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Isle of Wight Festival © Callum Baker
Festival, MusicSeptember 27, 2021<September 27, 2021

Isle of Wight Festival 2021: More Than Just the Headliners

by Bethan Harper
The Muslims © Chris Charles
Music, ReviewsSeptember 24, 2021<September 24, 2021

Album Review: The Muslims Scorch Earth and Revive Punk on ‘Fuck These Fuckin Fascists’

by Oliver Crook
Atwood Magazine's Weekly Roundup | September 24, 2021
Columns, Features, Music, Weekly RoundupSeptember 24, 2021<September 24, 2021

Atwood Magazine’s Weekly Roundup: September 24, 2021

by Atwood Magazine Staff
Wayne Snow © Kiroubel Beaujour
Features, Interviews, MusicSeptember 24, 2021<September 27, 2021

Interview: WAYNE SNOW on Identity, Facades, and His Smoldering Sophomore LP ‘Figurine’

by Mitch Mosk
Columns, Music, Today's SongSeptember 24, 2021<September 24, 2021

Today’s Song: A Breezy & Soulful Look Into Taylor Kelly’s Mind With “Maybe”

by Adrian Vargas
Frames © 2021
Debut, Features, Music, Reviews, Track-by-TrackSeptember 24, 2021<September 24, 2021

Track-by-Track: Frames’ Heartfelt & Hard-Hitting Debut Album ‘Every Room’

by Mitch Mosk
Everything's Waiting for You - Tom Speight
Features, Music, Reviews, Track-by-TrackSeptember 24, 2021<September 24, 2021

Feature: Tom Speight Captures Life’s Beauty & Wonder in Sophomore LP ‘Everything’s Waiting for You’

by Mitch Mosk
Merpire © Nick Mckk
Debut, Features, Music, Reviews, Track-by-TrackSeptember 23, 2021<September 23, 2021

A Diary and a Daydream: Inside Merpire’s Stunning Debut Album ‘Simulation Ride’

by Mitch Mosk
Robert Ellis Orrall © Ricardo Fernandez
Features, Interviews, MusicSeptember 23, 2021<September 27, 2021

Interview: Robert Ellis Orrall’s ‘467 Surf and Gun Club’, a Portrait of a Musician’s Heaven

by Mitch Mosk
MarthaGunn © 2021 9.1
Debut, Features, Music, Reviews, Track-by-TrackSeptember 23, 2021<November 4, 2021

Feature: MarthaGunn Shine on Vulnerable, Confident, & Reflective Debut Album ‘Something Good Will Happen’

by Mitch Mosk
Sli’merre - Young Nudy, Pi'erre Bourne
Columns, Music, The Collab ColumnSeptember 23, 2021<September 22, 2021

The Collab Column: Young Nudy and Pi’erre Bourne’s ‘Sli’merre’

by Leo Culp
Vacances © Todd Schmiedlin
Music, PremieresSeptember 23, 2021<September 29, 2021

Premiere: Vacances’ Buoyant New Single “Love Collapse” Is a Resilient Revelry

by Mitch Mosk
James Blake © Miles Johnston
Columns, Music, Today's SongSeptember 23, 2021<January 30, 2024

Today’s Song: James Blake Explores a Different Kind of Loss with “Life Is Not the Same”

by Nasim Elyasi
Mini Trees © Nina Raj 9.1
Debut, Features, Interviews, Music, Our Take, ReviewsSeptember 22, 2021<September 22, 2021

“Relatable Indie Pop”: Mini Trees’ Debut Album ‘Always in Motion’ is a Dreamy, Triumphant Reckoning

by Mitch Mosk
Larkins © Ryan Jafarzadeh
Concerts, MusicSeptember 22, 2021<September 22, 2021

Live Review: Larkins Take Us To Heaven and Back on ‘If + When’ Tour

by Bethan Harper
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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