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Molly Burman © Sarah Beshiri
Music, PremieresFebruary 24, 2022<February 24, 2022

Premiere: Molly Burman Confronts Perfection on Beautiful, Empowered & Liberating “Pretty Girl”

by Mitch Mosk
Andy Zipf © Shervin Lainez
Music, PremieresFebruary 24, 2022<February 24, 2022

Premiere: Inside Andy Zipf’s Tranquil & Stirring New Single, “Did You Know I Was A Ghost?”

by Mitch Mosk
riela © Daniel Sanjur
Interviews, MusicFebruary 24, 2022<February 23, 2022

From Rags to Riches to Wand Swishes: Riela Channels Tarot Magic Themes In New Trilogy of EPs

by Josh Weiner
Earl Sweatshirt © Lindsay Ellary
Music, ReviewsFebruary 24, 2022<February 24, 2022

Reflection and Evolution: Earl Sweatshirt’s ‘SICK!’ Looks to the Future by Taking Stock of the Past

by Adam Davidson
Grow This Garden - For Tuesday, Emorie
Columns, Music, Today's SongFebruary 23, 2022<February 23, 2022

Today’s Song: For Tuesday & Emorie Evoke Quiet Indie Folk Wonder in “Grow This Garden”

by Mitch Mosk
Lawrence live in NYC © Deanie Chen
Features, Music, Reviews, Track-by-TrackFebruary 23, 2022<February 23, 2022

Track-by-Track: Lawrence’s ‘Hotel TV’ Is an Epic, Quirky & Soulful Soundtrack to Everyday Living

by Mitch Mosk
Zander Schloss © Geoff Moore
Features, MusicFebruary 23, 2022<October 12, 2022

Feature: The Story of Zander Schloss’ Life

by Lilly Eason
Melody Federer © 2022
Music, PremieresFebruary 23, 2022<February 23, 2022

Premiere: The Tender, Heartwrenching Ache of Melody Federer’s “Sometimes I Cry”

by Mitch Mosk
Erisy Watt © Hannah Garrett
Music, PremieresFebruary 22, 2022<February 22, 2022

Premiere: Singer/Songwriter Erisy Watt’s “Big Sky” Relishes the Warm Bliss of Freedom

by Mitch Mosk
Jared Lindbloom © Marcus Middleton
Music, PremieresFebruary 22, 2022<April 13, 2022

Premiere: Pink Honey Moan’s Dynamic “Make Believe” Is a Song of Truth, Layers, & Understanding

by Mitch Mosk
Self Saboteur - Davey Harris
Columns, Debut, Music, Today's SongFebruary 21, 2022<February 17, 2022

Today’s Song: Davey Harris’ Moody & Introspective Debut Single “Self Saboteur”

by Chloe Robinson
Weatherstate © 2022
Features, Music, Reviews, Track-by-TrackFebruary 18, 2022<February 18, 2022

“Chaotic, Apathetic, & Melodic”: Weatherstate Take Us Through the Fervor of New Album ‘Never Better’

by Mitch Mosk
Joywave © 2022
Features, Interviews, MusicFebruary 18, 2022<February 18, 2022

Feature: Joywave Wash, Rinse, and Start Fresh on New Album ‘Cleanse’

by Anthony Kozlowski
B-Drop
Music, PremieresFebruary 18, 2022<February 18, 2022

Premiere: B-Drop Worldwide Showcases LA’s Not From England

by Mitch Mosk
Atwood Magazine's Weekly Roundup | February 18, 2022
Columns, Features, Music, Weekly RoundupFebruary 18, 2022<February 18, 2022

Atwood Magazine’s Weekly Roundup: Black History Month 2022

by Atwood Magazine Staff
Posts pagination
1 … 264 265 266 267 268 … 727

Brand New

  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA
  • “The Return of Intuition”: An Essay by Tenille Townes
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’

:: discover something new ::

Recent Posts

  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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