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Henry Grace © Jess Bibby
Artist to Watch, Interviews, MusicNovember 24, 2025<November 24, 2025

Artist to Watch: Henry Grace Emerges with “Say Something Mean,” a Soul-Stirring Song of Humanity, Heat, & Hard-Won Clarity

by Mitch Mosk
mei ehara 'All About McGuffin' © Naoki Usuda
Features, Interviews, MusicNovember 24, 2025<November 24, 2025

“Being Able to Do What You Love Is Happiness”: Mei Ehara Takes a Creative Leap with ‘All About McGuffin’

by Aileen Goos
Truth, Justice and A Better Tomorrow: Tyler Hoechlin, Christopher Reeve, and newcomer David Corenswet as Superman © Aidan Moyer
Film, Music, ReviewsNovember 24, 2025<November 24, 2025

You Can Hear It, Too, If You’re Sincere: Soundtracking Superman

by Aidan Moyer
New Order’s Trifecta – ‘Power, Corruption & Lies,’ ‘Low-Life,’ & ‘Brotherhood’
Columns, Music, Music & CitiesNovember 24, 2025<November 24, 2025

Music & Cities: New Order’s Trifecta – ‘Power, Corruption & Lies,’ ‘Low-Life,’ & ‘Brotherhood’ in New York City

by David Buyze
Kevin Jonas "Changing" © 2025
Columns, Music, Today's SongNovember 24, 2025<November 24, 2025

Kevin Jonas’ “Changing” Is the Quiet Evolution Fans Always Knew He Had

by Danielle Holian
Perren © Hailey Jansson
Interviews, Music, Today's SongNovember 22, 2025<November 22, 2025

“It’s Music About Music”: Perren on “The Spot,” the Flow, & the Joy of Creating Without Expectation

by Mitch Mosk
BEL 'Holy Grail' album art © SJ Spreng
Debut, Features, Interviews, MusicNovember 21, 2025<November 21, 2025

“Just Keep Going”: BEL on Chasing, Making, & Releasing Her ‘Holy Grail,’ and the Quiet Determination at the Heart of Her Debut LP

by Mitch Mosk
Atwood Magazine's Weekly Roundup | November 21, 2025
Columns, Features, Music, Weekly RoundupNovember 21, 2025<November 26, 2025

Atwood Magazine’s Weekly Roundup: November 21, 2025

by Atwood Magazine Staff
The Brook & The Bluff © Luke Rogers
Interviews, Music, Today's SongNovember 21, 2025<November 21, 2025

“We Wanted to Come Out of the Gates Really Hot”: The Brook & The Bluff Ignite a New Era with “Super Bowl Sunday,” a Hard-Hitting, High-Voltage Anthem of Motion & Self-Reckoning

by Mitch Mosk
Taylor Momsen’s Pretty Reckless Christmas © Steph Gomez
Mistletones, Music, ReviewsNovember 21, 2025<November 21, 2025

The Pretty Reckless Reimagine the Holidays with ‘Taylor Momsen’s Pretty Reckless Christmas’

by Danielle Holian
Buffalo Traffic Jam © Matthew Alec Gold
Debut, Features, Interviews, MusicNovember 21, 2025<November 21, 2025

Buffalo Traffic Jam’s ‘Take Me Home’ Is the Soundtrack for Life’s Messy Middle

by Aileen Goos
Queen Quail "Narcissus" © Celeste Call
Music, ReviewsNovember 21, 2025<November 21, 2025

One for the Dreamers, the Philosophers, and the Reckoning: Queen Quail’s ‘Narcissus’ EP Is a Sparkling Ode to Identity & Belonging in Your 20s

by Rachel Leong
The Sophs © Eric Daniels
Artist to Watch, Interviews, MusicNovember 20, 2025<November 20, 2025

“Never Deny Yourself Anything”: LA’s The Sophs Push Confession, Chaos, & Catharsis to the Brink on “DEATH IN THE FAMILY”

by Mitch Mosk
Izzy Outerspace "Closer" © 2025
Music, Music Videos, PremieresNovember 20, 2025<November 20, 2025

“If You’re Still Here, I Offer You the World”: Izzy Outerspace Unleashes a Dramatic, Impassioned, & Turbulent Reckoning on “Closer”

by Mitch Mosk
Pacifica © Jaxon Whittington
Features, Interviews, MusicNovember 20, 2025<November 20, 2025

‘In Your Face!’ on Their Terms: Pacifica’s Sophomore Album Is a Rip-Roaring Testament to The Duo’s Power

by Kayleigh Schweiker
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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