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Columns, Features, Music, Weekly RoundupAugust 30, 2025<August 30, 2025 Atwood Magazine’s Weekly Roundup: August 30, 2025 by Atwood Magazine Staff
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Artist to Watch, Interviews, MusicAugust 29, 2025<August 29, 2025 “I want to feel alive”: Glom’s “Glass” Is a Fever Dream of Anxious Beauty & Indie Rock Release by Mitch Mosk
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Music, ReviewsAugust 29, 2025<August 29, 2025 Album Review: Jeremy Zucker’s ‘Garden State’ Is a Poetic Reckoning with Vulnerability, Growing Pains, and Home by Danielle Holian
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Columns, Editor's Picks, Features, MusicAugust 28, 2025<September 6, 2025 Editor’s Picks 132: Goldie Boutilier, Mothé, The Aces, Jack Garratt, G Flip, & Of Monsters and Men! by Mitch Mosk
Concerts, Music, ReviewsAugust 28, 2025<August 29, 2025 Live Review: Jerry Cantrell Immerses Anaheim in the Damning Beauty of ‘I Want Blood’ by Emma Schoors
Interviews, Music, PremieresAugust 28, 2025<August 28, 2025 “For My Young Death”: Port Ross’ Heartfelt Reckoning with Mortality by Sophie Severs
Columns, Music, Today's SongAugust 28, 2025<August 28, 2025 “Farewell, My Dreaded Fear”: Of Monsters and Men Return Home as an “Ordinary Creature” in a Tender Ode to Vulnerability & Belonging by Ashley Littlefield
Features, Interviews, MusicAugust 27, 2025<August 28, 2025 “It’s Just the Rhythm of Life”: Lydia Luce Climbs Mountains of Pain, Inner Peace, and Motherhood on ‘Mammoth’ by Mitch Mosk
Music, PremieresAugust 27, 2025<August 27, 2025 “A Self-Reflection Inside a Song”: Jackson Scribner Finds Midnight Solace in “Mr. Moon,” a Haunting Indie Folk Confessional by Mitch Mosk
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For the Love of Music
For the Love of Music
