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Tobi LaCroix © Lauren Tepher
Editorials, Music, Pride MonthJune 25, 2025<June 25, 2025

“‘Palatability’ as a Trans Person”: A Pride Month Essay by Tobi LaCroix

by Guest Writer
Dark Harvest, Pt. 1 - Nick Mulvey
Music, ReviewsJune 25, 2025<June 25, 2025

Rising from the Ashes: Nick Mulvey Returns with Highly-Anticipated Fourth Album, ‘Dark Harvest, Pt. 1’

by Rachel Leong
Charles Kelley 'Songs for a New Moon' © Harper Smith
Features, Interviews, MusicJune 25, 2025<June 25, 2025

From Synths to Sobriety: Charles Kelley’s ‘Songs for a New Moon’ Marks a Fearless New Era

by Aileen Goos
j solomon © Peter Suski
Interviews, Music, Music Videos, Premieres, Track-by-TrackJune 24, 2025<June 24, 2025

Video Premiere: Spitting Blood & Seeing Stars with j solomon’s “RUBBER BAND”

by Emma Schoors
Ali Rosa-Salas © Nuvany David
Editorials, MusicJune 24, 2025<June 24, 2025

“Hope Is Local”: An Essay by Ali Rosa-Salas for Black Music Month

by Guest Writer
Ginger Winn © Brooklyn Zeh, 2025-06-13
Features, Interviews, MusicJune 24, 2025<June 24, 2025

“Lingering, Reflective, & Raw”: Ginger Winn Opens Up About the Grief & Growth of ‘Freeze Frame’

by Mitch Mosk
Hudson Thames © Josh Fogel
Columns, Music, Today's SongJune 24, 2025<June 24, 2025

Today’s Song: Hudson Thames Surrenders to Love in “Wrong,” a Raw, Honest, & Soul-Baring Confession

by Mitch Mosk
Of the Dell © Hunter Way with Impact Media
Music, PremieresJune 23, 2025<June 23, 2025

Premiere: West Virginia’s Of the Dell Blend ‘60s Style with Appalachian Charm on “Yes I Will,” a Love Song Full of Grit and Grace

by Mitch Mosk
West 22nd © Annaliese Baker
Interviews, MusicJune 23, 2025<June 23, 2025

Interview: All Roads Lead to West 22nd

by Annaliese Baker
Thelma & James © Bree Marie Fish
Debut, Features, Interviews, MusicJune 23, 2025<June 23, 2025

Interview: Introducing Thelma & James, the Americana Duo Turning Heartache into Harmony & Taking Nashville by Storm

by Emily Frances Algar
The Happy Fits © Anna Koblish
Columns, Music, Today's SongJune 23, 2025<June 23, 2025

“I can’t get my mind off loving you”: The Happy Fits Unleash a Feel-Good, Full-Body Anthem of Love in “Everything You Do”

by Mitch Mosk
Alex Warren and Jelly Roll "Bloodline" © Jack Dytrych
Columns, Music, Today's SongJune 22, 2025<June 22, 2025

Today’s Song: Alex Warren and Jelly Roll Unleash a Generational Battle Cry with “Bloodline”

by Danielle Holian
Atwood Magazine's 125th Editor's Picks!
Columns, Editor's Picks, Features, MusicJune 20, 2025<July 8, 2025

Editor’s Picks 125: NoMBe, Sheléa, Nectar Woode, Nxdia, Jahnah Camille, & Hannah Jadagu!

by Mitch Mosk
William Beckmann © Connor Robertson
Features, Interviews, MusicJune 20, 2025<June 20, 2025

Interview: William Beckmann on ‘Whiskey Lies & Alibis’ and the Art of Honest Songwriting

by Aileen Goos
BODHI © Nettwerk Music Group
Columns, Music, Today's SongJune 19, 2025<June 19, 2025

“This little dove is tired”: BODHI Reckons with Burnout, Self-Sabotage & Survival in a Soul-Baring Confessional

by Mitch Mosk
Posts pagination
1 … 31 32 33 34 35 … 711

Brand New

  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’

:: discover something new ::

Recent Posts

  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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