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Leilani Patao © Shannon McMahon
Essays, MusicNovember 10, 2025<November 10, 2025

“The Making of ‘daisy’ – and Why It’s Not on Streaming”: An Essay by Leilani Patao

by Guest Writer
Billy Joel Jr. © Evan Montgomery
Interviews, Music, PremieresNovember 10, 2025<November 10, 2025

Premiere: Chicago’s Billy Joel Jr. Shine Bright on “Ur a Star,” a Raw Indie Rock Anthem of Self-Worth & Sincerity

by Mitch Mosk
fantom EP - Wes Parker
Music, ReviewsNovember 10, 2025<November 10, 2025

The Rise and Fall of an Angel: Wes Parker’s EP ‘fantom’ & Defiant Artistry

by Rachel Leong
Vincent Mason © Patrick Tracy
Debut, Features, Interviews, MusicNovember 10, 2025<November 10, 2025

Interview: Vincent Mason Turns Bedroom Demos into a Breakthrough Debut With ‘There I Go’

by Aileen Goos
Genesis Owusu "Death Cult Zombie" © Isaac Brown
Columns, Music, Today's SongNovember 10, 2025<November 10, 2025

Genesis Owusu Takes a Spiky, Punky Swipe at the Alt-Right on “DEATH CULT ZOMBIE”

by Adam Davidson
James Smith © 2025
Artist to Watch, Interviews, Music, Today's SongNovember 8, 2025<November 8, 2025

Artist to Watch: East London’s James Smith Dazzles with the Timeless, Soulful & Smoldering “Dancing with You (Baby)” – A Modern Classic in the Making

by Mitch Mosk
BENEE - Ur An Angel I’m Just Particles
Features, Interviews, MusicNovember 7, 2025<November 7, 2025

“Obsession, Breakdown, Chaos, and Ascent”: BENEE Breaks Down Her Sophomore Album, ‘Ur An Angel I’m Just Particles’

by Nasim Elyasi
JISOO x ZAYN "EYES CLOSED" © courtesy of the artist
Columns, Music, Today's SongNovember 7, 2025<November 7, 2025

Today’s Song: JISOO and ZAYN Deliver a Tender Pop Moment with “EYES CLOSED”

by Danielle Holian
Box Blonde © Aiden Weber
Interviews, Music, PremieresNovember 7, 2025<November 7, 2025

“It’s a loving goodbye”: Box Blonde Turns Heartbreak into High Art on “I Watch You Watch Her”

by Atwood Magazine Staff
Winyah © Harrison Hargrave
Artist to Watch, Interviews, MusicNovember 6, 2025<November 7, 2025

Artist to Watch: Winyah Unleash Swagger, Grit, & Drive on “Lala,” a Feverish Anthem from One of Indie Rock’s Hottest Bands

by Mitch Mosk
Atwood Magazine's 136th Editor's Picks!
Columns, Editor's Picks, Features, MusicNovember 6, 2025<November 6, 2025

Editor’s Picks 136: Ber, Mini Trees, Joviale, Now, Now, Just Penelope, & The Brook & The Bluff!

by Mitch Mosk
Steady Hands - FRANK
Music, PremieresNovember 6, 2025<November 6, 2025

Premiere: FRANK Channels Fire & Fury into “Steady Hands,” a Blistering Alt-Rock Anthem of Survival and Defiance

by Mitch Mosk
Florence and the Machine 'Everybody Scream'
Features, Music, Reviews, RoundtableNovember 6, 2025<November 6, 2025

Roundtable Discussion: A Review of Florence + The Machine’s ‘Everybody Scream’

by Atwood Magazine Staff
Geese's Halloween 2025 Show © Lewis Evans
Concerts, Music, ReviewsNovember 6, 2025<November 6, 2025

‘Geese-O-Ween’ Review: Geese Reaffirm Their Status as the Hottest Ticket This Fall at Spellbinding San Diego Show

by Anu Sarode
Tie you down - HAIM x Bon Iver
Columns, Music, Today's SongNovember 6, 2025<November 6, 2025

“I Don’t Want to Hold You Back”: HAIM & Bon Iver Linger in Love’s Afterglow on “Tie you down,” a Tender Soundtrack to Longing & Letting Go

by Ashley Littlefield
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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