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Dijon 'Baby' album art © Kristina Loggia 10
Music, ReviewsDecember 4, 2025<December 4, 2025

“What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity”

by Mitch Mosk
Amanda Bergman © Julia Mård
Artist to Watch, Features, Interviews, MusicDecember 4, 2025<December 4, 2025

“Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone

by Mitch Mosk
Katelyn Tarver © Phil Chester & Sara Byrne
Features, Interviews, MusicDecember 4, 2025<December 4, 2025

“There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing

by Kelly McCafferty Dorogy
Of Monsters and Men 'All is Love and Pain in the Mouse Parade' © Eva Schram
Features, Interviews, MusicDecember 3, 2025<December 3, 2025

“We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’

by Mitch Mosk
Marem Ladson © Nuria Rius
Artist to Watch, Interviews, MusicDecember 3, 2025<December 3, 2025

“I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie

by Mitch Mosk
Gabriel Jacoby 'gutta child' © Josh Flores
Debut, Features, Interviews, Music, Track-by-TrackDecember 3, 2025<December 3, 2025

“I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’

by Mitch Mosk
Dove Ellis © Xander Lewis
Artist to Watch, Columns, Music, Today's SongDecember 3, 2025<December 3, 2025

“Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling

by Mitch Mosk
Plain Mister Smith © Sandra Lockwood
MusicDecember 2, 2025<December 2, 2025

“So What This, So What That”: Plain Mister Smith Turns Zen, Humor, & Human Messiness into Indie Rock Exhilaration on “Andy Warhol”

by Mitch Mosk
Louie Blue 'Blood & Bones' © Julian Riikonen
Features, Interviews, MusicDecember 2, 2025<December 2, 2025

“Bold, Honest, & Alive”: Louie Blue on Crafting the Warm, Moody, Instinct-Driven World of ‘Blood & Bones’

by Mitch Mosk
The Urban Renewal Project © 2025
Features, Interviews, MusicDecember 2, 2025<December 2, 2025

Interview with the Urban Renewal Project: An LA-Based Big Band Blending Jazz, Hip-Hop, Commentary, & More

by Josh Weiner
Aversion to Normalcy - The Quarantined
Interviews, Music, Track-by-TrackDecember 2, 2025<December 2, 2025

Track-by-Track: The Quarantined Confront Trauma & Survival on ‘Aversion to Normalcy’

by Joe Beer
Mon Rovîa © Zayne Isom
Artist to Watch, Interviews, Music, Today's SongDecember 2, 2025<December 2, 2025

“No, They’re Never Gonna Keep Us All Down”: Mon Rovîa Finds His Voice, His Power, & His Bloodline on “Heavy Foot,” a Protest Anthem for a Fractured, Waking World

by Mitch Mosk
Chrissy © Yana Yatsuk
Artist to Watch, Interviews, MusicDecember 1, 2025<December 2, 2025

“It’s Just a Little Bit Sore”: Chrissy Blooms with Tender Strength on Her Achingly Intimate & Liberating ‘Slight Turn’ EP

by Mitch Mosk
Joelton Mayfield © Hunt Pennington
Debut, Features, Interviews, MusicDecember 1, 2025<December 2, 2025

Interview: Joelton Mayfield Opens Up About ‘Crowd Pleaser,’ a Testament to True Friendship & One Hell of a Genesis to Grief

by Nicolle Knapová
Mandy, Indiana © Charles Gall
Columns, Music, Today's SongDecember 1, 2025<December 1, 2025

“Tu peux courir”: Mandy, Indiana Run to Healing with the Electrifying “Magazine”

by Ashley Littlefield
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Brand New

  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens!
  • Atwood Magazine’s Top Artist Discoveries of 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song”
  • “I’m Just Too Soft”: Deadbeat Girl Reclaims Vulnerability as Power on a Volcanic Indie Rock Confession
  • “I’m Just Trying to Get My Head Right”: FIDLAR’s Max Kuehn Finds Forward Motion on “Slide” & Sophomore LP ‘All for Nothing’
  • Tales from the Garden: Seven Lions Is Making and Breaking the Formula
  • Atwood Magazine’s Best Concerts of 2025!

:: discover something new ::

Recent Posts

  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens! December 15, 2025
  • Atwood Magazine’s Top Artist Discoveries of 2025 December 15, 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song” December 15, 2025
  • “I’m Just Too Soft”: Deadbeat Girl Reclaims Vulnerability as Power on a Volcanic Indie Rock Confession December 14, 2025
  • “I’m Just Trying to Get My Head Right”: FIDLAR’s Max Kuehn Finds Forward Motion on “Slide” & Sophomore LP ‘All for Nothing’ December 13, 2025
  • Tales from the Garden: Seven Lions Is Making and Breaking the Formula December 12, 2025
  • Atwood Magazine’s Best Concerts of 2025! December 12, 2025
  • Interview: Clover County on the ‘Finer Things,’ Romanticising Life, and Rediscovering Her Whimsy December 12, 2025
  • “Rev It, Brake It, Love Ya, Mean It”: Savannah Conley Cuts Loose on “Love You Mean It,” a Fun, Feverish Indie Rock Rebirth December 12, 2025
  • “I Haven’t Heard That Sound Yet”: Copenhagen’s Barbro Premieres “What Men Do,” a Softly Smoldering Indie Folk Reckoning of Unlearning & Quiet Resistance December 11, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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