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Justin Bieber 'SWAG' © Renell Medrano
Music, ReviewsJuly 14, 2025<July 14, 2025

Justin Bieber’s Surprise Record ‘SWAG’ Is a Wonderfully Fragmented Reflection on Life of Late

by Rachel Leong
Animal Collective © Dave Portner
Columns, Music, Today's SongJuly 14, 2025<July 14, 2025

Today’s Song: “Love on the Big Screen” Ensures Animal Collective’s Longevity

by Annaliese Baker
Andy Tongren © Tyler Hansen, Eric Chase
Columns, Music, Today's SongJuly 13, 2025<July 13, 2025

Today’s Song: Andy Tongren Can’t Seem to Forget “Franconia,” and Neither Can We

by Miranda Urbanczyk
Towa Bird © courtesy of Interscope Records
Columns, Music, Today's SongJuly 12, 2025<July 12, 2025

Today’s Song: Towa Bird’s “FML” Is a Queer Anthem That Laughs, Loves, & Bleeds in Color

by Ari White
Sharp Pins © 2025
Columns, Music, Today's SongJuly 11, 2025<July 11, 2025

Today’s Song: Sharp Pins Revolutionize Youth Through Their Jangly Anthem “I Can’t Stop”

by Ashley Escobar
Royal She © Nick Fancher
Debut, Interviews, MusicJuly 11, 2025<July 11, 2025

“It really is a reckoning album”: Royal She’s ‘Befores and Afters’ Marks the Band’s Fiercest Era Yet

by Chloe Robinson
Atwood Magazine's 127th Editor's Picks!
Columns, Editor's Picks, Features, MusicJuly 10, 2025<July 10, 2025

Editor’s Picks 127: Stela Cole, Breagh Isabel, Debbii Dawson, aleksiah, Royel Otis, & Benson Boone!

by Mitch Mosk
Soundtracks for Small Dramas – Concert Crowd © Tijs van Leur
Columns, Music, Soundtracks for Small DramasJuly 10, 2025<July 10, 2025

Soundtracks for Small Dramas: Songs I Stole from Him

by Guest Writer
BEL "I Want" © SJ Spreng
Artist to Watch, Interviews, MusicJuly 10, 2025<July 14, 2025

Restless Hearts & Holy Grails: BEL Channels the Ache of Ambition in “I Want,” an Intimate Anthem for Big Yearners & Sensitive Souls

by Mitch Mosk
Keep Good Company Records' Tina and Matt Baione © Brooklyn Zeh
Features, Interviews, MusicJuly 10, 2025<July 10, 2025

“Make the Road by Walking”: How Keep Good Company Records Is Redefining What an Indie Label Can Be

by Mitch Mosk
Hotline TNT © Graham Tolbert
Music, ReviewsJuly 10, 2025<July 10, 2025

Review: Hotline TNT Find Focus in the Fuzz on ‘Raspberry Moon’

by Liz Costello
Chase Petra © Syd Trip
Columns, Music, Today's SongJuly 10, 2025<July 10, 2025

Escaping Projected Identities, Denying Negativity, and Finding Your Soul on the Other Side in Chase Petra’s “Centrifugal Force”

by Jonah Evans
Baby Said © Lawrence Hughes
Debut, Features, Interviews, Music, Track-by-TrackJuly 9, 2025<July 9, 2025

The Best ‘BS’ You’ve Ever Heard: Baby Said Find Empowerment Through Explosive Alt-Rock on Their Loud, Liberating Debut

by Mitch Mosk
colby! © Gina Di Maio
Features, Interviews, Music, Track-by-TrackJuly 9, 2025<July 10, 2025

“Very Vibrant Anger,” Late-Night Spirals, & Coming of Age: colby! Breaks Down Her Explosive Sophomore EP ‘FINE!’

by Mitch Mosk
Everything Is Within You - Ben Westbeech
Interviews, MusicJuly 9, 2025<July 21, 2025

Interview: Bristol Native Ben Westbeech Breaks LP-Less Dry Spell with a Lively and Collaborative New Record

by Josh Weiner
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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