Music, ReviewsMay 18, 2022<May 18, 2022 Review: London’s Phantom Isle Bring a Sparkling Nostalgia with New EP ‘Out of Blue’ by Chloe Robinson
Music, PremieresMay 18, 2022<May 18, 2022 Premiere: Timi Afilaka Inspires Positive Vibes with Sunny, Seductive Single “Chemistry” by Mitch Mosk
Columns, Music, Today's SongMay 18, 2022<May 18, 2022 Today’s Song: Prince Daddy & The Hyena Bring Car Crash Intensity to Their Self-Titled Album by James Crowley
Debut, Features, Interviews, Music, Track-by-TrackMay 17, 2022<May 19, 2022 “World’s Hardest Soft Rock”: Ontario’s Ellevator Ignite on Debut ‘The Words You Spoke Still Move Me’ by Mitch Mosk
Columns, Music, Today's SongMay 17, 2022<May 17, 2022 “And it’s you who’s turning out the lights”: Wy’s Raw “Teeth” Is an Achingly Heartfelt & Helpless Reckoning by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackMay 16, 2022<May 16, 2022 “Ultra, Intimate, & Layered”: November Ultra Breaks Down Her Debut Album ‘bedroom walls’ by Mitch Mosk
Music, Music Videos, PremieresMay 16, 2022<May 16, 2022 Video Premiere: “Lost Control” Is Benjamin Carter’s Feverish Cry for Help by Mitch Mosk
Features, Interviews, MusicMay 16, 2022<September 29, 2022 “Blue Hours felt like a name for my own depression”: An Interview with Bear’s Den’s Andrew Davie by Mitch Mosk
Columns, Music, Today's SongMay 16, 2022<May 16, 2022 Today’s Song: My Chemical Romance’s “The Foundations of Decay” Announces a Larger-Than-Life Rebirth by Sophie Prettyman-Beauchamp
Debut, Features, Interviews, Music, Track-by-TrackMay 13, 2022<May 16, 2022 “Digital Age Ruminations”: Inside Mild West’s Dark & Cinematic Debut Album, ‘Machine Learning’ by Mitch Mosk
Features, Interviews, Music, Track-by-TrackMay 13, 2022<June 2, 2022 “Heartbreak in its purest form”: Charlie Collins Is ‘Undone’ But Triumphant in Unfiltered, Cathartic & Charged Sophomore LP by Mitch Mosk
Columns, Music, Today's SongMay 13, 2022<May 13, 2022 Today’s Song: Brooklyn’s Superbloom Release a Fast n’ Feverish Grunge Upheaval in “Falling Up” by Mitch Mosk
Columns, Features, Music, Weekly RoundupMay 13, 2022<May 13, 2022 Atwood Magazine’s Weekly Roundup: May 13, 2022 by Atwood Magazine Staff
Features, Interviews, Music, Track-by-TrackMay 12, 2022<June 29, 2022 “Electric Love Nostalgia”: Max Frost Dreams Big & Soars on Irresistible, Free-Spirited ‘Flying Machines’ EP by Mitch Mosk
Debut, Features, Interviews, MusicMay 12, 2022<May 16, 2023 Interview: Pictoria Vark Opens Up a World of Possibility with Debut ‘The Parts I Dread’ by Sophie Prettyman-Beauchamp
For the Love of Music
For the Love of Music
