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Tim Hart © Jon Hart
Features, Music, Premieres, Track-by-TrackFebruary 18, 2021<February 18, 2021

“Alive, Raw, Journey”: Boy & Bear’s Tim Hart Dives into His Invigorating Third Solo Album ‘Winning Hand’

by Mitch Mosk
KENI © Aerin Moreno
Artist to Watch, Columns, Music, Today's SongFebruary 18, 2021<February 18, 2021

Artist to Watch: Keni’s Dazzling “Sid and Nancy” Taps into Passion’s Raw Allure

by Mitch Mosk
Indigo Sparke © Adrianne Lenker
Debut, Features, Interviews, MusicFebruary 18, 2021<February 18, 2021

Dancing Over Bones: Singer/Songwriter Indigo Sparke Radiates with Ethereal Folk Album ‘echo’

by Coco Rich
TheHxliday © Travis Shinn
Black History Month, Music, Track-by-TrackFebruary 18, 2021<February 18, 2021

Track-by-Track: TheHxliday Dives into his Visceral & Achingly Raw EP ‘BatBxy’

by Mitch Mosk
Edwin Arzu © Niion & Nitz (NixNi)
Black History MonthFebruary 18, 2021<February 18, 2021

Edwin’s Brain While Looking At a Sunset: A Poem by Edwin Arzu

by Guest Writer
The Black Expression by PRICIE
Art, Black History MonthFebruary 18, 2021<January 10, 2023

“The Black Expression”: A Painting by PRICIE

by Guest Writer
MF DOOM
Editorials, MusicFebruary 18, 2021<February 18, 2021

In Memoriam: MF DOOM, The Closest Companion I Never Met

by Adam Davidson
Black Women in Music: 2021 Playlist
Music, PlaylistsFebruary 17, 2021<March 23, 2022

Playlist: Black Women in Music You Won’t Want to Miss

by Sophie Prettyman-Beauchamp
Hayden Everett © Michael Flugstad
Music, ReviewsFebruary 17, 2021<February 17, 2021

Review: Hayden Everett’s Stirring “Kennecott” Is a Kiss of Glacial Indie Folk Wonder

by Mitch Mosk
Tiana Major9 © Ira Chernova
Black History Month, Music, Track-by-TrackFebruary 17, 2021<February 17, 2021

“Fun, Tearjerker, Vulnerable”: Tiana Major9 Dives into Her Jazzy & Soulful ‘At Sixes and Sevens’ EP

by Guest Writer
Pray for Your Son - Jeverson
Black History Month, Interviews, MusicFebruary 17, 2021<February 18, 2021

Interview: Grenada’s Jeverson on His Anthemic Debut “Pray for Your Son,” a Song of Protest, Pain & Healing

by Mitch Mosk
Dayon Greene © Shaughn Cooper
Black History Month, MusicFebruary 17, 2021<February 17, 2021

“Free”: Dayon Greene Dives into His Triumphant Song of Hope & Freedom

by Guest Writer
Pett Level © Barney Dick
Music, Reviews, This Just InFebruary 17, 2021<February 17, 2021

This Just In: UK’s Pett Level Debut with Groovy Single “Red Hot”

by Dimitra Gurduiala
anxioushum x Molly O'Malley
Music, PremieresFebruary 17, 2021<February 17, 2021

Premiere: anxioushum & Molly O’Malley Present Two Intimate Upheavals on ‘split’ Single “wore” & “hollow”

by Mitch Mosk
Lost in Translation - Emma Negrete
Columns, Music, Today's SongFebruary 17, 2021<February 17, 2021

Today’s Song: “Lost in Translation” Is Emma Negrete’s Journey into Self-Acceptance and Self-Love

by Emily Frances Algar
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Brand New

  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out”
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch”

:: discover something new ::

Recent Posts

  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens! December 15, 2025
  • Atwood Magazine’s Top Artist Discoveries of 2025 December 15, 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song” December 15, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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