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Atwood Magazine's 123rd Editor's Picks!
Columns, Editor's Picks, Features, MusicJune 5, 2025<June 5, 2025

Editor’s Picks 123: Armlock, S.G. Goodman, Nii, Night Tapes, House of Harm, & snuggle!

by Mitch Mosk
Cian Ducrot © 2025
Columns, Music, Today's SongJune 5, 2025<June 5, 2025

Today’s Song: Cian Ducrot Spreads Light and Unity on Euphoric Anthem “Shalalala”

by Danielle Holian
Sy Ari da Kid 'The Last Shadow in the Shade' © Chase Gozy
Features, Interviews, Music, Track-by-TrackJune 4, 2025<June 5, 2025

“I’m Going to Be the Last One Standing”: Sy Ari Da Kid on Storytelling, Truth, Independence, & the Legacy of ‘The Last Shadow in the Shade’

by Mitch Mosk
Noelle Rene © Ryan Clemens
Interviews, MusicJune 4, 2025<June 4, 2025

Interview: If You’re Going to Bet on Anyone, It Should Be Noelle Rene

by Annaliese Baker
The Dare © Kellie Chen
Concerts, Music, ReviewsJune 4, 2025<June 4, 2025

Live Review: The Dare Handily Kicks Off the Weekend at NYC’s Baby’s All Right

by Noah Wade
AGE of the BEAR © Nicole Liantonio
Columns, Music, Today's SongJune 4, 2025<June 4, 2025

Today’s Song: AGE of the BEAR’s “Point of View” Is a Search for Understanding Between Doubt & Purpose

by Aileen Goos
Cosmos Ray © 2025
Music, Reviews, Track-by-TrackJune 3, 2025<June 3, 2025

Album Review: Cosmos Ray’s ‘The More We Live’ Is a Sonic Ritual of Healing

by Danielle Holian
Rilo Kiley 'The Execution of All Things' album art
Music, Music You Should Know, ReviewsJune 3, 2025<June 3, 2025

Music You Should Know: Rilo Kiley, ‘The Execution of All Things,’ and the Indie Rock World They Helped to Terraform

by David Diame
Lola Young "One Thing" © Lily West and Eliana Shymansky
Columns, Music, Today's SongJune 3, 2025<June 3, 2025

Today’s Song: Lola Young Teases a New Era with the Cheeky & Sultry “One Thing”

by Kaiana Lee
Shamir © Jason Rodgers
Editorials, Music, Pride MonthJune 2, 2025<June 2, 2025

“‘Neverwannago’ a Day Without Like St. Joan”: A Pride Month Essay by Shamir

by Guest Writer
Adam Melchor 'The Diary of Living' © Caro Knapp
Features, Interviews, MusicJune 2, 2025<June 2, 2025

“This Is Where I Belong”: Adam Melchor on Finding His Voice, His Truth, & His Heart with ‘The Diary of Living’

by Mitch Mosk
Sienna Spiro © Valentino Bornancini
Features, Interviews, MusicJune 2, 2025<June 2, 2025

Interview: Sienna Spiro on “Dream Police,” TikTok Fame, and Making Music That’s Unapologetically Hers

by Brian Denney
The Bones of J.R. Jones © Christian Harder
Music, Music Videos, PremieresJune 2, 2025<June 2, 2025

“Fold us down into this land”: The Bones of J.R. Jones Embraces Renewal, Regret, & Quiet Strength in Soul-Stirring “Start Again”

by Mitch Mosk
JoJo Siwa "Bulletproof" cover art
Columns, Music, Today's SongJune 2, 2025<June 2, 2025

JoJo Siwa Blasts into Pop’s Next Era with Vulnerability, Vision, & Full Creative Control on “Bulletproof”

by Danielle Holian
Matt Maltese © Vinca Petersen
Columns, Music, Today's SongMay 31, 2025<May 30, 2025

Today’s Song: Matt Maltese’s “Buses Replace Trains” Is a Symbol for Longing, Devotion, and True Love

by Miranda Urbanczyk
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Brand New

  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’

:: discover something new ::

Recent Posts

  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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