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Kindelan © Mon Levčenkovaitė
Columns, Music, Today's SongApril 27, 2023<April 30, 2023

Today’s Song: “Feast” on Kindelan’s Smoldering, Spicy & Sultry Seduction

by Mitch Mosk
Ben Strawn © Willis Norman
Music, PremieresApril 27, 2023<April 30, 2023

Premiere: “Things I’ve Never Said” Is Ben Strawn’s Love-Soaked, Bittersweet Indie Folk Dream

by Mitch Mosk
Perfect Crimes - Ransom and the Subset
Interviews, MusicApril 27, 2023<April 30, 2023

Interview: Ransom and the Subset Return with ‘Perfect Crimes,’ Their Long-Overdue (But Worth the Wait) New Album

by Julius Robinson
Geographer © Brit O'Brien
Music, Music Videos, PremieresApril 27, 2023<April 30, 2023

Premiere: Geographer’s “One / Other” Is a Radiant Reckoning of Love & Power

by Mitch Mosk
Hayfitz © Sam Cope
Music, PremieresApril 27, 2023<April 30, 2023

Premiere: “Music Room” Is Hayfitz’s Achingly Intimate & Breathtakingly Beautiful Indie Folk Confessional

by Mitch Mosk
Ed Patrick © Piers McEwan
Music, PremieresApril 27, 2023<April 30, 2023

Premiere: The Tender Glow of Ed Patrick’s “Leaf,” a Sun-Kissed Whisper on the Wind

by Mitch Mosk
Moonatic © Cons Kaye
Features, Interviews, MusicApril 26, 2023<April 30, 2023

Moonatic’s ‘Music for Wandering’: A Brilliant Album That Isn’t Worried About Losing Our Attention

by Diego Morales
Noble Oak © Scott Wong
Music, PremieresApril 26, 2023<April 30, 2023

“With you by my side, I know I’ll find a way”: Noble Oak Premieres His Enchanting & Uplifting Anthem “Your Favourite Place” Off New LP, ‘When It Finds You’

by Mitch Mosk
Jimin © BIGHIT MUSIC 7.1
Music, Our Take, ReviewsApril 26, 2023<April 30, 2023

Our Take: Jimin Sheds His Skin with ‘FACE,’ His First Solo Project Outside of BTS

by Julia Dzurillay
Beale Street Music Festival Commemorative Poster © Danny Broadway
Festival, Music, PreviewsApril 26, 2023<May 1, 2023

2023 Beale Street Music Festival Preview: A Blending of Genres at Memphis’ Scenic Tom Lee Park

by Nick Polak
OTNES © Kirsten Barnett
Artist to Watch, Columns, Music, Today's SongApril 26, 2023<November 9, 2023

“LIGHT AS A FEATHER” Is OTNES’ Beautifully Cathartic Song of Loss, Grief, & Healing

by Mitch Mosk
Marti West © Daniel Israel-Quinn
Columns, Music, Today's SongApril 26, 2023<April 30, 2023

Today’s Song: London’s Marti West Dances Through the Pain on “Somebody New”

by Mitch Mosk
St. Paul & The Broken Bones' Paul Janeway © Paige Sara
Features, Interviews, Music, Track-by-TrackApril 25, 2023<April 30, 2023

Paul Janeway Dives into ‘Angels in Science Fiction,’ St. Paul & The Broken Bones’ Heartfelt, Beautiful, & Soothing 5th Album

by Mitch Mosk
after EP - néomí © Stijn Mulder
Features, Interviews, Music, Track-by-TrackApril 25, 2023<April 30, 2023

“Heartbreak, Growth, & Healing”: néomí Spills Her Soul in Achingly Intimate & Beautifully Raw ‘after’ EP

by Mitch Mosk
Gracie and Rachel "Middle Ground" © Louise de Nexon
Music, Music Videos, PremieresApril 25, 2023<April 30, 2023

“Lose your heart in the process”: Gracie and Rachel Find the “Middle Ground” in Stirring New Song & Video

by Mitch Mosk
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Brand New

  • Atwood Magazine’s Weekly Roundup: June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation

:: discover something new ::

Recent Posts

  • Atwood Magazine’s Weekly Roundup: June 23, 2026 June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream June 23, 2026
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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