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Warpaint
Columns, Music, Today's SongFebruary 2, 2022<February 2, 2022

Today’s Song: Warpaint Are Still the Champions

by Ben Niesen
Verb Tec © Dan Shahbazian
Music, Music Videos, PremieresFebruary 1, 2022<February 1, 2022

Video Premiere: Philly’s Verb Tec & Vanderslice Hit Home on “Letter From Portsmouth,” an Epic & Dynamic Artistic Statement

by Mitch Mosk
A Casual Ramble 2022
A Casual Ramble, Columns, MusicFebruary 1, 2022<April 30, 2022

A Casual Ramble: Requiem for Three Albums Involuntarily Placed on My Back-Burner

by Ben Niesen
No Frills © Andrew McGill
Music, Music Videos, PremieresJanuary 31, 2022<January 31, 2022

Premiere: Toronto’s No Frills Explore Identity & Emulation in Buoyant “Copy Cat”

by Mitch Mosk
Kit Major © Nat Souza
Interviews, MusicJanuary 31, 2022<February 3, 2022

Interview: LA’s Kit Major Talks “Solo Disco” & Being Raised by Lovers of All Things Punk

by Chloe Robinson
Father John Misty © Ward & Kweskin
Columns, Music, Today's SongJanuary 31, 2022<January 31, 2022

Today’s Song: “Funny Girl” Marks a New Golden Age for Father John Misty

by Nasim Elyasi
Atwood Magazine Editor's Picks 54
Columns, Editor's Picks, Features, MusicJanuary 28, 2022<June 6, 2022

Editor’s Picks 54: Nilüfer Yanya, Jack White, NewDad, Public Domain, Foxes, & Sunflower Thieves

by Mitch Mosk
Christina Aguilera © Zoe Rain 8.5
Music, Our Take, ReviewsJanuary 28, 2022<January 28, 2022

Our Take: Christina Aguilera Makes a Triumphant Return to Latin Music with ‘La Fuerza’

by Josh Weiner
Atwood Magazine's Weekly Roundup | January 28, 2022
Columns, Features, Music, Weekly RoundupJanuary 28, 2022<January 28, 2022

Atwood Magazine’s Weekly Roundup: January 28, 2022

by Atwood Magazine Staff
Fergus © Matthew Thorne
Columns, Music, Today's SongJanuary 28, 2022<January 28, 2022

Today’s Song: Fergus Finds Redemption in Our Raw Depths on Tender Reeling “Flatline”

by Mitch Mosk
Sara Rachele © 2022
Music, PremieresJanuary 27, 2022<January 27, 2022

Premiere: Sara Rachele Basks in a Moment of Intimate Reverie on “T-T-Tonight”

by Mitch Mosk
Outer Ego - The fin.
Features, Music, Reviews, Track-by-TrackJanuary 27, 2022<January 27, 2022

“Universe, Pain, & Love”: A Track-by-Track Breakdown of The fin.’s Kaleidoscopic Album ‘Outer Ego’

by Mitch Mosk
Verb Tec © Sahar Coston-Hardy
Features, Music, Reviews, Track-by-TrackJanuary 27, 2022<February 7, 2022

“From the Muscle”: Verb Tec & Vanderslice’s ‘No Struggle No Progress’ Is an Undeniable Record of Ambition & Triumph

by Mitch Mosk
Jelani Aryeh © Natasha Tilly
Columns, Music, Today's SongJanuary 27, 2022<January 30, 2024

Today’s Song: Jelani Aryeh Offers a Coming-of-Age for All Ages with “I’ve Got Some Living to Do”

by Nasim Elyasi
Suki Waterhouse © Dana Trippe
Artist to Watch, Features, Interviews, MusicJanuary 27, 2022<May 11, 2022

Artist-to-Watch Suki Waterhouse is Letting Go and Opening Up

by Nicole Almeida
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Brand New

  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley!
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors
  • Vansire Invite You to Take Solace: A Conversation on Love, Creativity, & Connection
  • Fresh Northern Rockers Florentenes Are Impassioned and Authentic on “Undiscovered Colours”
  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life

:: discover something new ::

Recent Posts

  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
  • Vansire Invite You to Take Solace: A Conversation on Love, Creativity, & Connection June 18, 2026
  • Fresh Northern Rockers Florentenes Are Impassioned and Authentic on “Undiscovered Colours” June 18, 2026
  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life June 17, 2026
  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’ June 17, 2026
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’ June 16, 2026
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’ June 16, 2026
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© Atwood Magazine 2024 For the Love of Music
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