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The Dirty Nil © Sam Tomlinson
Music, Reviews, Today's SongApril 10, 2021<April 9, 2021

Today’s Song: The Dirty Nil End the Night with “One More and the Bill”

by James Crowley
NYIKO © Niles Gregory 8
Debut, Music, Our Take, ReviewsApril 9, 2021<April 9, 2021

Our Take: Love Is Creation on NYIKO’s Debut Album ‘Honesty’

by Anthony Kozlowski
Sociopath - Olivia O'Brien
Interviews, MusicApril 9, 2021<May 7, 2021

“Sociopath”: Olivia O’Brien Goes Behind the Scenes of Her Thrilling New Song & Horror Film

by Mitch Mosk
Atwood Magazine's Weekly Roundup April 9, 2021
Features, Music, Weekly RoundupApril 9, 2021<April 9, 2021

Atwood Magazine’s Weekly Roundup: April 9, 2021

by Atwood Magazine Staff
Interviews, Music, ReviewsApril 9, 2021<April 9, 2021

The Power of Vulnerability: A Conversation With Marie Naffah

by Adrian Vargas
Music, ReviewsApril 9, 2021<April 9, 2021

Review: Spirit of the Beehive Become One with the Ether on ‘ENTERTAINMENT, DEATH’

by Sophie Prettyman-Beauchamp
Cujo Moon © Rae Mercedes
Music, Reviews, Track-by-TrackApril 9, 2021<April 9, 2021

“Reflecting. Accepting. Healing.”: Cujo Moon Weaves Worlds of Wonder in ‘Bridges II’ EP

by Mitch Mosk
Stealth
Debut, Music, Reviews, Track-by-TrackApril 9, 2021<April 9, 2021

“Soul Blues Goodness”: Stealth Soars in His Smoldering Debut Album ‘Bury Me’

by Mitch Mosk
Columns, Music, Today's SongApril 9, 2021<April 9, 2021

Today’s Song: A Contrast of Cheer & Ignorance on Blood Cultures’ “Set It On Fire”

by Adrian Vargas
The Fratellis © 2021
Features, Interviews, MusicApril 9, 2021<April 8, 2021

In His Own Sweet Time: An Interview with The Fratellis’ Jon Fratelli

by Kelly Liu
Sarah Cicero
Debut, Music, Premieres, Track-by-TrackApril 8, 2021<April 8, 2021

“Raw, Emotive Yearning”: Sarah Cicero Spills Her Soul in Debut EP ‘Cold Immaculate Opposite’

by Mitch Mosk
Chemtrails over the Country Club - Lana Del Rey
Features, Music, Reviews, RoundtableApril 8, 2021<June 29, 2024

Roundtable Discussion: A Review of Lana Del Rey’s ‘Chemtrails over the Country Club’

by Atwood Magazine Staff
Billie Essco © 2021
Features, Interviews, MusicApril 8, 2021<April 8, 2021

Interview: Buffalo Rapper Billie Essco Is in a League of His Own

by Mitch Mosk
Jenny Owen Youngs © Tucker Leary
Features, Interviews, MusicApril 8, 2021<April 8, 2021

Interview: Jenny Owen Youngs Presents Her Touching EP, ‘Echo Mountain’

by Dimitra Gurduiala
Yungchen Lhamo © Ernie Paniccioli
Features, Interviews, MusicApril 8, 2021<April 27, 2021

Interview: Tibetan Artist Yungchen Lhamo Sings for a Better World

by Guest Writer
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Brand New

  • “I Pride Myself on Healthily Hating”: Alemeda Asserts Her Worth on “Broken Record,” a Blistering Rejection of Cheap Love
  • Devil’s in the Details: Inside Esme Rose’s Bewitching ‘x3’ EP
  • “I Wanna Be a 7-Foot Zombie”: The Strokes Chase the Overstimulation of Modern Life on “Going Shopping,” the Kinetic Lead Single Off Their 7th Album ‘Reality Awaits’
  • “Life Is a Joke, and You Are the Punch”: Fantastic Cat Capture the Messy Beauty of Being Alive on ‘Cat Out of Hell,’ Deeply Human Folk Rock Triumph
  • Life Is Too Short to Be Comfortable: Whiskey Flower Turn Defiance into Fuel on ‘double yellow lines’
  • All the Right Feels: Victoryland’s ‘My Heart Is a Room With No Cameras in It’ Embraces the Imperfections of Humanity With an Ignited Soundscape of Love, Humor, & Curiosity
  • “You End Up Going Places You’d Never Get to on Your Own”: Hannah Hausman & Guthrie Galileo Collide to Create a Whole New World on ‘Move From Love’

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Recent Posts

  • “I Pride Myself on Healthily Hating”: Alemeda Asserts Her Worth on “Broken Record,” a Blistering Rejection of Cheap Love April 15, 2026
  • Devil’s in the Details: Inside Esme Rose’s Bewitching ‘x3’ EP April 15, 2026
  • “I Wanna Be a 7-Foot Zombie”: The Strokes Chase the Overstimulation of Modern Life on “Going Shopping,” the Kinetic Lead Single Off Their 7th Album ‘Reality Awaits’ April 15, 2026
  • “Life Is a Joke, and You Are the Punch”: Fantastic Cat Capture the Messy Beauty of Being Alive on ‘Cat Out of Hell,’ Deeply Human Folk Rock Triumph April 14, 2026
  • Life Is Too Short to Be Comfortable: Whiskey Flower Turn Defiance into Fuel on ‘double yellow lines’ April 14, 2026
  • All the Right Feels: Victoryland’s ‘My Heart Is a Room With No Cameras in It’ Embraces the Imperfections of Humanity With an Ignited Soundscape of Love, Humor, & Curiosity April 14, 2026
  • “You End Up Going Places You’d Never Get to on Your Own”: Hannah Hausman & Guthrie Galileo Collide to Create a Whole New World on ‘Move From Love’ April 14, 2026
  • “A Waltz of Changing Seasons”: Chicago’s Park Hills Circle Welcomes Renewal on “Spring Is Here,” an Enchantingly Dreamy Folk Reverie April 14, 2026
  • “I Walk With Love”: SAULT Explore The Beauty of Inner Peace in “Good Things Will Come After the Pressure” April 14, 2026
  • Avery Cochrane Is Singing Dispatches From a Dying Empire April 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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