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Wild Rivers © Samuel Kojo
Features, Music, Reviews, Track-by-TrackMarch 2, 2022<May 28, 2022

“Everything in Between”: Inside Wild Rivers’ Radiant & Stunning Sophomore LP ‘Sidelines’

by Mitch Mosk
Moonlight Shadow - W&W
Columns, Music, Today's SongMarch 2, 2022<March 31, 2023

Today’s Song: W&W Get Their ’80s Groove on with Futuristic Remix of “Moonlight Shadow”

by Josh Weiner
Shovels & Rope © Leslie Ryan McKellar
Features, Music, Reviews, Track-by-TrackMarch 1, 2022<March 1, 2022

Track-by-Track: Shovels & Rope Dive into the Raw Reeling of ‘Manticore’

by Mitch Mosk
The Sherlocks © 2022
Features, Music, Reviews, Track-by-TrackMarch 1, 2022<March 1, 2022

Track-by-Track: The Sherlocks Stun & Soar on Anthemic, Spirited LP ‘World I Understand’

by Mitch Mosk
Asha Maclean © Amadeus Purcell
Music, Music Videos, PremieresMarch 1, 2022<March 1, 2022

Video Premiere: NYC’s Asha Maclean Pours Her Heart Out in Empowering “Serial F Boy” (Acoustic Version)

by Mitch Mosk
Gang of Youths © Ed Cooke
Features, Interviews, MusicMarch 1, 2022<March 1, 2022

Interview: Gang of Youths Bassist Max Dunn Talks Love, Loss & the Aussie Rockers’ Stunning New Album ‘angel in realtime.’

by Beau Hayhoe
Esbie Fonte - Ducky
Columns, Music, Today's SongMarch 1, 2022<March 1, 2022

Today’s Song: Esbie Fonte Conveys Intense Heartbreak in Her Wistful “Ducky”

by Chloe Robinson
Similar Kind © Tom Stewart
Music, PremieresFebruary 28, 2022<February 28, 2022

Premiere: Dancing in the Beautiful Depths of Similar Kind’s Buoyant & Bold “I Don’t Wanna Fight Anymore”

by Mitch Mosk
Dust In The Sunlight © Rob Humm
Columns, Music, Today's SongFebruary 28, 2022<February 28, 2022

Today’s Song: Dust in the Sunlight Shine with “Former Lives,” an Anchor of Escape & Rediscovery

by Mitch Mosk
Under the Rug © 2022
Features, Music, Reviews, Track-by-TrackFebruary 25, 2022<February 25, 2022

“Salty, Colorful, & Intricate”: Under the Rug’s Aching ‘Dear Adeline’ Is a Record of Reckoning & Perseverance

by Mitch Mosk
Harry Katz & The Pistachios © Lee Citron
Interviews, MusicFebruary 25, 2022<February 25, 2022

Interview: Harry Katz and the Pistachios Open Up About Sonic Evolution & Learning to Say “Oh Yes!”

by Chloe Robinson
Atwood Magazine's Weekly Roundup | February 25, 2022
Columns, Features, Music, Weekly RoundupFebruary 25, 2022<February 25, 2022

Atwood Magazine’s Weekly Roundup: February 25, 2022

by Atwood Magazine Staff
Miles Francis © Shervin Lainez
Music, Music Videos, PremieresFebruary 25, 2022<February 25, 2022

Premiere: Miles Francis Parts the Clouds with “Rainjacket”

by Nasim Elyasi
June Road © Charlene van Hall
Columns, Debut, Music, Today's SongFebruary 25, 2022<February 25, 2022

Today’s Song: June Road “Seize the Day” on Captivating, Spirited Indie Folk Debut

by Mitch Mosk
Liam Benzvi © 2022
Debut, Features, Music, Reviews, Track-by-TrackFebruary 24, 2022<February 24, 2022

“Swell, Hum, & Oops”: Liam Benzvi Charms with Dynamic & Dazzling Debut Album ‘Acts of Service’

by Mitch Mosk
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Brand New

  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA
  • “The Return of Intuition”: An Essay by Tenille Townes
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’

:: discover something new ::

Recent Posts

  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
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