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flor "Future Shine" © Ashley Osborn
Features, Music, Reviews, Track-by-TrackMay 6, 2022<September 29, 2022

“Staring into the Sun”: Inside flor’s Radiantly Bold & Buoyant Third Album ‘Future Shine’

by Mitch Mosk
Sabrina Song © Bao Ngo
Asian American and Pacific Islander Heritage Month, Columns, MusicMay 6, 2022<May 6, 2022

“Imposter Feelings”: An Essay by Sabrina Song

by Guest Writer
Maisie Peters © Erik Rojas
Columns, Music, Today's SongMay 6, 2022<May 6, 2022

Maisie Peters’ Song of the Summer, “Cate’s Brother”

by Kelly McCafferty Dorogy
brompton & Emilia Ali
Music, PremieresMay 5, 2022<May 6, 2022

Premiere: brompton & Emilia Ali Capture Intimacy’s Raw Intensity on “Empty,” an Emotionally Charged Eruption

by Mitch Mosk
Jacob Banks © Edward Cooke
Features, Interviews, MusicMay 5, 2022<October 5, 2022

Unity Through Music: A Conversation with Jacob Banks

by Adrian Vargas
John Mark Nelson © Molly Adams
Features, Interviews, Music, Track-by-TrackMay 5, 2022<May 5, 2022

“Reduce, Reuse, Recycle”: John Mark Nelson Inspires & Ignites on His Enchanting ‘Hideaway’ EP

by Mitch Mosk
Omnium Gatherum - King Gizzard & The Lizard Wizard 7
Music, Our Take, ReviewsMay 5, 2022<May 5, 2022

Our Take: King Gizzard & The Lizard Wizard Put on a Bazaar Consortium for ‘Omnium Gatherum’

by Ben Niesen
Letting Up Despite Great Faults © Elysia Perkins
Columns, Music, Today's SongMay 5, 2022<May 5, 2022

Today’s Song: Letting Up Despite Great Faults’ “She Spins” Shimmers with Dream Pop Charm

by Mitch Mosk
Last Dinosaurs © Luke Woodfield
Music, PremieresMay 5, 2022<May 5, 2022

Premiere: Last Dinosaurs’ Radiant “CDMX” Is a Loving Ode to Mexico City

by Mitch Mosk
Evan Veasey © Tori Essex
Debut, Features, Music, Premieres, Track-by-TrackMay 4, 2022<May 4, 2022

“Let Yourself Feel”: Singer/Songwriter Evan Veasey Premieres His Intimate & Vulnerable Debut Album, ‘Don’t Cry’

by Mitch Mosk
Atwood Magazine's Editor's Picks 62
Columns, Editor's Picks, Features, MusicMay 4, 2022<May 4, 2022

Editor’s Picks 62: Poppy Ajudha, Purr, beabadoobee, Maria Chiara Argirò, Joel Jerome, & Noah Slee!

by Mitch Mosk
POP ETC © Alex Welsh
Columns, Music, Today's SongMay 4, 2022<May 4, 2022

POP ETC Navigate the Past & Present on “Slips Away,” a Radiant Song of Reckoning & Reflection

by Mitch Mosk
Fortunate Ones © Adam Hefferman
Music, PremieresMay 4, 2022<May 4, 2022

“A four-minute lifetime”: Fortunate Ones’ Beautifully Tender Love Song, “Anchor”

by Mitch Mosk
Good Looks © John Bergin
Debut, Features, Interviews, Music, Track-by-TrackMay 4, 2022<May 5, 2022

Basking in ‘Bummer Year’: Austin’s Good Looks Dive into Their Honest & Spirited Debut Album

by Mitch Mosk
The Last Broadcast © Victoria Dalston 1
Columns, Music, Today's SongMay 3, 2022<May 3, 2022

Today’s Song: The Last Broadcast “Dissolve” into Nature’s Wonder on Stunning Sophomore Single

by Mitch Mosk
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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