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Emma Louise "Sunshine for Happiness" © Sam Kristofski
Music, ReviewsMay 27, 2026<May 27, 2026

“I Want All Beautiful Things”: Emma Louise Finds Inner Strength on ‘Sunshine for Happiness’

by Yashavi Upasani
Marigo Bay ‘Racecars & Rockstars’ © Fien Vonk
Debut, Features, Interviews, MusicMay 27, 2026<May 27, 2026

Electrifying, Explosive, and Colorful: London’s Marigo Bay Arrives with Cathartic Debut LP ‘Racecars & Rockstars’

by Rachel Leong
Matt Hansen "Orchid" © 2026
Debut, Features, Music, ReviewsMay 27, 2026<May 28, 2026

“These Songs Found Me”: Matt Hansen’s Debut Album ‘Orchid’ Says the Quiet Part Out Loud

by Aileen Goos
Atwood Magazine's 155th Editor's Picks!
Columns, Editor's Picks, Features, MusicMay 22, 2026<May 22, 2026

Editor’s Picks 155: Houndmouth, Fruit Bats, Nymphlord, Aquilo, corook, & Big Sleep!

by Mitch Mosk
April + VISTA 'Traditional Noise' © Foster K. White
Debut, Features, Interviews, MusicMay 21, 2026<May 21, 2026

“Our Reality Is Noisy”: April + VISTA Make Comfort Music for a World on Fire with ‘Traditional Noise,’ a Cinematic & Boundary-Breaking Debut

by Mitch Mosk
Ana Grosh "Call Me Back" © Mia Humphrey
Interviews, Music, Music Videos, PremieresMay 21, 2026<May 21, 2026

“All I Get from You Is Voicemail”: Ana Grosh Cries Out for Connection on “Call Me Back,” a Soul-Soaked Anthem for the After-Party Blues

by Mitch Mosk
DELTONA is Ned Abernathy, Chris Deaton, and Caleb Miller © Tanner Yeager
Interviews, Music, Today's SongMay 21, 2026<May 21, 2026

“If it stops being fun, what are we even doing?”: DELTONA Are Turning Country Music into One Big Tailgate with “Party’s in the Back”

by Aileen Goos
Mentiras, la serie
Film, Music, ReviewsMay 21, 2026<May 21, 2026

‘Mentiras’: The Hectic, Thrilling Breakup (and Romance) Playlist of Latin America

by Bárbara Martínez Campuzano
The Last Dinner Party at Kilby Block Party 2026 © Roger Ho
Concerts, Music, ReviewsMay 21, 2026<May 21, 2026

The Last Dinner Party Welcome “Big Dog” into the World at Salt Lake City’s Kilby Block Party

by Julia Dzurillay
Now and Then: McCartney and Starr circa summer 2024 at Paris Fashion Week (foreground) and in Hamburg circa 1960 (background), while Starr was still drumming for Rory Storm and the Hurricanes © Aidan Moyer
Music, ReviewsMay 21, 2026<May 21, 2026

“Where the Road Was Gonna Lead Us Two”: Paul McCartney and Ringo Starr Revisit Their Liverpool Roots on “Home to Us”

by Aidan Moyer
Ber Lets the Good In on Her Radiant Debut Album ‘Good, Like It Should Be’ © Daniela Shella
Debut, Features, Interviews, MusicMay 20, 2026<May 20, 2026

“I Have to Choose This”: Ber Lets the Good In on Her Radiant Debut Album ‘Good, Like It Should Be’

by Kelly McCafferty Dorogy
Sofia Wolfson "Obviously" © Michael Tyrone Delaney
Columns, Music, Today's SongMay 20, 2026<May 20, 2026

“How Does One Absent the Feeling?”: Sofia Wolfson’s “Obviously” Finds Whimsy & Ache in the Art of Moving On

by Hannah Burns
Sinca © courtesy of the artist
Interviews, MusicMay 19, 2026<May 29, 2026

“You Can Play Music, and People Just Fall in Love”: Sinca on Memory, Community, AI, and Staying Human in Electronic Music

by Ashley Littlefield
Japanese Breakfast © James Sakert, Kilby Block Party 2026
Concerts, Music, ReviewsMay 19, 2026<May 19, 2026

Review: Japanese Breakfast Return to Their Roots at Kilby Block Party – and We’ve Never Been More Excited

by Julia Dzurillay
Manasseh "CBD" © Rikkie Khrist
Music, PremieresMay 19, 2026<May 19, 2026

“Please Calm Yo Bi*** A** Down”: Manasseh Sets His Boundaries Ablaze on “CBD,” a Smoldering Psych-Soul Diss Track ft. femdot.

by Mitch Mosk
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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