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Anthony Ruptak © Angela Bakas
Music, PremieresNovember 5, 2025<November 5, 2025

“An Anthem for the Apocalypse”: Anthony Ruptak Confronts Chaos, Collapse, & Connection on “PHANTASMAGORIA”

by Mitch Mosk
Dave 'The Boy Who Played the Harp' © Gabriel Moses
Music, ReviewsNovember 5, 2025<November 5, 2025

Dave’s ‘The Boy Who Played the Harp’ Dares You to Battle Anxieties Within Yourself & the World Around Us

by Andrew Lamson
Paris Paloma "Good Boy" © Phoebe Fox
Features, Interviews, MusicNovember 5, 2025<November 7, 2025

A World on Fire and a Song to Match: Paris Paloma’s “Good Boy” Era Has Arrived

by Nicolle Knapová
A fire dancer at 2022's Beacon Bonfire © Austin Ruffer
Events, Interviews, MusicNovember 4, 2025<November 4, 2025

A Living Signal Fire: Beacon Bonfire Music + Art Festival Lights Up the Hudson Valley with 5 Days of Creativity, Community, & Connection

by Mitch Mosk
Laura Evans © Rob Blackham
Features, Interviews, MusicNovember 4, 2025<November 4, 2025

From Shadows to Spotlight: Laura Evans’ ‘Out of the Dark’ Shines Bright

by Aileen Goos
Dylan Flynn And The Dead Poets © Jamie Moore
Artist to Watch, Columns, Music, Today's SongNovember 4, 2025<November 4, 2025

“I’ve Been Living Life the Wrong Way”: On “Lately,” Dylan Flynn & The Dead Poets Turn Soul-Searching into a Soaring Anthem

by Mitch Mosk
Atwood Magazine's Weekly Roundup | November 3, 2025
Columns, Features, Music, Weekly RoundupNovember 3, 2025<November 4, 2025

Atwood Magazine’s Weekly Roundup: November 3, 2025

by Atwood Magazine Staff
Your Future Ghost © Ima Leupp
Debut, Interviews, MusicNovember 3, 2025<November 3, 2025

‘Impatient for the Dream’: Your Future Ghost’s Daring Debut Era Is Unfiltered and On Fire

by Chloe Robinson
Laura Hickli "call it off" © Sara Kueler
Columns, Music, Today's SongNovember 3, 2025<November 3, 2025

“I Wish Things Stayed the Same”: Laura Hickli Reckons with Memory & Survival on “call it off,” a PTSD-Fueled Art Pop Fever Dream

by Mitch Mosk
Wes Parker © Jonathan Parker
Interviews, MusicOctober 31, 2025<October 31, 2025

Freedom and Fallen Angels: Journey into the World of Wes Parker’s ‘fantom’

by Kaiana Lee
joan © Edward Crockett
Features, Interviews, MusicOctober 31, 2025<November 6, 2025

“this won’t last forever”: joan Embrace Impermanence, Creation, & the Beauty of Living in the Grey on Their Cinematic Sophomore Album

by Mitch Mosk
Not for Radio 'Melt' album art
Features, Music, Reviews, RoundtableOctober 31, 2025<October 31, 2025

Roundtable Discussion: A Review of Not for Radio’s ‘Melt’

by Atwood Magazine Staff
Tucana "Spirit Bomb" © Joshua A. Fischer
Columns, Music, Today's SongOctober 31, 2025<October 30, 2025

Today’s Song: With “Spirit Bomb,” Tucana Are Prime to Blow Up

by Will Yarbrough
Matt Pond PA © Jesse Dufault
Music, Music Videos, PremieresOctober 31, 2025<October 30, 2025

“Pardon the Intrusion, Could We Leave Before It Gets Bad?”: Matt Pond PA Premiere Their Long-Lost “Halloween” Video in Celebration of Several Arrows Later’s 20th Anniversary

by Mitch Mosk
Atwood Magazine's 135th Editor's Picks!
Columns, Editor's Picks, Features, MusicOctober 30, 2025<January 16, 2026

Editor’s Picks 135: Ax and the Hatchetmen, Savannah Conley, Henry Grace, Tough Cookie, Westside Cowboy, & Jane Leo!

by Mitch Mosk
Posts pagination
1 … 32 33 34 35 36 … 736

Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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