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The Prickly Pair © Libby Danforth
Music, PremieresAugust 19, 2025<August 19, 2025

Premiere: The Prickly Pair Embrace Love’s Gamble on “Winsome Lose Some Game,” a Tender & Timeless Country Duet

by Mitch Mosk
Wisp © Elinor Kry
Debut, Features, Interviews, MusicAugust 19, 2025<August 19, 2025

“Bringing My Fantasies into Reality”: Wisp Is Betting on Herself with Debut Album ‘If Not Winter’

by Isabella Le
Kaleah Lee © Halle Jean March
Interviews, MusicAugust 19, 2025<August 27, 2025

“A Line I Shouldn’t Cross”: Kaleah Lee Talks “Fever,” Dreams, and the Beauty of the Unsettling

by Nicolle Knapová
Tame Impala's Kevin Parker © Julian Klincewicz
Columns, Music, Today's SongAugust 19, 2025<October 4, 2025

Today’s Song: Tame Impala Paints an “End of Summer” Soundscape Sundrenched In Color, Rhythm, & Nostalgia

by Ashley Littlefield
Marissa Nadler © Ebru Yildiz
Features, Interviews, Music, Track-by-TrackAugust 18, 2025<August 18, 2025

Track-by-Track: Marissa Nadler Finds Power in Restraint on ‘New Radiations’

by Aileen Goos
BIZZY © Anna Azarov
Columns, Interviews, Music, Today's SongAugust 18, 2025<August 18, 2025

BIZZY Soundtracks the Thrill of New Love in “I Really Like This Part”

by Aileen Goos
Joey Valence & Brae © Luca Venter
Features, Interviews, MusicAugust 15, 2025<August 15, 2025

Interview: Joey Valence & Brae Dance Through the Fear of Growing Up With Third Album ‘HYPERYOUTH’

by Kaiana Lee
Erin Durant © Maximilla Lukacs
Features, Interviews, MusicAugust 15, 2025<August 15, 2025

Interview: Erin Durant on the Magic Behind the Making of Her Third LP, ‘Firetrail’

by Noa Jamir
Ha Vay © Emily Oreste
Columns, Interviews, Music, Today's SongAugust 15, 2025<August 15, 2025

“When It’s Working Well, It’s Out of Body”: Rising Folk Pop Artist Ha Vay on Authentic Artistry, Music-Making, & Leaving Audiences “Spellbound”

by Marc Maleri
Royel Otis © Zora Sicher
Features, Interviews, MusicAugust 14, 2025<August 14, 2025

“Mostly Love & Burgers”: Royel Otis Dish on Heartbreak, Touring, & Their Sophomore Album ‘hickey’

by Miranda Urbanczyk
Orla Gartland © Shervin Lainez
Features, Interviews, MusicAugust 14, 2025<August 14, 2025

Hot Dogs and High Kicks: An Interview with Orla Gartland at Outside Lands ’25

by Nasim Elyasi
2025’s Outside Lands brought approximately 75,000 people per day, generating over $70 million for the San Francisco economy. © Alive Coverage
Festival, Music, ReviewsAugust 14, 2025<August 14, 2025

Outside Lands 2025 Boasts Thrilling Night Shows & Rising Costs

by Ankita Bhanot
ROREY © Ebru Yildiz
Music, Music Videos, PremieresAugust 14, 2025<August 14, 2025

“I Feel Too Much”: ROREY’s Cathartic & Dreamy “Wish I Was Numb” Is the Euphoric Soundtrack to Our Existential Crisis

by Mitch Mosk
Shabason, Krgovich, Tenniscoats © Rieko Seizo
Columns, Music, Today's SongAugust 14, 2025<August 18, 2025

Shabason, Krgovich, Tenniscoats: An Unlikely Spontaneous Collective Evoke Crisp Spring Days on “Our Detour”

by Adam Davidson
Atwood Magazine's Weekly Roundup | August 13, 2025
Columns, Features, Music, Weekly RoundupAugust 13, 2025<August 13, 2025

Atwood Magazine’s Weekly Roundup: August 13, 2025

by Atwood Magazine Staff
Posts pagination
1 … 34 35 36 37 38 … 727

Brand New

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning

:: discover something new ::

Recent Posts

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
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