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Mollie Elizabeth 'Dirty Blonde' © Sophia Schrank
Debut, Features, Interviews, MusicJune 12, 2025<October 7, 2025

Interview: Mollie Elizabeth Invites Listeners to Experience a Dreamlike World Through her Debut EP, ‘Dirty Blonde’

by Kayleigh Schweiker
Nii by Harvey Pearson
Artist to Watch, Columns, Interviews, Music, Today's SongJune 12, 2025<June 12, 2025

“My music’s for the over-thinkers”: Nii Confronts Social Anxiety with Heart & Heat on “People Talk to People”

by Mitch Mosk
Alexandra Savior © Angela Ricciardi
Features, Interviews, MusicJune 11, 2025<June 11, 2025

Interview: Alexandra Savior Takes Back Her Power on Third LP, ‘Beneath the Lilypad’

by Noa Jamir
Kids That Fly © Annaliese Baker
Interviews, MusicJune 11, 2025<June 11, 2025

Interview: Kids That Fly Are Bringing Back What It Means to Be in a Band

by Annaliese Baker
DAMNAGE © Manu Lagoteta
Debut, Music, Reviews, Track-by-TrackJune 11, 2025<June 11, 2025

Album Review: DAMNAGE’s Self-Titled Debut Is a Scorching Manifesto of Punk Rock Rebirth

by Danielle Holian
Armlock © Phoebe Cockburn
Columns, Interviews, Music, Today's SongJune 11, 2025<June 11, 2025

“And We Do It All Again”: Melbourne’s Armlock Capture the Warmth of Connection in Softly Stirring “Strobe”

by Mitch Mosk
The Favors are: Finneas O'Connell and Ashe © Alex G Harper
Columns, Debut, Music, Today's SongJune 10, 2025<June 9, 2025

Today’s Song: FINNEAS & Ashe Find Their Voice as The Favors on “The Little Mess You Made”

by Danielle Holian
Mergui "Risk It All" © 2025
Interviews, MusicJune 9, 2025<June 9, 2025

Interview: Mergui Is Willing to “Risk It All” for Some Quality Tunes

by Josh Weiner
MARINA 'PRINCESS OF POWER' © Bethany Vargas 8.4
Music, Our Take, ReviewsJune 9, 2025<June 9, 2025

Our Take: MARINA’s ‘Princess of Power’ Is a Disco Ball of Emotion, Strength, & Self-Discovery

by Danielle Holian
Sabrina Carpenter's "Manchild" music video © Vania Heymann & Gal Muggia
Columns, Music, Today's SongJune 9, 2025<June 9, 2025

Today’s Song: Sabrina Carpenter’s “Manchild” Is a Scathing, Sparkly Summer Anthem with Bite

by Danielle Holian
The Friendship Book of Anne Wagner (1795-1834)
Editorials, MusicJune 6, 2025<June 7, 2025

Notes on the Confessional: Diaries, Dissonance, and Becoming in Modern Indie & Pop

by Guest Writer
Governors Ball Music Festival 2024 © Charles Reagan
Festival, Music, PreviewsJune 6, 2025<June 6, 2025

2025 Governors Ball Music Festival Preview: Modern & Long Beloved Voices at One of the East Coast’s Most Iconic Music Festivals

by Marc Maleri
Waylon Wyatt 'Out of the Blue' © Cole Silberman
Interviews, MusicJune 6, 2025<June 6, 2025

Interview: From Small Town to Spotlight, Waylon Wyatt’s Unlikely Rise to Country Music Fame

by Aileen Goos
Laci Kaye Booth "George F****** Strait" © Natalie Sakstrup
Columns, Music, Today's SongJune 6, 2025<June 6, 2025

Today’s Song: Laci Kaye Booth Embraces Outlaw Country on “George F****** Strait”

by Emily Frances Algar
Sarah Klang © Fredrika Eriksson
Features, Interviews, MusicJune 5, 2025<June 5, 2025

“Coming into Myself”: Sweden’s Sarah Klang on Girlhood, Gratitude, Self-Love, and the Stories Behind ‘Beautiful Woman’

by Mitch Mosk
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Brand New

  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’

:: discover something new ::

Recent Posts

  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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