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Jackie Kay x Bessie Smith © Mary McCartney
Books, ReviewsNovember 8, 2021<November 8, 2021

Book Review: Jackie Kay Gives the Empress of the Blues Her Flowers in Reissue of ‘Bessie Smith: A Poet’s Biography of a Blues Legend’

by Oliver Crook
AHI © Caitlin Cronenberg
Features, Music, Reviews, Track-by-TrackNovember 5, 2021<February 7, 2022

“Reassuring, Honest, & Powerful”: AHI Goes Track-by-Track Through ‘Prospect,’ a Work of Human Depth & Spiritual Wonder

by Mitch Mosk
Atwood Magazine's Weekly Roundup | November 5, 2021
Columns, Features, Music, Weekly RoundupNovember 5, 2021<November 5, 2021

Atwood Magazine’s Weekly Roundup: November 5, 2021

by Atwood Magazine Staff
Lucy Park © Lena Noguchi
Columns, Music, Today's SongNovember 5, 2021<November 5, 2021

Today’s Song: Lucy Park Basks in the Good on Warm & Wondrous “Brighter Days”

by Mitch Mosk
Sloppy Jane © Sara Cath
Features, Interviews, MusicNovember 5, 2021<February 7, 2022

Interview: Sloppy Jane Erects a Monument of Emotion with ‘Madison’

by Sophie Prettyman-Beauchamp
Neev © 2021
Music, ReviewsNovember 5, 2021<November 5, 2021

There’s Only Love to Come: Neev Releases Wholehearted Sophomore EP ‘Currants’

by Coco Rich
This Here Feels Good - Kay Young
Artist to Watch, Features, Music, Reviews, Track-by-TrackNovember 4, 2021<November 4, 2021

“This Here Feels Good”: Kay Young Delves into Her Intimate, Vulnerable, & Inspiring Third EP

by Mitch Mosk
Birdtalker © Jeremy Cowart
Features, Music, Reviews, Track-by-TrackNovember 4, 2021<November 4, 2021

Track-by-Track: Inside Birdtalker’s Radiant & Irresistible Self-Titled Sophomore Album

by Mitch Mosk
Constant Smiles © Julian Master
Columns, Music, Today's SongNovember 4, 2021<November 4, 2021

Today’s Song: Constant Smiles Pick Up the Pieces in Poignant, Heavy “The Things I Miss”

by Mitch Mosk
Outside Lands 2021
Festival, Music, ReviewsNovember 4, 2021<November 16, 2021

Review: Outside Lands 2021 Delivers on the Hype as the Year’s Best Festival

by Beau Hayhoe
Well Kept © Kyler Vollmar
Music, PremieresNovember 4, 2021<November 4, 2021

Premiere: Well Kept’s Alternative Rom-Com Anthem “Hammerhead Corvette”

by Mitch Mosk
ForEver - Joshua Crumbly
Features, Music, Reviews, Track-by-TrackNovember 3, 2021<November 3, 2021

“A Warm Hug”: Joshua Crumbly Embraces Space, Stillness & Solitude in ‘ForEver’

by Mitch Mosk
Columns, Music, Today's SongNovember 3, 2021<November 3, 2021

Today’s Song: Diving Into the Folly of the High Life with Ellie Bleach’s “Doing Really Well Thanks”

by Adrian Vargas
Year of the Locust - Elisa Nicolas
Debut, Music, Premieres, Reviews, Track-by-TrackNovember 3, 2021<November 3, 2021

Track-by-Track: Elisa Nicolas Premieres Her Warm & Wondrous Album ‘Year of the Locust’

by Mitch Mosk
Mumble Tide © 2021
Columns, Music, Today's SongNovember 2, 2021<November 2, 2021

Today’s Song: Mumble Tide’s Intimate & Grooving “On My Deathbed There’s a Full Page (You Don’t Get To Read It)”

by Mitch Mosk
Posts pagination
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Brand New

  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach!
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA
  • “The Return of Intuition”: An Essay by Tenille Townes
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream

:: discover something new ::

Recent Posts

  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach! April 10, 2026
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
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