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Tomás Tomás © Jess Farran
Interviews, Music, Music Videos, PremieresNovember 13, 2025<November 13, 2025

“The Sweetest of Sounds”: Tomás Tomás’ “Brought It Down” Is a Smoky, Soul-Stirring Reverie of Memory, Longing, & Midnight Drift

by Mitch Mosk
Sophia Hansen-Knarhoi © Milda Ambrozaite
Music, Music Videos, PremieresNovember 13, 2025<November 13, 2025

“A Moment of Rage”: Sophia Hansen-Knarhoi Unleashes a Haunting, Bruised & Beautiful Storm in “All the things that aren’t you”

by Mitch Mosk
JULESY © Charlie Hyman
Interviews, Music, Music Videos, PremieresNovember 13, 2025<November 13, 2025

“I Know You Know Me Now”: Brooklyn’s JULESY Ignites Youthful Chaos & Emotional Reckoning in “Blue Lie,” a Dreamy, Cinematic Standout Off Debut ‘Flip the Bed’

by Mitch Mosk
ANT ENOCH "9INE to 5IVE" © Shari Annabell
Interviews, Music, Today's SongNovember 13, 2025<November 12, 2025

“The Space Between the Club and the Confessional”: ANT ENOCH Reckons with Self-Worth & Freedom on “9INE to 5IVE,” a Cinematic Fever Dream

by Mitch Mosk
Kita Alexander © Rob Tennent
Interviews, MusicNovember 12, 2025<November 12, 2025

“It’s Messy, It’s Fun, & It’s Alive”: Kita Alexander Channels Late-Night Euphoria in “I Don’t Wanna Go Home,” a Carefree, Feel-Good Pop Anthem

by Mitch Mosk
Atwood Magazine's Weekly Roundup | November 12, 2025
Columns, Features, Music, Weekly RoundupNovember 12, 2025<November 12, 2025

Atwood Magazine’s Weekly Roundup: November 12, 2025

by Atwood Magazine Staff
Halley Neal © Kayte Darling
Interviews, MusicNovember 12, 2025<November 12, 2025

“Vulnerable & Real”: Halley Neal on Her Musical Tributes to Life-Changing Friendships

by Chloe Robinson
Hannah Jadagu at Paulie Gee’s in Brooklyn, NY on October 23, 2025 © Emilio Herce
Concerts, Events, Music, ReviewsNovember 12, 2025<November 13, 2025

Hannah Jadagu Balances Tenderness and Groove at The Wild Honey Pie Little Pizza Party

by Kayleigh Schweiker
Joe Hicks © Emilie Cotterill
Interviews, MusicNovember 12, 2025<November 12, 2025

Interview: Joe Hicks Reclaims His Music and His Life ‘Before It Gets Dark’

by Aileen Goos
ELUNIA "Strobe Lights" © Brenda Huerta Rodríguez
Columns, Music, Today's SongNovember 12, 2025<November 12, 2025

Today’s Song: ELUNIA Opens Up About Work Pressure & Exhaustion in “Strobe Lights”

by Joe Beer
X Ambassadors 'VHS(X)' © 2025
Debut, Features, Interviews, MusicNovember 11, 2025<November 11, 2025

“A Rare Chance to Rewrite Our History”: X Ambassadors Reclaim Their Past & Redefine Their Present with ‘VHS(X),’ a Reimagining of Their Cinematic Masterpiece

by Mitch Mosk
Now, Now © Tom Thornton
Interviews, MusicNovember 11, 2025<November 11, 2025

“Unlearning, Unraveling, Undoing”: Now, Now Reach for Something Bigger on “Talk to God,” a Dark, Intimate, & All-Consuming Rebirth

by Mitch Mosk
Ax and the Hatchetmen 'So Much to Tell You' © Harry Bearows
Debut, Features, Interviews, MusicNovember 11, 2025<November 11, 2025

Interview: Ax and the Hatchetmen’s ‘So Much to Tell You’ Turns Seven Years of Friendship, Shenanigans, & Coming-of-Age into a Defining Debut Album

by Miranda Urbanczyk
Cornelia Murr © Skyler Kim
Concerts, Music, ReviewsNovember 11, 2025<November 11, 2025

Live Review: Cornelia Murr Finds Chemistry, Confidence & Communion at Toad’s Place

by Marc Maleri
Total Wife © Sean Booz
Columns, Music, Today's SongNovember 11, 2025<November 11, 2025

Today’s Song: Total Wife Punch the Gas on “make it last”

by Will Yarbrough
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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