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Grace Kay © Xkylar
MusicNovember 11, 2021<November 11, 2021

Premiere: Grace Kay Bottles the Intimacy of Friendship on “Here”

by Anthony Kozlowski
Greer © Zamar Velez
Features, Music, Reviews, Track-by-TrackNovember 11, 2021<November 11, 2021

“Angsty, Boisterous, & Cathartic”: Greer Dive Inside Their Sweet, Spirited ‘Happy People’ EP

by Mitch Mosk
Echo Hotel © Milly Blythe
Columns, Music, Today's SongNovember 11, 2021<November 11, 2021

Today’s Song: London’s Echo Hotel Release a Warm Wash of Beautiful Sadness in “Hives”

by Mitch Mosk
Houndmouth © Francis Dumstorf
Features, Interviews, MusicNovember 11, 2021<November 16, 2021

Interview: Houndmouth Return to Their Roots with Rich, Rustic Storytelling on New Album ‘Good for You’

by Beau Hayhoe
Mega Ran © Chas Wright
Features, Music, Reviews, Track-by-TrackNovember 10, 2021<January 20, 2025

“Long. Range. Bomb.”: Mega Ran Shoots and Scores on Basketball-Inspired ‘Live ’95’

by Mitch Mosk
Until It Stops - Pom Pom Squad
Columns, Music, Today's SongNovember 10, 2021<November 10, 2021

Today’s Song: Dancing & Death Embrace in Pom Pom Squad’s Intoxicating Singalong “Until It Stops”

by Mitch Mosk
Treefort Music Fest 2021 © Sophie Prettyman-Beauchamp
Festival, Music, ReviewsNovember 10, 2021<November 10, 2021

Review: Treefort, A Music Festival That Feels Like Home

by Atwood Magazine Staff
SOHMI © 2021
Editorials, MusicNovember 10, 2021<November 10, 2021

Permission to Be: Korean-American Artist SOHMI on Reclaiming Space by Breaking Barriers

by Guest Writer
Hovvdy © Pooneh Ghana
Features, Interviews, MusicNovember 9, 2021<February 7, 2022

“An Emotional Guidebook”: Hovvdy Dwell in the Depths of ‘True Love’ on Intimate & Vulnerable 4th Album

by Mitch Mosk
The Jaws of Brooklyn © Abraham Rowe
Music, PremieresNovember 9, 2021<November 9, 2021

Premiere: The Jaws of Brooklyn Unleash Their “Fever” with Hot Soul & Heated Passion

by Mitch Mosk
Music, ReviewsNovember 9, 2021<November 9, 2021

Review: Brother. Take Time to Reflect in Their Contemplative Album ‘Volume III’

by Joe Beer
Dan Ozzi © Anthony Dixon
Books, Interviews, MusicNovember 9, 2021<November 9, 2021

Static Prevails: A Conversation with Dan Ozzi About His New Book ‘Sellout’

by James Crowley
Worthitpurchase © Marlon Mara LeNoble
Columns, Music, Today's SongNovember 9, 2021<November 9, 2021

Today’s Song: Worthitpurchase Weave Dreamy, Delicate Wonders on “Inbetween”

by Mitch Mosk
Saint Joshua © Alexandre Beer
Columns, Music, Today's SongNovember 8, 2021<November 9, 2021

Today’s Song: Saint Joshua Continues to Burn Bright in Soulful & Searing “Fake Friends”

by Mitch Mosk
Habibi © Bailey Robb
Features, Interviews, MusicNovember 8, 2021<February 7, 2022

“Come My Habibi”: A Conversation with Habibi’s Rahill Jamalifard & Lenny Lynch

by Ben Niesen
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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