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Joe Bourdet © Sara Ross Samko
Debut, Features, Music, Reviews, Track-by-TrackJuly 30, 2021<July 30, 2021

“Wooden, Airy, & Laid-Back”: Joe Bourdet’s Debut LP ‘Meadow Rock’ Channels the Radiant, Warm California Sun

by Mitch Mosk
Features, Interviews, MusicJuly 30, 2021<July 30, 2021

Animus & Anima: LUMP (Laura Marling & Mike Lindsay) on New Record ‘Animal’

by Mariel Fechik
Lauran Hibberd © Rebecca Need-Menear
Features, Interviews, MusicJuly 30, 2021<August 7, 2021

“Sweaty Pandemic Rock”: Lauran Hibberd Sings, Stings, & Soars in Thrilling ‘Goober’ EP

by Mitch Mosk
The Lathums © Sam Crowston
Interviews, MusicJuly 30, 2021<July 30, 2021

Interview: Wigan’s The Lathums Learn Just ‘How Beautiful Life Can Be’ with Upcoming Debut LP

by Bethan Harper
wojtek the bear © Kris Boyle
Features, Interviews, MusicJuly 29, 2021<July 29, 2021

Interview: Universality and Authenticity on wojtek the bear’s ‘Heaven By The Back Door’

by Dimitra Gurduiala
CLAVVS © Lissyelle Laricchia
Features, Interviews, Music, Reviews, Track-by-TrackJuly 29, 2021<July 29, 2021

“Dance Your Feelings!”: CLAVVS Embrace Life, Joy, Love, & the Self in Wondrous Album ‘O’

by Mitch Mosk
The Greeting Committee © Elizabeth Miranda
Interviews, MusicJuly 29, 2021<July 29, 2021

Interview with The Greeting Committee: From ‘All the Boys I’ve Loved Before’ to “Can I Leave Me Too?”

by Nina Schaarschmidt
CARR © CJ Harvey
Artist to Watch, Columns, Music, Today's SongJuly 28, 2021<July 28, 2021

Artist to Watch: CARR’s Irresistible “Loser” Is an Unapologetic F-You to Fuckboys Everywhere

by Mitch Mosk
B-ahwe © Milly Hewitt
Music, PremieresJuly 28, 2021<July 28, 2021

Premiere: B-ahwe’s “Circles” Sends Us Drifting in the Whirlpool of Life

by Frankie Rose
Looking for Love (In A Major) - Lisa Crawley
Features, Music, Reviews, Track-by-TrackJuly 28, 2021<July 28, 2021

“Honest, Humorous, Reflective”: Lisa Crawley Shines Bright on ‘Looking for Love (In “A Major”)’ EP

by Mitch Mosk
NOGA © Sarah Fosco
Music, PremieresJuly 28, 2021<July 28, 2021

EP Premiere: ‘The Alchemist’ Charts NOGA’s Inner Reckoning, Passion, & Resolve

by Mitch Mosk
Hank May © 2021
Interviews, MusicJuly 27, 2021<August 19, 2021

Interview: Hank May’s First Sip, His Premier LP, ‘One More Taste of the Good Stuff’

by Lilly Eason
Pink Noise - Laura Mvula
Features, Interviews, MusicJuly 22, 2021<July 28, 2021

Interview: Laura Mvula Presents an Everlasting Bliss in Her Iconic New Album, ‘Pink Noise’

by Dimitra Gurduiala
Ali Coyle © Sarah Vargas
Debut, Features, Interviews, MusicJuly 21, 2021<July 22, 2021

Interview: Irish American Singer/Songwriter Ali Coyle Discusses Introspective Debut EP ‘Songs for My Therapist’

by Chloe Robinson
Josh Radnor © Ella Hovsepianc
Debut, Interviews, MusicJuly 21, 2021<November 8, 2023

Interview: Josh Radnor Steps Out on His Own with Debut EP ‘One More Then I’ll Let You Go’

by Nasya Blackshear
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Brand New

  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out”
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch”
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens!

:: discover something new ::

Recent Posts

  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens! December 15, 2025
  • Atwood Magazine’s Top Artist Discoveries of 2025 December 15, 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song” December 15, 2025
  • “I’m Just Too Soft”: Deadbeat Girl Reclaims Vulnerability as Power on a Volcanic Indie Rock Confession December 14, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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