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Sofia Camille
Music, ReviewsMay 4, 2021<May 4, 2021

Sofia Camille & hü Hit Rock Bottom with Stunning Flare on Dazzling Indie Pop Upheaval “talk to you”

by Mitch Mosk
Royal Blood © Mads Perch
Features, Interviews, MusicMay 4, 2021<October 5, 2021

Feature: Royal Blood Dance the Pain Away on ‘Typhoons’

by Anthony Kozlowski
Interviews, MusicMay 4, 2021<May 4, 2021

The Balance of Solitude & Loneliness: A Conversation with Luwten

by Adrian Vargas
Junaco © Nicole Mason
Asian American and Pacific Islander Heritage Month, EssaysMay 4, 2021<May 4, 2021

“Imaginary Lines”: An Essay by Junaco’s Shahana Jaffer

by Guest Writer
Echo Bloom © Lissyelle Laricchia
Music, PremieresMay 4, 2021<May 4, 2021

Brooklyn’s Echo Bloom Reckon with the American Dream in “Don’t You Want to Be Loved”

by Mitch Mosk
Debut, Music, ReviewsMay 4, 2021<January 30, 2024

Review: Baby Boys Kick Down the Doors with Debut Album ‘Threesome’

by Nasim Elyasi
Columns, Music, Today's SongMay 4, 2021<May 4, 2021

Today’s Song: Los Angeles’ SLUGS Are Colorful and Wild in New Single “I Could Do Better”

by Joe Beer
White Water - Alex Lleo © Marc MacNab-Jack
Artist to Watch, Music, PremieresMay 4, 2021<May 4, 2021

Alex Lleo’s Breathtaking Song “White Water” Flows with Stormy, Stirring Serenity

by Mitch Mosk
Bellman © Line Loholt
Music, ReviewsMay 3, 2021<May 3, 2021

Bellman Shines a Light on the Darker Side of Life in “Let Somebody In (369)”

by Mitch Mosk
Rosegold - Ashley Monroe
Features, Interviews, MusicMay 3, 2021<May 15, 2021

Interview: What Happens When Freedom & Joy Collide? Ashley Monroe on Her Genreless Album ‘Rosegold’ and Embracing Her Sensual Side

by Emily Frances Algar
Yola © Joseph Ross Smith
Columns, Music, Today's SongMay 3, 2021<May 3, 2021

Yola’s Anthemic “Diamond Studded Shoes” Is an Energizing & Charged Call to Action

by Mitch Mosk
Greta Van Fleet © Matthew Daniel Siskin (L-R: Danny Wagner, Jake Kiszka, Josh Kiszka, Sam Kiszka)
Features, Interviews, MusicMay 3, 2021<October 5, 2021

Interview: Josh Kiszka on Greta Van Fleet, ‘The Battle at Garden’s Gate’, and the Infosonicosm

by Lilly Eason
Rosie Tucker © May Daniels
Features, Interviews, MusicMay 3, 2021<May 3, 2021

Interview: Rosie Tucker Welcomes Us into Coming-of-Age Album ‘Sucker Supreme’

by Dimitra Gurduiala
girl in red © Jonathan Kise
Debut, Features, Interviews, MusicApril 30, 2021<October 5, 2021

Guard’s Down, Heart’s Out: A Conversation with girl in red

by Nicole Almeida
Surprise, Surprise - Savannah Conley
Features, Interviews, Music, Reviews, Track-by-TrackApril 30, 2021<June 13, 2023

“Surprise, Surprise”: Savannah Conley Shines with Stirring Strength & Stunning Depth on New EP

by Mitch Mosk
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Brand New

  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’
  • “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession
  • “Brace for Impact… Literally”: Mykel’s ‘Hometown Runaway’ EP is the Ultimate Soundtrack of Fearless Reinvention

:: discover something new ::

Recent Posts

  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’ June 16, 2026
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’ June 16, 2026
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You June 16, 2026
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’ June 16, 2026
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’ June 16, 2026
  • “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession June 15, 2026
  • “Brace for Impact… Literally”: Mykel’s ‘Hometown Runaway’ EP is the Ultimate Soundtrack of Fearless Reinvention June 15, 2026
  • Our Take: Pleasure Systems Returns More Hopeful Than Ever with Sophomore Album ‘Leave It in the Sand’ June 15, 2026
  • “Realizing God Didn’t Want Me in the Closet”: A Pride Month Essay by Tory Silver June 15, 2026
  • “And I’ve Been Comin’ Back My Whole Damn Life”: Kurt Vile Finds a New Warmth in “Chance to Bleed,” a Mesmerizing Homecoming Ode June 14, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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