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Phoebe & Elliott - Kalina Tyne
Columns, Music, Today's SongOctober 30, 2022<October 29, 2022

Phoebe Bridgers & Elliott Smith Come to Life in Kalina Tyne’s Brutally Honest Indie Folk Anthem

by Mitch Mosk
L.S. Dunes "Permanent Rebellion" music video still
Columns, Music, Today's SongOctober 29, 2022<October 29, 2022

Post-Hardcore Supergroup L.S. Dunes Debut with “Permanent Rebellion,” a Feverish Uproar of Sonic Fury & Volcanic Energy

by Mitch Mosk
Player - Phoebe Go © Nick McKinlay
Debut, Features, Interviews, Music, Track-by-TrackOctober 28, 2022<April 2, 2023

“I still shine from time to time”: Phoebe Go Stirs the Soul on Her Beautifully Raw Debut, ‘Player’

by Mitch Mosk
Midnights - Taylor Swift album art
Features, Music, Reviews, RoundtableOctober 28, 2022<June 29, 2024

Roundtable Discussion: A Review of Taylor Swift’s ‘Midnights’

by Atwood Magazine Staff
Field Guide - Field Guide
Features, Interviews, Music, Track-by-TrackOctober 28, 2022<October 28, 2022

Bet It All on the Music: Field Guide’s “Intimate, Vulnerable, & True” Self-Titled Album Aches with Dreamy Indie Folk Beauty

by Mitch Mosk
Atwood Magazine's Weekly Roundup | October 28, 2022
Columns, Features, Music, Weekly RoundupOctober 28, 2022<March 11, 2023

Atwood Magazine’s Weekly Roundup: October 28, 2022

by Atwood Magazine Staff
Kimbra © Spencer Ostrander
Features, Interviews, MusicOctober 28, 2022<March 11, 2023

Playing with Fire: Interview with Kimbra, a Creative Force Worthy of “A Reckoning”

by Josh Weiner
Midnights - Taylor Swift 9.1
Music, Our Take, ReviewsOctober 28, 2022<March 11, 2023

Our Take: Taylor Swift Stops Time with 10th Album ‘Midnights’

by Nic Nichols
Happy Hour - Morning Midnight
Debut, Features, Interviews, Music, Track-by-TrackOctober 27, 2022<April 5, 2023

“Different Flavors of Sad”: Morning Midnight’s ‘Happy Hour’ Is the Perfect Soundtrack to Sorrow

by Mitch Mosk
Paul Thomas Saunders © 2022
Music, ReviewsOctober 27, 2022<October 27, 2022

Paul Thomas Saunders’ ‘Figure in a Landscape’ Is a Sparkling Panoramic View of Growth, Realisation, & Liberation

by Rachel Leong
Sara Jean Kelley & David Borné © Anna Grace Borné
Music, PremieresOctober 27, 2022<October 27, 2022

Premiere: Sara Jean Kelley Buries Past Encounters with the Ghostly “Peaceful Rest” ft. David Borné

by Frankie Rose
The Mellons © 2022
Debut, Features, Interviews, Music, Track-by-TrackOctober 26, 2022<October 26, 2022

“Lost in a Moment, Caught in a Dream”: The Mellons Harness ‘Pet Sounds’ & ‘Sgt. Pepper’ on Stunning ’60s-Soaked Debut Album

by Mitch Mosk
Certainly So © Jackson Ross
Features, Interviews, Music, Track-by-TrackOctober 26, 2022<October 26, 2022

Dreams of Green: Nashville’s Certainly So Soar on Comforting, Sun-Kissed Sophomore LP

by Mitch Mosk
Cuffed Up © Ana Karotkaya
Music, PremieresOctober 26, 2022<October 26, 2022

Premiere: Cuffed Up’s Unapologetic New Post-Punk Song Is a Solid “10 for 10”

by Mitch Mosk
Laura Niquay © Monse Muro
Columns, Music, Music You Should Know, ReviewsOctober 26, 2022<October 25, 2022

Music You Should Know: The Energy and Emotion of Laura Niquay’s ‘Waska Matisiwin’

by Frankie Rose
Posts pagination
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Brand New

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington

:: discover something new ::

Recent Posts

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
  • Vansire Invite You to Take Solace: A Conversation on Love, Creativity, & Connection June 18, 2026
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