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Natisa Gogol © 2023
Features, Interviews, MusicFebruary 24, 2023<February 24, 2023

Interview: Ukrainian Refugee & Pop Artist Natisa Gogol Opens Up About Fleeing Her War-Torn Home, Song Inspirations, & More

by Julius Robinson
Rolling Up the Welcome Mat - Kelsea Ballerini
Music, ReviewsFebruary 24, 2023<February 24, 2023

Rolling Up the Welcome Mat: Kelsea Ballerini Navigates Marriage & Divorce on Her New EP

by Emily Frances Algar
Atwood Magazine's Weekly Roundup | Black History Month 2023
Black History Month, Columns, Features, Music, Weekly RoundupFebruary 24, 2023<May 15, 2023

Atwood Magazine’s Weekly Roundup: Black History Month 2023

by Atwood Magazine Staff
Atwood Magazine's Editor's Picks 89
Columns, Editor's Picks, Features, MusicFebruary 23, 2023<March 11, 2023

Editor’s Picks 89: Alexz Johnson, The Aces, Mouraine, Big Words, Mychelle, & DEVORA!

by Mitch Mosk
Capo Corleone & Kuba Więcek © Anna Azarov Photography
Music, Premieres, ReviewsFebruary 23, 2023<February 23, 2023

Premiere: Capo Corleone & Kuba Więcek Drop Gratitude EP ‘Thank Myself’

by Joe Beer
Ben Strawn © Willis Norman
Columns, Music, Today's SongFebruary 23, 2023<April 27, 2023

Ben Strawn Looks Up in “One of These Days,” a Softly Stirring Song of Renewal & Resolve

by Mitch Mosk
Malina Moye © Isaiah Mays
Black History Month, Essays, MusicFebruary 23, 2023<February 23, 2023

“The Fight for Freedom & Equality from Grandma’s Front Porch”: An Essay by Malina Moye

by Guest Writer
The Cure © Alexander Trienitz, 2022
Columns, Features, MusicFebruary 23, 2023<February 23, 2023

Living The Cure, Pt. 3

by David Buyze
Sam Hollander © Danny Clinch
Books, InterviewsFebruary 23, 2023<February 22, 2023

Interview: Sam Hollander Proves Persistence Pays Off in New Book ‘21 Hit Wonder’

by Chloe Robinson
Mica Millar © courtesy of the artist
Artist to Watch, Music, PremieresFebruary 23, 2023<February 23, 2023

Artist to Watch: Mica Millar Premieres Her Cinematic “Trouble” Video with Searing Passion & Stunning Soul

by Mitch Mosk
MAITA © Anna Larina
Features, Interviews, Music, Track-by-TrackFebruary 22, 2023<February 22, 2023

Feature: MAITA Is Transformed on Her Raw, Alive, & Vulnerable Acoustic Album, ‘Loneliness’

by Mitch Mosk
Girl Scout © Martyna Bannister
Debut, Features, Interviews, Music, Track-by-TrackFebruary 22, 2023<February 22, 2023

Nostalgic, Anxious, & Exhilarating: Stockholm’s Girl Scout Celebrate the Struggle in Debut EP ‘Real Life Human Garbage’

by Mitch Mosk
Elanor Moss © Mon Levchenkova
Features, Interviews, MusicFebruary 22, 2023<February 22, 2023

Feature: Elanor Moss & the Universe of ‘Cosmic,’ Where Playful Honesty Meets Creative Experimentation

by Rachel Leong
vivi rincon © Lucy Ketchum
Columns, Music, Today's SongFebruary 22, 2023<February 22, 2023

Today’s Song: vivi rincon Tunes Out the Noise of “the party” & Ruminates on Love

by Mitch Mosk
Desire, I Want to Turn into You - Caroline Polachek
Music, ReviewsFebruary 21, 2023<February 21, 2023

Caroline Polachek Broadcasts From a Dazzling, Restless, & Often Bizarre Place on ‘Desire, I Want to Turn Into You’

by Kevin Krein
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Brand New

  • Atwood Magazine’s Weekly Roundup: June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation

:: discover something new ::

Recent Posts

  • Atwood Magazine’s Weekly Roundup: June 23, 2026 June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream June 23, 2026
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
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