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The Peach Music Festival 2022
Festival, Music, ReviewsJune 23, 2022<June 23, 2022

Preview: The Peach Music Festival Returns to Scranton for Its 10th Anniversary

by Christopher Snyder
wilter © 2022
Features, Interviews, Music, Track-by-TrackJune 23, 2022<July 2, 2022

“Melancholic, Eerie, & Soothing”: Inside wilter’s Debut ‘all this leaving’, a Record of Haunting Depression & Mellow Wonder

by Mitch Mosk
Meyru © Kevin Condon
Features, Interviews, Music, Track-by-TrackJune 23, 2022<August 13, 2022

“Scattered, Smothered, & Covered”: ‘Slow Up’ with Meyru’s Relentless and Charming Sophomore Album

by Mitch Mosk
Flowers of palo © 2022
Columns, Music, Today's SongJune 23, 2022<June 23, 2022

Today’s Song: Flowers of palo Are Blossoming into the Next Indie Powerhouse with “Soho Abode”

by Madeleine Eggen
Rebel Revolution - Sizzy Rocket
Columns, Editorials, Music, Pride MonthJune 23, 2022<June 22, 2022

“Let’s Get Wild”: A Pride Month Essay by Sizzy Rocket

by Guest Writer
Tornsey © 2022
Columns, Editorials, Music, Pride MonthJune 22, 2022<June 22, 2022

Pride Month Essay: Alternative Pop Artist Tornsey Embraces Change & Honesty for Pride ’22

by Guest Writer
Atwood Magazine's Editor's Picks 68
Columns, Editor's Picks, Features, MusicJune 22, 2022<September 29, 2022

Editor’s Picks 68: Young the Giant, Daulton Hopkins, Cecilia Castleman, Juliana Madrid, FELIVAND, & altopalo!

by Mitch Mosk
Fantastic Cat © Shervin Lainez
Music, Music Videos, PremieresJune 22, 2022<August 12, 2022

Premiere: Fantastic Cat Commandeer the Staten Island Ferry for New Single “The Gig,” a Song of Passion, Dreams, & Unrelenting Ambition

by Mitch Mosk
mxmtoon 'rising' © Lissyelle Laricchia
Features, Interviews, MusicJune 22, 2022<June 27, 2022

“I wanted ‘rising’ to feel like a project about loving yourself”: mxmtoon Shines Bright on Her “Fun Existential Crisis” of a Sophomore Album

by Mitch Mosk
Jaguar Jonze © she is aphrodite
Debut, Features, Interviews, Music, Track-by-TrackJune 22, 2022<June 22, 2022

“Powerful, Vulnerable, & Ferocious”: The Trauma & Triumph of Jaguar Jonze’s Debut Album, ‘BUNNY MODE’

by Mitch Mosk
Paul Thomas Saunders © Ali Painter
Columns, Music, Today's SongJune 22, 2022<June 22, 2022

Today’s Song: Paul Thomas Saunders Is Soaring High in New Single, “Heartlands” After 8-Year Hiatus

by Rachel Leong
Tamino "Fascination" © Herman Selleslags
Music, Music Videos, PremieresJune 22, 2022<June 21, 2022

Premiere: The Quiet Nuance of Tamino’s “Fascination” Music Video

by Lilly Eason
Tunes & Tumblers x Hoodie Allen 2022
Columns, Music, Podcast, Tunes & TumblersJune 21, 2022<April 30, 2023

Podcast: Tunes & Tumblers Features Hoodie Allen and a Heartbreak Hoodie

by Atwood Magazine Staff
Wy © Lamia Karic
Features, Interviews, Music, Track-by-TrackJune 21, 2022<June 21, 2022

Interview: Wy Deliver ‘Something Amazing,’ a Beautifully Raw EP of Darkness, Light, & Life

by Mitch Mosk
Imogen Clark © Jess Gleeson
Music, PremieresJune 21, 2022<June 21, 2022

“You know I love in absolutes”: Imogen Clark Soars on “Nonchalant,” a Spirited Indie Rock Release

by Mitch Mosk
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Brand New

  • “Our Personal Algorithms Have Us All Spinning Out”: Hudson Freeman on “If You Know Me” & His Search for Good Faith Human Connection
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2!
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year

:: discover something new ::

Recent Posts

  • “Our Personal Algorithms Have Us All Spinning Out”: Hudson Freeman on “If You Know Me” & His Search for Good Faith Human Connection December 22, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2! December 22, 2025
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
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