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The Evolution of the Rose - Lil Skies
Music, ReviewsJuly 9, 2025<July 9, 2025

Review: Lil Skies Finds His Voice as an Artist Through the Lens of Fatherhood & Heartbreak on Poignant Album ‘The Evolution of the Rose’

by Grace Holtzclaw
Shallow Alcove © Thomas Smith
Columns, Music, Today's SongJuly 9, 2025<July 9, 2025

Bitter Sweetness in Bloom: Shallow Alcove’s “Mangos” Is a Slow Burn Worth Every Peel

by Nicolle Knapová
TOLEDO © Joe Pietropaolo
Features, Interviews, Music, Track-by-TrackJuly 8, 2025<July 8, 2025

“Home Grown Nostalgia”: TOLEDO Find Motion in Stillness on Their Seductively Spellbinding ‘Inertia’ EP

by Mitch Mosk
Little Simz 'Lotus' © Thibaut Grevet 8.7
Music, Our Take, ReviewsJuly 8, 2025<July 8, 2025

Our Take: Little Simz Channels Abundant Moods and MC Skills into Her Sixth Album, ‘Lotus’

by Josh Weiner
The Great American Bar Scene - Zach Bryan album art
Features, Music, Reviews, RoundtableJuly 8, 2025<July 8, 2025

Roundtable Discussion: Zach Bryan’s ‘The Great American Bar Scene’ Turns One

by Atwood Magazine Staff
Jahnah Camille © Elizabeth Marsh
Columns, Interviews, Music, Today's SongJuly 8, 2025<July 8, 2025

“Kissing the Drain”: Jahnah Camille Hits a Breaking Point in Her Feverish Alt-Rock Anthem “what do you do?”

by Mitch Mosk
Sons of Legion © 2025
Interviews, MusicJuly 8, 2025<July 8, 2025

Sons of Legion: Authenticity in the Eye of the Storm

by Aileen Goos
Best Boys © Anna McClain
Debut, Music, Music Videos, PremieresJuly 7, 2025<July 7, 2025

“Like a road trip to nowhere”: Best Boys Find Beauty in the Breakdown on Their Smoldering & Cinematic Debut Single “Forgive Forget”

by Mitch Mosk
Chapel © Madeline Walczak
Interviews, MusicJuly 7, 2025<July 7, 2025

Interview: Chapel Return to Form with Growth, Grit, & DIY Freedom in Their Triumphant ‘Modern Nature’ EP

by Kaiana Lee
Daniel Seavey "Eden" © Jimmy Fontaine
Columns, Music, Today's SongJuly 7, 2025<July 7, 2025

Today’s Song: “Eden” Is a Radiant Reflection of Daniel Seavey’s Artistic Freedom

by Danielle Holian
Sydney Quiseng © Connor Truax
Debut, Features, Interviews, MusicJuly 3, 2025<July 3, 2025

“The best is yet to come”: Sydney Quiseng on Stepping into Her Own Rhythm with ‘PHASES’

by Emily Frances Algar
Brian Dunne "Clams Casino" © Marianka Campisi
Interviews, Music, Today's SongJuly 3, 2025<July 3, 2025

“Why’s it so hard to have a good thing?”: Brian Dunne Digs into the American Dream of a ‘Good Life’ in His Restless, Hungry Anthem, “Clams Casino”

by Mitch Mosk
Atwood Magazine's Weekly Roundup | July 3, 2025
Columns, Features, Music, Weekly RoundupJuly 3, 2025<July 3, 2025

Atwood Magazine’s Weekly Roundup: July 3, 2025

by Atwood Magazine Staff
Aaron Taylor © Jasmijn van Buytene
Features, Interviews, Music, Track-by-TrackJuly 2, 2025<July 2, 2025

“Yours Always”: Aaron Taylor Turns a Powerful Promise into Soul-Stirring Music in His Stripped-Back EP

by Mitch Mosk
Shura 'I Got Too Sad For My Friends' © Charlotte Croft
Features, Interviews, MusicJuly 2, 2025<July 9, 2025

“Gentle, Big, & Sad”: Shura Opens Up About the Quiet Chaos of Being Human and ‘I Got Too Sad for My Friends,’ Her Most Vulnerable Album Yet

by Mitch Mosk
Posts pagination
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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