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Lila Forde 'Vessel' © 2025
Debut, Features, Interviews, Music, Track-by-TrackJuly 17, 2025<July 17, 2025

“I want to be a vessel for the music”: Lila Forde Arrives with Presence, Power, & Timeless Intention on Her Smoldering, Soul-Drenched Debut Album

by Mitch Mosk
The Felice Brothers © Caitlin Greene
Columns, Hudson Valley Artists, MusicJuly 17, 2025<July 17, 2025

Hudson Valley Artist Spotlight: James Felice of The Felice Brothers

by Mitch Mosk
Felukah © Essam
Features, Interviews, MusicJuly 17, 2025<July 17, 2025

“People don’t memorize political speeches, they memorize songs”: Rapper and Singer Felukah on Poetic Roots, Arabfuturism, & Radical Love

by Kate Millar
Dailla "Some Love" © Native Films
Interviews, MusicJuly 17, 2025<July 17, 2025

Interview: Breathing Through the Silence and The Raw Heart of Dailla’s Music

by Danielle Holian
Wet Leg "davina mccall" © Alice Backham
Columns, Music, Today's SongJuly 17, 2025<July 17, 2025

Today’s Song: Wet Leg Channel Heartfelt Spirit in “davina mccall,” a Dreamy Meditation on Devotion, Growth, & Connection

by Ashley Littlefield
We the Band © Chad Brady
Artist to Watch, Columns, Debut, InterviewsJuly 16, 2025<July 16, 2025

Artist to Watch: We the Band – Justin Bieber’s Longtime Touring Powerhouse Step into the Spotlight with Cosmic Grooves & Seductive Soul

by Mitch Mosk
Aïda Mekonnen Caby © Justin Buschardt
Debut, Interviews, Music, PremieresJuly 16, 2025<July 16, 2025

Premiere: Aïda Mekonnen Caby Debuts with Dreamy Intimacy & Icelandic Reverie in “The Glow,” a Breathtaking Indie Folk Introduction

by Mitch Mosk
Pretty Jane © Annaliese Baker
Interviews, MusicJuly 16, 2025<July 16, 2025

Interview: To Eat, Sleep, and Breathe Pretty Jane

by Annaliese Baker
Of Monsters and Men © Eva Schram
Columns, Music, Today's SongJuly 16, 2025<July 16, 2025

“Television Love”: Of Monsters and Men Return With a Breath of Icelandic Stillness

by Nicolle Knapová
Selve © James Caswell
Artist to Watch, Columns, Music, ReviewsJuly 15, 2025<July 15, 2025

Artist to Watch: Australia’s Selve Embrace Camp, Absurdity, & Liberation in the Dazzling “Loki Horror Picture Show”

by Mitch Mosk
Cautious Clay © Travys Owen
Features, Interviews, MusicJuly 15, 2025<July 15, 2025

No Rush: Cautious Clay Slows Down on ‘The Hours’

by Aileen Goos
Mose Wilson © Justin Hughes
Interviews, Music, PremieresJuly 15, 2025<July 15, 2025

“That’s Love”: Mose Wilson’s Unvarnished Take on Love and Life

by Aileen Goos
Natalie Bergman "Lonely Road" © Leslie Kirchhoff
Columns, Music, Today's SongJuly 15, 2025<July 14, 2025

Today’s Song: Natalie Bergman Paves Hope on a “Lonely Road”

by Ashley Littlefield
Atwood Magazine's Weekly Roundup | July 14, 2025!
Columns, Features, Music, Weekly RoundupJuly 14, 2025<July 14, 2025

Atwood Magazine’s Weekly Roundup: July 14, 2025

by Atwood Magazine Staff
Bebe Stockwell 'Driving Backwards' © Spruce Bohen
Artist to Watch, Debut, Features, Interviews, MusicJuly 14, 2025<July 14, 2025

“It Started With a Bad Hangover and a Week of Listening to Bob Dylan”: Bebe Stockwell Debuts with ‘Driving Backwards,’ an EP Built on Humor, Heart, & Honesty

by Emily Frances Algar
Posts pagination
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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