Music, PremieresSeptember 27, 2021<September 27, 2021 Premiere: Glass Heart String Choir’s Bittersweet & Achingly Vulnerable “Wounds” by Mitch Mosk
Festival, MusicSeptember 27, 2021<September 27, 2021 Isle of Wight Festival 2021: More Than Just the Headliners by Bethan Harper
Music, ReviewsSeptember 24, 2021<September 24, 2021 Album Review: The Muslims Scorch Earth and Revive Punk on ‘Fuck These Fuckin Fascists’ by Oliver Crook
Columns, Features, Music, Weekly RoundupSeptember 24, 2021<September 24, 2021 Atwood Magazine’s Weekly Roundup: September 24, 2021 by Atwood Magazine Staff
Features, Interviews, MusicSeptember 24, 2021<September 27, 2021 Interview: WAYNE SNOW on Identity, Facades, and His Smoldering Sophomore LP ‘Figurine’ by Mitch Mosk
Columns, Music, Today's SongSeptember 24, 2021<September 24, 2021 Today’s Song: A Breezy & Soulful Look Into Taylor Kelly’s Mind With “Maybe” by Adrian Vargas
Debut, Features, Music, Reviews, Track-by-TrackSeptember 24, 2021<September 24, 2021 Track-by-Track: Frames’ Heartfelt & Hard-Hitting Debut Album ‘Every Room’ by Mitch Mosk
Features, Music, Reviews, Track-by-TrackSeptember 24, 2021<September 24, 2021 Feature: Tom Speight Captures Life’s Beauty & Wonder in Sophomore LP ‘Everything’s Waiting for You’ by Mitch Mosk
Debut, Features, Music, Reviews, Track-by-TrackSeptember 23, 2021<September 23, 2021 A Diary and a Daydream: Inside Merpire’s Stunning Debut Album ‘Simulation Ride’ by Mitch Mosk
Features, Interviews, MusicSeptember 23, 2021<September 27, 2021 Interview: Robert Ellis Orrall’s ‘467 Surf and Gun Club’, a Portrait of a Musician’s Heaven by Mitch Mosk
9.1 Debut, Features, Music, Reviews, Track-by-TrackSeptember 23, 2021<November 4, 2021 Feature: MarthaGunn Shine on Vulnerable, Confident, & Reflective Debut Album ‘Something Good Will Happen’ by Mitch Mosk
Columns, Music, The Collab ColumnSeptember 23, 2021<September 22, 2021 The Collab Column: Young Nudy and Pi’erre Bourne’s ‘Sli’merre’ by Leo Culp
Music, PremieresSeptember 23, 2021<September 29, 2021 Premiere: Vacances’ Buoyant New Single “Love Collapse” Is a Resilient Revelry by Mitch Mosk
Columns, Music, Today's SongSeptember 23, 2021<January 30, 2024 Today’s Song: James Blake Explores a Different Kind of Loss with “Life Is Not the Same” by Nasim Elyasi
9.1 Debut, Features, Interviews, Music, Our Take, ReviewsSeptember 22, 2021<September 22, 2021 “Relatable Indie Pop”: Mini Trees’ Debut Album ‘Always in Motion’ is a Dreamy, Triumphant Reckoning by Mitch Mosk
For the Love of Music
For the Love of Music
