir Woman © Barbara FG
Columns, Music, Today's SongJuly 18, 2023<July 17, 2023

Today’s Song: Sir Woman Has Got It Going on in “I Know Better”

by Marissa DeLeon
Chinwe © 2023
Columns, Music, Today's SongJuly 17, 2023<July 17, 2023

Today’s Song: The Relaxed Intensity of Chinwe’s Soul-Stirring “Come We Fly”

by Mitch Mosk
Barbie Movie still
Music, PlaylistsJuly 17, 2023<July 17, 2023

Our Gorge-tastic Barbie Playlist for ‘Speed Driving’ to the Movie Theater

by Julia Dzurillay
Posts pagination
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Brand New

  • Atwood Magazine’s Weekly Roundup: June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation

:: discover something new ::

Recent Posts

  • Atwood Magazine’s Weekly Roundup: June 23, 2026 June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream June 23, 2026
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
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