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Total Wife © Sean Booz
Columns, Music, Today's SongNovember 11, 2025<November 11, 2025

Today’s Song: Total Wife Punch the Gas on “make it last”

by Will Yarbrough
Leilani Patao © Shannon McMahon
Essays, MusicNovember 10, 2025<November 10, 2025

“The Making of ‘daisy’ – and Why It’s Not on Streaming”: An Essay by Leilani Patao

by Guest Writer
Billy Joel Jr. © Evan Montgomery
Interviews, Music, PremieresNovember 10, 2025<November 10, 2025

Premiere: Chicago’s Billy Joel Jr. Shine Bright on “Ur a Star,” a Raw Indie Rock Anthem of Self-Worth & Sincerity

by Mitch Mosk
fantom EP - Wes Parker
Music, ReviewsNovember 10, 2025<November 10, 2025

The Rise and Fall of an Angel: Wes Parker’s EP ‘fantom’ & Defiant Artistry

by Rachel Leong
Vincent Mason © Patrick Tracy
Debut, Features, Interviews, MusicNovember 10, 2025<November 10, 2025

Interview: Vincent Mason Turns Bedroom Demos into a Breakthrough Debut With ‘There I Go’

by Aileen Goos
Genesis Owusu "Death Cult Zombie" © Isaac Brown
Columns, Music, Today's SongNovember 10, 2025<November 10, 2025

Genesis Owusu Takes a Spiky, Punky Swipe at the Alt-Right on “DEATH CULT ZOMBIE”

by Adam Davidson
James Smith © 2025
Artist to Watch, Interviews, Music, Today's SongNovember 8, 2025<November 8, 2025

Artist to Watch: East London’s James Smith Dazzles with the Timeless, Soulful & Smoldering “Dancing with You (Baby)” – A Modern Classic in the Making

by Mitch Mosk
BENEE - Ur An Angel I’m Just Particles
Features, Interviews, MusicNovember 7, 2025<November 7, 2025

“Obsession, Breakdown, Chaos, and Ascent”: BENEE Breaks Down Her Sophomore Album, ‘Ur An Angel I’m Just Particles’

by Nasim Elyasi
JISOO x ZAYN "EYES CLOSED" © courtesy of the artist
Columns, Music, Today's SongNovember 7, 2025<November 7, 2025

Today’s Song: JISOO and ZAYN Deliver a Tender Pop Moment with “EYES CLOSED”

by Danielle Holian
Box Blonde © Aiden Weber
Interviews, Music, PremieresNovember 7, 2025<November 7, 2025

“It’s a loving goodbye”: Box Blonde Turns Heartbreak into High Art on “I Watch You Watch Her”

by Atwood Magazine Staff
Winyah © Harrison Hargrave
Artist to Watch, Interviews, MusicNovember 6, 2025<November 7, 2025

Artist to Watch: Winyah Unleash Swagger, Grit, & Drive on “Lala,” a Feverish Anthem from One of Indie Rock’s Hottest Bands

by Mitch Mosk
Atwood Magazine's 136th Editor's Picks!
Columns, Editor's Picks, Features, MusicNovember 6, 2025<November 6, 2025

Editor’s Picks 136: Ber, Mini Trees, Joviale, Now, Now, Just Penelope, & The Brook & The Bluff!

by Mitch Mosk
Steady Hands - FRANK
Music, PremieresNovember 6, 2025<November 6, 2025

Premiere: FRANK Channels Fire & Fury into “Steady Hands,” a Blistering Alt-Rock Anthem of Survival and Defiance

by Mitch Mosk
Florence and the Machine 'Everybody Scream'
Features, Music, Reviews, RoundtableNovember 6, 2025<November 6, 2025

Roundtable Discussion: A Review of Florence + The Machine’s ‘Everybody Scream’

by Atwood Magazine Staff
Geese's Halloween 2025 Show © Lewis Evans
Concerts, Music, ReviewsNovember 6, 2025<November 6, 2025

‘Geese-O-Ween’ Review: Geese Reaffirm Their Status as the Hottest Ticket This Fall at Spellbinding San Diego Show

by Anu Sarode
Posts pagination
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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