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Atwood Magazine Editor's Picks 52
Columns, Editor's Picks, Features, MusicJanuary 12, 2022<February 7, 2022

Editor’s Picks 52: The Killers, Keir, Indoor Fins, FACESOUL, Oh Wonder, & fanclubwallet

by Mitch Mosk
In The Aftermath - Hollis Brown
Music, PremieresJanuary 12, 2022<January 12, 2022

Premiere: Hollis Brown Honor The Rolling Stones’ Raw, Bluesy Jam “Don’tcha Bother Me” Ahead of ‘In the Aftermath’ Covers Album

by Mitch Mosk
Cy Dune © 2022
Music, ReviewsJanuary 11, 2022<January 11, 2022

Review: Cy Dune Kicks 2022 Off Right with Raucous, Explosive Release “Against Face”

by Mitch Mosk
Pegasus Warning © Mary Rozzi
Music, PremieresJanuary 11, 2022<January 11, 2022

Video Premiere: Wrestling Reality with Pegasus Warning’s Glitchy, Groovy “Alllove”

by Mitch Mosk
Music, Reviews, Track-by-TrackJanuary 11, 2022<January 11, 2022

A Deep Dive into Another Dimension: A Track-by-Track Review of Ebony Buckle’s ‘Disco Lasers’

by Joe Beer
Victoria Dodson © 2022
Columns, Music, Today's SongJanuary 11, 2022<January 11, 2022

Today’s Song: Victoria Dodson’s “Goodnight” Is Buoyant, Bittersweet Bliss

by Mitch Mosk
Milan Ring © James Evans
Features, Music, Reviews, Track-by-TrackJanuary 11, 2022<January 11, 2022

“Love, Forgiveness, & Hope”: Inside Milan Ring’s Smoldering Debut Album ‘I’m Feeling Hopeful’

by Mitch Mosk
Not From England © Athena Merry
Interviews, MusicJanuary 10, 2022<January 10, 2022

Interview: LA’s Not From England Get Personal with Song Inspirations, Artists They Love, & New EP ‘for the second time’

by Chloe Robinson
Larkin Poe © Bree Marie Fish
Features, Interviews, MusicJanuary 10, 2022<January 7, 2022

Self-Made (Wo)Men: A Conversation with Larkin Poe

by Ben Niesen
Hippo Campus © Tonje Thilesen
Columns, Music, Today's SongJanuary 10, 2022<January 7, 2022

Today’s Song: Hippo Campus Celebrate Rebirth with “Semi Pro”

by Nasim Elyasi
ella jane © @rlyblonde
Columns, Music, Today's SongJanuary 7, 2022<January 7, 2022

Today’s Song: ella jane Indulges in Suspense & Seduction on Indie Pop Anthem “Calling Card”

by Mitch Mosk
Atwood Magazine's Artist Discoveries of 2021
Features, Lists, MusicJanuary 5, 2022<February 7, 2022

Atwood Magazine’s Top Artist Discoveries of 2021

by Atwood Magazine Staff
Atwood Magazine's 2021 Songs of the Year
Features, Lists, MusicDecember 31, 2021<February 7, 2022

Atwood Magazine’s 2021 Songs of the Year

by Atwood Magazine Staff
Atwood Magazine's 2021 Albums of the Year
Features, Lists, MusicDecember 30, 2021<January 4, 2024

Atwood Magazine’s 2021 Albums of the Year

by Atwood Magazine Staff
Foxtrails
Features, Music, Reviews, Track-by-TrackDecember 22, 2021<December 23, 2021

“Reflective, Meandering & Honest”: Inside Foxtrails’ Sun-Soaked & Cinematic Sophomore LP ‘Kaweah’

by Mitch Mosk
Posts pagination
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Brand New

  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA
  • “The Return of Intuition”: An Essay by Tenille Townes
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers

:: discover something new ::

Recent Posts

  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
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