Columns, Interviews, Music, Today's SongAugust 25, 2025<August 25, 2025 Solomon Fox Blurs the Lines on “Fallin’ Back” by Aileen Goos
Features, Interviews, Music, Track-by-TrackAugust 22, 2025<August 22, 2025 “We Are Nature’s Children, and We Should Act Accordingly”: S.G. Goodman’s ‘Planting by the Signs’ Is a Soul-Stirring Record of Ancient Ritual & Living Legacy by Mitch Mosk
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Features, Interviews, MusicAugust 22, 2025<August 24, 2025 Interview: Lera Lynn Steps into Her Power on ‘Comic Book Cowboy’ by Emily Frances Algar
Columns, Features, Music, Weekly RoundupAugust 22, 2025<August 25, 2025 Atwood Magazine’s Weekly Roundup: August 22, 2025 by Mitch Mosk
Columns, Music, Today's SongAugust 22, 2025<August 22, 2025 Today’s Song: Lana Del Rey Rides West with Her Evocative Tale, “Henry, come on” by Bárbara Martínez Campuzano
Artist to Watch, Interviews, Music, PremieresAugust 21, 2025<August 22, 2025 “I Wanted to Make Music That Sounds Like Music Again”: Louie Blue Shines a Light “In the Dark” With a Bold Sound and Breathtaking DIY Style by Mitch Mosk
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Essays, MusicAugust 21, 2025<August 21, 2025 “For Oliver, My Friend”: An Essay by Theo Kandel by Guest Writer
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Features, Interviews, MusicAugust 20, 2025<August 20, 2025 “You owe it to your creativity to dive into that pain”: Indy Yelich Makes the Personal Less Private with ‘Fame Is a Bedroom’ EP by Desire' Jackson-Crosby
Artist to Watch, Debut, Features, Interviews, MusicAugust 20, 2025<August 21, 2025 “I’m just being myself”: Ontario’s Billianne Takes Flight on ‘Modes of Transportation,’ a Record of Growth, Family, & New Directions by Aileen Goos
Columns, Music, Today's SongAugust 20, 2025<August 20, 2025 Sydney Rose Captures the Quiet Ache of Friendship Heartbreak in “We Hug Now” by Nicolle Knapová
Columns, Editor's Picks, Features, MusicAugust 19, 2025<August 19, 2025 Editor’s Picks 131: The Tullamarines, Ellur, Nadia Kadek, Couch, runo plum, & Still Blank! by Mitch Mosk
For the Love of Music
For the Love of Music
