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Fust "Mountain Language" © Charlie Boss
Columns, Today's SongOctober 27, 2025<October 27, 2025

Today’s Song: Fust Welcome Us into Their Home on “Mountain Language”

by Will Yarbrough
Flycatcher © Rebecca Lader
Debut, Features, Interviews, MusicOctober 23, 2025<October 23, 2025

Hold on Like a ‘Wrench’: How Flycatcher Tuned-Up By Letting Go

by Will Yarbrough
Wrabel © Dana Trippe
Features, Interviews, MusicOctober 22, 2025<October 22, 2025

“Flowers Still Bloom in Spite of Everything”: WRABEL Gets Existential on His Upcoming Album ‘Up Above’

by Aileen Goos
Isabel Rumble © Elise Idiens
Features, Music, Premieres, Track-by-TrackOctober 22, 2025<October 22, 2025

“The Heart Knows”: Isabel Rumble Softens into Change on Sophomore LP ‘Hold Everything Lightly,’ a Tender Meditation on Womanhood & Renewal

by Mitch Mosk
Arno Sacco "Blue Boy" © Ashley Rottjers
Artist to Watch, Debut, Music, Today's SongOctober 22, 2025<October 22, 2025

“Soft but Intentional”: Arno Sacco Finds Strength in Stillness & Vulnerability on Soul-Stirring Debut “Blue Boy”

by Mitch Mosk
Jillian Jacqueline © Virgin Music Group
Features, Interviews, MusicOctober 21, 2025<October 22, 2025

“This album feels like the inside of my heart, my brain, and my soul”: Jillian Jacqueline Creates an Intimate World on ‘MotherDaughterSisterWife’

by Emily Frances Algar
Doja Cat © Greg Swales 8.4
Music, Our Take, ReviewsOctober 21, 2025<October 21, 2025

Our Take: Doja Cat Delivers a Fiery Fifth Album with the Mega-Upbeat ‘Vie’

by Josh Weiner
The Technicolors © Eric Halvorsen
Columns, Music, Today's SongOctober 21, 2025<October 21, 2025

“Bleed into Normal”: The Technicolors Turn Reckoning into Revelation on “First Class to Nowhere,” a Dreamy & Aching Alt-Rock Reverie

by Mitch Mosk
Avery Cochrane © Rachel Bennett
Columns, Music, Today's SongOctober 20, 2025<October 20, 2025

“Will She Waste into the Kind of Woman Everyone Likes?”: Avery Cochrane Shines a Light in “Shapeshifting on a Saturday Night,” an Intimate Reflection on Vulnerability

by Ashley Littlefield
Mothé 'Total Popstar' © Sophia Ragomo
Features, Interviews, MusicOctober 20, 2025<October 20, 2025

Trashy, Smoky, Fun, & Free: Mothé Destroys Perfection and Redefines Pop on ‘Total Popstar,’ Their Unapologetic & Unfiltered Sophomore Album

by Mitch Mosk
Atwood Magazine's 134th Editor's Picks!
Columns, Editor's Picks, Features, MusicOctober 17, 2025<October 17, 2025

Editor’s Picks 134: Asha Banks, Ashley Singh, ANT ENOCH, Winyah, The Sophs, & Perren!

by Mitch Mosk
Matt Von Roderick © 2025
Features, Interviews, MusicOctober 17, 2025<October 18, 2025

The Sky’s the Limit: Matt Von Roderick on Jazz, Imagination, and ‘The Perfect Storm’

by Sage Bava
Guthrie © 2025
Artist to Watch, Interviews, MusicOctober 17, 2025<October 17, 2025

Artist to Watch: Melbourne’s GUTHRIE Finds Beauty in the Breaking on “Adrenals,” a Soul-Stirring Anthem of Surrender & Survival

by Mitch Mosk
Atwood Magazine's Weekly Roundup | October 15, 2025
Columns, Features, Music, Weekly RoundupOctober 16, 2025<October 20, 2025

Atwood Magazine’s Weekly Roundup: October 16, 2025

by Atwood Magazine Staff
Max McNown © Benjamin Edwards
Features, Interviews, MusicOctober 16, 2025<October 16, 2025

“I think the best music makes people feel less alone”: Max McNown Took the Long Way to Nashville – And the Scenic Route Shows on ‘Night Diving (The Cost of Growing Up)’

by Aileen Goos
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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