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Euan Blackman © Olivia Mayall
Music, PremieresMarch 24, 2022<March 24, 2022

Premiere: Liverpool’s Euan Blackman Channels Anxiety-Fueled Nights in New Song “I’m Not Scared”

by Mitch Mosk
Susan Cattaneo © Jon Cohan
Columns, Music, Women's History MonthMarch 24, 2022<March 24, 2022

“Too Old to Be an Ingenue, Too Young to Be an Icon”: Susan Cattaneo on the Shame Associated with Ageism in the Music Industry

by Guest Writer
Little Quirks © Adam Toole
Columns, Music, Today's SongMarch 23, 2022<March 23, 2022

Today’s Song: Little Quirks’ “The Rain” Is an Exhilarating Chant of Freedom & Joy

by Mitch Mosk
Benji Lewis © Sean Pyke
Music, PremieresMarch 23, 2022<March 23, 2022

Premiere: Benji Lewis Dives Inside His Beautifully Intimate & Vulnerable “Head Rush”

by Mitch Mosk
RAHH © JC Verona
Music, PremieresMarch 23, 2022<March 23, 2022

Premiere: RAHH’s Feverish “Run the Lights” Is an Intoxicating Song of Indulgence & Escape

by Mitch Mosk
Treefort Music Fest 10 © Ben Niesen
Festival, Music, PreviewsMarch 23, 2022<March 23, 2022

10 Things to Look Forward to at Treefort 10

by Atwood Magazine Staff
Spotify Singles - Del Water Gap
Music, ReviewsMarch 23, 2022<March 24, 2022

Del Water Gap Un-“Complicates” Avril in Stripped-Down Spotify Singles

by Guest Writer
Freakout by Treefort Fest 2021
A Casual Ramble, Columns, MusicMarch 22, 2022<March 22, 2022

A Casual Ramble: Freaking Out Before, At, and By Treefort 2022

by Ben Niesen
Bob Vylan © Esmé Surfleet
Columns, Music, Today's SongMarch 22, 2022<June 17, 2023

Today’s Song: Bob Vylan Change Up the Sound But Not Their Message on “Health Is Wealth”

by Oliver Crook
Royal Blood © Dean Martindale
Concerts, Music, PreviewsMarch 21, 2022<March 23, 2022

Royal Blood 2022 UK Tour Preview

by Bethan Harper
Interviews, MusicMarch 18, 2022<March 18, 2022

Interview: Sea Glass Speaks About New Music, Dream Collaborations, & Being a Dad

by Joe Beer
Megan Winsor © 2022
Columns, Music, Women's History MonthMarch 18, 2022<March 18, 2022

Trying Twice As Hard: Megan Winsor on Speaking Up As an Independent Artist in a Male-Driven Music Industry

by Guest Writer
Atwood Magazine's Weekly Roundup | Women's History Month 2022
Columns, Features, Music, Weekly Roundup, Women's History MonthMarch 18, 2022<March 18, 2022

Atwood Magazine’s Weekly Roundup: Women’s History Month 2022

by Atwood Magazine Staff
Little Boots © 2022
Features, Music, Reviews, Track-by-TrackMarch 18, 2022<March 18, 2022

“DIY Disco Pop”: Little Boots Dives Inside Her Groovy & Glistening 4th LP ‘Tomorrow’s Yesterdays’

by Mitch Mosk
Ken Yates © Jen Squires
Columns, Music, Today's SongMarch 18, 2022<March 18, 2022

Today’s Song: Ken Yates’ Soothing & Stirring Apocalyptic Lullaby “The Big One”

by Mitch Mosk
Posts pagination
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Brand New

  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley!
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors
  • Vansire Invite You to Take Solace: A Conversation on Love, Creativity, & Connection
  • Fresh Northern Rockers Florentenes Are Impassioned and Authentic on “Undiscovered Colours”

:: discover something new ::

Recent Posts

  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
  • Vansire Invite You to Take Solace: A Conversation on Love, Creativity, & Connection June 18, 2026
  • Fresh Northern Rockers Florentenes Are Impassioned and Authentic on “Undiscovered Colours” June 18, 2026
  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life June 17, 2026
  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’ June 17, 2026
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’ June 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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