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Dove Ellis © Xander Lewis
Artist to Watch, Columns, Music, Today's SongDecember 3, 2025<December 3, 2025

“Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling

by Mitch Mosk
Plain Mister Smith © Sandra Lockwood
MusicDecember 2, 2025<December 2, 2025

“So What This, So What That”: Plain Mister Smith Turns Zen, Humor, & Human Messiness into Indie Rock Exhilaration on “Andy Warhol”

by Mitch Mosk
Louie Blue 'Blood & Bones' © Julian Riikonen
Features, Interviews, MusicDecember 2, 2025<December 2, 2025

“Bold, Honest, & Alive”: Louie Blue on Crafting the Warm, Moody, Instinct-Driven World of ‘Blood & Bones’

by Mitch Mosk
The Urban Renewal Project © 2025
Features, Interviews, MusicDecember 2, 2025<December 2, 2025

Interview with the Urban Renewal Project: An LA-Based Big Band Blending Jazz, Hip-Hop, Commentary, & More

by Josh Weiner
Aversion to Normalcy - The Quarantined
Interviews, Music, Track-by-TrackDecember 2, 2025<December 2, 2025

Track-by-Track: The Quarantined Confront Trauma & Survival on ‘Aversion to Normalcy’

by Joe Beer
Mon Rovîa © Zayne Isom
Artist to Watch, Interviews, Music, Today's SongDecember 2, 2025<December 2, 2025

“No, They’re Never Gonna Keep Us All Down”: Mon Rovîa Finds His Voice, His Power, & His Bloodline on “Heavy Foot,” a Protest Anthem for a Fractured, Waking World

by Mitch Mosk
Chrissy © Yana Yatsuk
Artist to Watch, Interviews, MusicDecember 1, 2025<December 2, 2025

“It’s Just a Little Bit Sore”: Chrissy Blooms with Tender Strength on Her Achingly Intimate & Liberating ‘Slight Turn’ EP

by Mitch Mosk
Joelton Mayfield © Hunt Pennington
Debut, Features, Interviews, MusicDecember 1, 2025<December 2, 2025

Interview: Joelton Mayfield Opens Up About ‘Crowd Pleaser,’ a Testament to True Friendship & One Hell of a Genesis to Grief

by Nicolle Knapová
Mandy, Indiana © Charles Gall
Columns, Music, Today's SongDecember 1, 2025<December 1, 2025

“Tu peux courir”: Mandy, Indiana Run to Healing with the Electrifying “Magazine”

by Ashley Littlefield
Atwood Magazine's 138th Editor's Picks!
Columns, Editor's Picks, Features, MusicNovember 26, 2025<November 26, 2025

Editor’s Picks 138: néomí, Dove Ellis, St. Panther, JERUB, Chrissy, & JOSEPH!

by Mitch Mosk
Twenty One Pilots © Fabien Kruszelnicki
Columns, Music, Today's SongNovember 26, 2025<November 26, 2025

From ‘Vessel’ to ‘Breach’: The Ten-Year Journey That Led Twenty One Pilots to Their First #1 Alternative Album

by Danielle Holian
Just Penelope © 2025
Artist to Watch, Debut, Interviews, MusicNovember 25, 2025<November 25, 2025

“Sometimes Chaos Has a Certain Swagger”: Bloomington’s Just Penelope Debut with “June, July” and a Sweaty, Searing, Unapologetic Indie Rock Sound

by Mitch Mosk
Taylor Swift ‘The Life of a Showgirl’ © Mert Alas & Marcus Piggott
Essays, MusicNovember 25, 2025<November 25, 2025

“The Sister I Never Had – Taylor Swift and Me”: An Essay by Danielle Holian

by Danielle Holian
They’re basking in the ‘Afterglow’: Midnight Til Morning © courtesy of the artist
Debut, Features, Interviews, MusicNovember 25, 2025<November 25, 2025

“We couldn’t imagine doing this alone”: Midnight Til Morning’s ‘Afterglow’ Is a Testament to Brotherhood, Trust, & the Bonds That Built the Band

by Miranda Urbanczyk
The Paper Kites © Tim Harris
Interviews, Music, Today's SongNovember 25, 2025<November 25, 2025

“I’m Gonna Try Some Good Living”: The Paper Kites Find Soft Hope and Homecoming on “When the Lavender Blooms,” a Warm Exhale of Light, Gratitude, & Grace

by Mitch Mosk
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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