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Rolling Up the Welcome Mat - Kelsea Ballerini
Music, ReviewsFebruary 24, 2023<February 24, 2023

Rolling Up the Welcome Mat: Kelsea Ballerini Navigates Marriage & Divorce on Her New EP

by Emily Frances Algar
Atwood Magazine's Weekly Roundup | Black History Month 2023
Black History Month, Columns, Features, Music, Weekly RoundupFebruary 24, 2023<May 15, 2023

Atwood Magazine’s Weekly Roundup: Black History Month 2023

by Atwood Magazine Staff
Atwood Magazine's Editor's Picks 89
Columns, Editor's Picks, Features, MusicFebruary 23, 2023<March 11, 2023

Editor’s Picks 89: Alexz Johnson, The Aces, Mouraine, Big Words, Mychelle, & DEVORA!

by Mitch Mosk
Capo Corleone & Kuba Więcek © Anna Azarov Photography
Music, Premieres, ReviewsFebruary 23, 2023<February 23, 2023

Premiere: Capo Corleone & Kuba Więcek Drop Gratitude EP ‘Thank Myself’

by Joe Beer
Ben Strawn © Willis Norman
Columns, Music, Today's SongFebruary 23, 2023<April 27, 2023

Ben Strawn Looks Up in “One of These Days,” a Softly Stirring Song of Renewal & Resolve

by Mitch Mosk
Malina Moye © Isaiah Mays
Black History Month, Editorials, MusicFebruary 23, 2023<February 23, 2023

“The Fight for Freedom & Equality from Grandma’s Front Porch”: An Essay by Malina Moye

by Guest Writer
The Cure © Alexander Trienitz, 2022
Columns, Features, MusicFebruary 23, 2023<February 23, 2023

Living The Cure, Pt. 3

by David Buyze
Sam Hollander © Danny Clinch
Books, InterviewsFebruary 23, 2023<February 22, 2023

Interview: Sam Hollander Proves Persistence Pays Off in New Book ‘21 Hit Wonder’

by Chloe Robinson
Mica Millar © courtesy of the artist
Artist to Watch, Music, PremieresFebruary 23, 2023<February 23, 2023

Artist to Watch: Mica Millar Premieres Her Cinematic “Trouble” Video with Searing Passion & Stunning Soul

by Mitch Mosk
MAITA © Anna Larina
Features, Interviews, Music, Track-by-TrackFebruary 22, 2023<February 22, 2023

Feature: MAITA Is Transformed on Her Raw, Alive, & Vulnerable Acoustic Album, ‘Loneliness’

by Mitch Mosk
Girl Scout © Martyna Bannister
Debut, Features, Interviews, Music, Track-by-TrackFebruary 22, 2023<February 22, 2023

Nostalgic, Anxious, & Exhilarating: Stockholm’s Girl Scout Celebrate the Struggle in Debut EP ‘Real Life Human Garbage’

by Mitch Mosk
Elanor Moss © Mon Levchenkova
Features, Interviews, MusicFebruary 22, 2023<February 22, 2023

Feature: Elanor Moss & the Universe of ‘Cosmic,’ Where Playful Honesty Meets Creative Experimentation

by Rachel Leong
vivi rincon © Lucy Ketchum
Columns, Music, Today's SongFebruary 22, 2023<February 22, 2023

Today’s Song: vivi rincon Tunes Out the Noise of “the party” & Ruminates on Love

by Mitch Mosk
Desire, I Want to Turn into You - Caroline Polachek
Music, ReviewsFebruary 21, 2023<February 21, 2023

Caroline Polachek Broadcasts From a Dazzling, Restless, & Often Bizarre Place on ‘Desire, I Want to Turn Into You’

by Kevin Krein
Tunes & Tumblers x Loviet 2023
Music, Podcast, Tunes & TumblersFebruary 21, 2023<April 30, 2023

Podcast: Tunes & Tumblers Features Loviet and a Messy Layers

by Atwood Magazine Staff
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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