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Human Barbie © 2022
Features, Music, Premieres, Track-by-TrackOctober 11, 2022<October 11, 2022

“Trapped in a photograph…”: Human Barbie Embraces the Gloom on Hauntingly Intimate ‘no worries’ EP

by Mitch Mosk
Kuri © Camille Candia
Artist to Watch, Columns, Music, PremieresOctober 11, 2022<October 11, 2022

Artist to Watch: Kuri Soothes & Stirs the Soul in “Modern Mayhem,” an Intimate Song of High School, Healing, & Teenage Turmoil

by Mitch Mosk
Sadurday © Colleen McHugh
Music, PremieresOctober 11, 2022<October 11, 2022

Premiere: Grunge Duo Sadurday Dwell in the Depths of Vice on Feverish New Single “Sideways”

by Mitch Mosk
Alice Pisano © Blackham
Columns, Music, Today's SongOctober 11, 2022<December 27, 2024

Today’s Song: Exploring the Intensity of Infatuation with Alice Pisano’s “Ink”

by Joe Beer
Joey Walker © Anna Powell Denton
Essays, MusicOctober 10, 2022<October 10, 2022

“Music Just Isn’t Worth It”: A Farewell Transmission by Joey Walker

by Guest Writer
Dayglow © Dana Trippe
Features, Interviews, MusicOctober 10, 2022<October 10, 2022

Interview: Dayglow’s New Record ‘People in Motion’ Was Made to Be Heard Live

by Jamie Kahn
Legit Smitty © Beau Glenn
Columns, Music, Today's SongOctober 10, 2022<October 10, 2022

Today’s Song: Finding Peace in Solidarity with Legit Smitty’s “On My Feet”

by Lauren Hicks
Swan Upon Leda - Hozier
Columns, Music, Reviews, Today's SongOctober 8, 2022<October 26, 2022

Hozier’s New Song “Swan Upon Leda” Is a Hauntingly Beautiful Prayer, Plea, & Cry for Reproductive Rights

by Mitch Mosk
Sean Nicholas Savage © Sophie Prettyman-Beauchamp
Features, Interviews, MusicOctober 7, 2022<October 7, 2022

Interview: Sean Nicholas Savage Embodies His Inner Light on ‘Shine’

by Sophie Prettyman-Beauchamp
TOLEDO © POND Creative
Debut, Features, Interviews, Music, Track-by-TrackOctober 7, 2022<March 11, 2023

‘How It Ends’: Brooklyn’s TOLEDO Debut with Trauma, Vulnerability, & Breathtaking Sonic Warmth

by Mitch Mosk
Atwood Magazine's Weekly Roundup | October 7, 2022
Columns, Features, Music, Weekly RoundupOctober 7, 2022<October 11, 2022

Atwood Magazine’s Weekly Roundup: October 7, 2022

by Atwood Magazine Staff
Pearla © Tonje Thilesen
Columns, Music, Today's SongOctober 7, 2022<October 7, 2022

Pearla’s “About Hunger, About Love” Is a Pondering of Loneliness in a Not So Lonesome Way

by Frankie Rose
easy life © Jack Bridgland
Features, Interviews, MusicOctober 7, 2022<March 11, 2023

Interview: easy life’s ‘MAYBE IN ANOTHER LIFE…’ Is a Party Unlike Any You’ve Attended

by Mitch Mosk
Russian Baths © 2022
Music, PremieresOctober 6, 2022<October 6, 2022

Premiere: The Unabating Intensity of Russian Baths’ Haunting “Rise Again”

by Mitch Mosk
We Will Find the Light - Aarktica
Features, Interviews, Music, Track-by-TrackOctober 6, 2022<October 6, 2022

Intimacy Manifest: Jon DeRosa Opens Up About Aarktica’s Stirring New LP, ‘We Will Find the Light’

by Mitch Mosk
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Brand New

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’

:: discover something new ::

Recent Posts

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
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© Atwood Magazine 2024 For the Love of Music
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