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BODHI © Nettwerk Music Group
Columns, Music, Today's SongJune 19, 2025<June 19, 2025

“This little dove is tired”: BODHI Reckons with Burnout, Self-Sabotage & Survival in a Soul-Baring Confessional

by Mitch Mosk
Love, Alexa © Emilie Wilde / Ganguette Co
Features, Interviews, Music, PremieresJune 18, 2025<June 18, 2025

“Brutal, Beautiful, & Reborn”: Love, Alexa Premieres Her Soul-Stirring ‘Spring Cleaning’ EP, a Journey of Reclamation, Renewal, & Release

by Mitch Mosk
Wide Orbit © Ben Isaacs
Debut, Music, PremieresJune 18, 2025<June 19, 2025

Premiere: Chicago’s Wide Orbit Shine Bright on “Buddy,” a Jangly, Feel-Good Ode to People, Pets, & Sticking Together

by Mitch Mosk
Wingtip © Sandy Honig
Editorials, MusicJune 18, 2025<June 25, 2025

“Why Write a Song?”: An Essay by Wingtip’s Nick Perloff-Giles

by Guest Writer
Governors Ball 2025 © Paigge Warton
Festival, Music, ReviewsJune 18, 2025<June 18, 2025

Governors Ball 2025: From Role Model & Conan Gray’s Kiss to Hozier’s Speech on Democracy, Olivia Rodrigo’s Iconic Set, & More!

by Marc Maleri
DE'WAYNE © Shai Paul
Columns, Music, Today's SongJune 18, 2025<June 18, 2025

“Her name is June”: DE’WAYNE Struts into a Bold New Era with an Anthem of Love, Liberation, & Seductive Swagger

by Mitch Mosk
The Head and the Heart 'Aperture' © Jasper Graham
Features, Interviews, MusicJune 17, 2025<July 11, 2025

“A New Beginning”: The Head and the Heart Let the Light in on ‘Aperture,’ an Intrepid Album of Hope, Freedom, & Human Connection

by Mitch Mosk
Will Orchard © Jess Kerber
Music, PremieresJune 17, 2025<June 17, 2025

Premiere: Will Orchard Reckons with Raw Emotion in “Something’s Gotta Go,” a Heavy Folk Rock Exhale

by Mitch Mosk
Maggie Szabo © Marcella B
Columns, Music, Today's SongJune 17, 2025<June 17, 2025

Today’s Song: Maggie Szabo Commands Attention with Pop Power & Swagger in “Boom Shaka”

by Chloe Robinson
Twenty One Pilots © Fabien Kruszelnicki
Columns, Music, Today's SongJune 16, 2025<June 16, 2025

Today’s Song: Twenty One Pilots Breach a Bold New Era with Explosive Single “The Contract”

by Danielle Holian
Atwood Magazine's 124th Editor's Picks!
Columns, Editor's Picks, Features, MusicJune 13, 2025<June 23, 2025

Editor’s Picks 124: Billie Marten, benches, Gatlin, The Happy Fits, BODHI, & quickly, quickly!

by Mitch Mosk
FLETCHER © Carissa Gallo
Columns, Music, Today's SongJune 13, 2025<June 13, 2025

Today’s Song: FLETCHER Bravely Embraces Vulnerability and Identity on “Boy”

by Danielle Holian
Calum Hood 'ORDER chaos ORDER' © Sarah Eiseman
Debut, Features, Interviews, MusicJune 13, 2025<June 13, 2025

Chaos, Clarity & Coming Home: Calum Hood of 5SOS on Stepping into His Own with Solo Debut ‘ORDER chaos ORDER’

by Rachel Leong
Lil Wayne 'Tha Carter VI' © Cécile Boko 6.6
Music, Our Take, ReviewsJune 12, 2025<June 12, 2025

Our Take: Lil Wayne Embraces Veteran Rapper Status on Long-Anticipated ‘Tha Carter VI’

by Josh Weiner
Isabel LaRosa 'Raven' © Sam Monendo
Debut, Features, Interviews, MusicJune 12, 2025<June 12, 2025

Interview: Isabel LaRosa Sends Dark Pop into the Afterlife on Her Emotional Debut, ‘Raven’

by Brian Denney
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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