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Will Orchard © Jess Kerber
Music, PremieresJune 17, 2025<June 17, 2025

Premiere: Will Orchard Reckons with Raw Emotion in “Something’s Gotta Go,” a Heavy Folk Rock Exhale

by Mitch Mosk
Maggie Szabo © Marcella B
Columns, Music, Today's SongJune 17, 2025<June 17, 2025

Today’s Song: Maggie Szabo Commands Attention with Pop Power & Swagger in “Boom Shaka”

by Chloe Robinson
Twenty One Pilots © Fabien Kruszelnicki
Columns, Music, Today's SongJune 16, 2025<June 16, 2025

Today’s Song: Twenty One Pilots Breach a Bold New Era with Explosive Single “The Contract”

by Danielle Holian
Atwood Magazine's 124th Editor's Picks!
Columns, Editor's Picks, Features, MusicJune 13, 2025<June 23, 2025

Editor’s Picks 124: Billie Marten, benches, Gatlin, The Happy Fits, BODHI, & quickly, quickly!

by Mitch Mosk
FLETCHER © Carissa Gallo
Columns, Music, Today's SongJune 13, 2025<June 13, 2025

Today’s Song: FLETCHER Bravely Embraces Vulnerability and Identity on “Boy”

by Danielle Holian
Calum Hood 'ORDER chaos ORDER' © Sarah Eiseman
Debut, Features, Interviews, MusicJune 13, 2025<June 13, 2025

Chaos, Clarity & Coming Home: Calum Hood of 5SOS on Stepping into His Own with Solo Debut ‘ORDER chaos ORDER’

by Rachel Leong
Lil Wayne 'Tha Carter VI' © Cécile Boko 6.6
Music, Our Take, ReviewsJune 12, 2025<June 12, 2025

Our Take: Lil Wayne Embraces Veteran Rapper Status on Long-Anticipated ‘Tha Carter VI’

by Josh Weiner
Isabel LaRosa 'Raven' © Sam Monendo
Debut, Features, Interviews, MusicJune 12, 2025<June 12, 2025

Interview: Isabel LaRosa Sends Dark Pop into the Afterlife on Her Emotional Debut, ‘Raven’

by Brian Denney
Bad Posture Club © Madison Gies-Guy
Music, PremieresJune 12, 2025<June 12, 2025

Premiere: Bad Posture Club Embrace Life’s Quiet Moments on “Handy Girls,” a Song of Love, Home, & Human Connection

by Mitch Mosk
Mollie Elizabeth 'Dirty Blonde' © Sophia Schrank
Debut, Features, Interviews, MusicJune 12, 2025<October 7, 2025

Interview: Mollie Elizabeth Invites Listeners to Experience a Dreamlike World Through her Debut EP, ‘Dirty Blonde’

by Kayleigh Schweiker
Nii by Harvey Pearson
Artist to Watch, Columns, Interviews, Music, Today's SongJune 12, 2025<June 12, 2025

“My music’s for the over-thinkers”: Nii Confronts Social Anxiety with Heart & Heat on “People Talk to People”

by Mitch Mosk
Alexandra Savior © Angela Ricciardi
Features, Interviews, MusicJune 11, 2025<June 11, 2025

Interview: Alexandra Savior Takes Back Her Power on Third LP, ‘Beneath the Lilypad’

by Noa Jamir
Kids That Fly © Annaliese Baker
Interviews, MusicJune 11, 2025<June 11, 2025

Interview: Kids That Fly Are Bringing Back What It Means to Be in a Band

by Annaliese Baker
DAMNAGE © Manu Lagoteta
Debut, Music, Reviews, Track-by-TrackJune 11, 2025<June 11, 2025

Album Review: DAMNAGE’s Self-Titled Debut Is a Scorching Manifesto of Punk Rock Rebirth

by Danielle Holian
Armlock © Phoebe Cockburn
Columns, Interviews, Music, Today's SongJune 11, 2025<June 11, 2025

“And We Do It All Again”: Melbourne’s Armlock Capture the Warmth of Connection in Softly Stirring “Strobe”

by Mitch Mosk
Posts pagination
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Brand New

  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out”
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch”

:: discover something new ::

Recent Posts

  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens! December 15, 2025
  • Atwood Magazine’s Top Artist Discoveries of 2025 December 15, 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song” December 15, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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