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Atwood Magazine Celebrates AAPI Heritage Month III
Asian American and Pacific Islander Heritage Month, Features, MusicMay 20, 2021<May 27, 2021

Atwood Magazine Celebrates AAPI Heritage Month 2021, Pt. III

by Atwood Magazine Staff
MAUMAUMAU © Lucila Muriel
Debut, Features, Music, Premieres, Reviews, Track-by-TrackMay 20, 2021<May 20, 2021

“Fun, Vulnerable, & Left-of-Center”: MAUMAUMAU Dives into Soaring Debut EP ‘Meow Meow Meow’

by Mitch Mosk
SYCCO © Brianna Da Silva
Music, PremieresMay 20, 2021<May 20, 2021

Premiere: Brisbane’s Sycco Exudes Glittering Confidence in “Time’s Up”

by Maggie McHale
Holly Humberstone © Jordan Curtis-Hughes
Artist to Watch, Music, ReviewsMay 19, 2021<December 30, 2021

Holly Humberstone’s Radiant “The Walls Are Way Too Thin” Reckons with Turmoil & Disarray

by Mitch Mosk
Joy Oladokun © Nolan Knight
Artist to Watch, Features, Interviews, MusicMay 19, 2021<October 1, 2021

Bridging the Spiritual and the Physical: A Conversation with Joy Oladokun

by Mitch Mosk
Grace Aimi © ARISAK
Columns, Music, Today's SongMay 19, 2021<May 19, 2021

Today’s Song: Grace Aimi Paints a Colorful Confessional in “Rainbow” Off Debut EP ‘PICNIC’

by Mitch Mosk
Abby Holliday
Music, PremieresMay 19, 2021<May 19, 2021

Artist to Watch: Abby Holliday Soars in Stunning Second Single “8 Hours”

by Mitch Mosk
Laica © Cooper Leith
Music, ReviewsMay 18, 2021<May 18, 2021

Review: LA’s Laica Soars with Radiantly Seductive Songs “Childish” & “Sanctuary”

by Mitch Mosk
Jak Lvr © Milly Hutchcraft
Music, PlaylistsMay 18, 2021<May 18, 2021

Playlist: Teesside’s jak lvr Celebrates North East England’s Indie Scene

by Guest Writer
Atwood Magazine Celebrates AAPI Heritage Month II
Asian American and Pacific Islander Heritage Month, Features, MusicMay 18, 2021<May 27, 2021

Atwood Magazine Celebrates AAPI Heritage Month 2021, Pt. II

by Atwood Magazine Staff
B[1] - Maya B
Debut, Features, Music, Reviews, Track-by-TrackMay 18, 2021<May 18, 2021

“No. Bull. Sh*t.”: Maya B Goes Track-by-Track Through Her Multidimensional Debut EP, ‘B[1]’

by Mitch Mosk
Jake Manzi © Taylor Thompson 9.3
Debut, Features, Music, Our Take, Reviews, Track-by-TrackMay 18, 2021<May 18, 2021

Singer/Songwriter Jake Manzi Spellbinds on Classic Debut Album ‘Whatever My Heart Allows’

by Mitch Mosk
Columns, Music, Today's SongMay 18, 2021<May 18, 2021

Today’s Song: I’m Invokes Nostalgia and Grooves With “Back Seat Memory”

by Nick Matthopoulos
GoldenOak © Elizabeth Leclair
Music, PremieresMay 18, 2021<May 18, 2021

Premiere: GoldenOak’s “These Old Shoes” Confronts the Climate Crisis with Wondrous Folk

by Mitch Mosk
The Trusted © 2021
Music, ReviewsMay 17, 2021<May 17, 2021

The Trusted’s “Rebel Song” Is a Spirited & Anthemic Uproar

by Mitch Mosk
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Brand New

  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’
  • “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession
  • “Brace for Impact… Literally”: Mykel’s ‘Hometown Runaway’ EP is the Ultimate Soundtrack of Fearless Reinvention

:: discover something new ::

Recent Posts

  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’ June 16, 2026
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’ June 16, 2026
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You June 16, 2026
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’ June 16, 2026
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’ June 16, 2026
  • “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession June 15, 2026
  • “Brace for Impact… Literally”: Mykel’s ‘Hometown Runaway’ EP is the Ultimate Soundtrack of Fearless Reinvention June 15, 2026
  • Our Take: Pleasure Systems Returns More Hopeful Than Ever with Sophomore Album ‘Leave It in the Sand’ June 15, 2026
  • “Realizing God Didn’t Want Me in the Closet”: A Pride Month Essay by Tory Silver June 15, 2026
  • “And I’ve Been Comin’ Back My Whole Damn Life”: Kurt Vile Finds a New Warmth in “Chance to Bleed,” a Mesmerizing Homecoming Ode June 14, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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