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Atwood Magazine's 126th Editor's Picks!
Columns, Editor's Picks, Features, MusicJune 27, 2025<July 3, 2025

Editor’s Picks 126: NoSo, James Smith, Billy Nomates, Brian Dunne, Glitterfox, & Mon Rovîa!

by Mitch Mosk
Micah McLaurin "Remember Me" © An Le
Editorials, Music, Playlists, Pride MonthJune 27, 2025<July 1, 2025

“That’s So Gay”: A Pride Month Playlist by Micah McLaurin

by Guest Writer
Alexei Shishkin © Kevin Doran
Editorials, MusicJune 27, 2025<June 27, 2025

“The Making of ‘Good Times’”: An Essay by Alexei Shishkin

by Guest Writer
Boundary Waters © Victoria Marie
Interviews, MusicJune 27, 2025<June 27, 2025

Interview: Chicago’s Boundary Waters Find a New Way on ‘Longlost’

by Will Yarbrough
Neutral Snap © Bill Cardella
Interviews, MusicJune 27, 2025<June 27, 2025

Interview: New Orleans Natives Neutral Snap Unleash an Addictive Pop-Punk Aura with “Danny ACOG”

by Chloe Robinson
Boy in Space © 2025
Features, Interviews, MusicJune 27, 2025<June 27, 2025

Interview: Boy in Space Reflects on Past Work, His Unique Vocal Tone, & His Latest EP, ‘The Butterfly Affect’

by Noah Wade
M.anifest © Emmanuel Mensah Agbeble
Features, Interviews, Music, Track-by-TrackJune 26, 2025<December 14, 2025

Feature: Ghanaian Rapper M.anifest Breaks Down His Boldly Ambitious Pan-African Album, ‘NEW ROAD AND GUAVA TREES’

by Mitch Mosk
Lowswimmer © Sandra Ebert
MusicJune 26, 2025<June 26, 2025

“Addictive, Melodic, & Dreamy”: Lowswimmer’s Ed Tullett Lets Go & Leans in on ‘Godspeed, Fantasy,’ a Radiant Record of Self-Discovery

by Mitch Mosk
Nectar Woode © Desire Appau
Columns, Interviews, Music, Today's SongJune 26, 2025<June 26, 2025

“Feeling the rhythm, heading for the light”: Nectar Woode Shines on “Only Happen,” a Seductive, Smoldering Soul Anthem Full of Heat, Heart, & Heritage

by Mitch Mosk
Malcolm Todd © yondoby
Concerts, Music, ReviewsJune 26, 2025<June 26, 2025

Live Review: Malcolm Todd Brings Heart, Charm, and Carefree Spirit to Hometown Show at The Wiltern

by Mariam Bagdady
iNKOGNiaiTO
Interviews, Music, Reviews, Track-by-TrackJune 26, 2025<June 26, 2025

Track-by-Track: iNKOGNiiTO’s Alternative Futurism Breaks the Boundaries of Reality

by Joe Beer
Long Branch © Don Pyle
Columns, Music, Playlists, Pride MonthJune 26, 2025<June 26, 2025

“From Long Branch, with Love”: A Pride Month Playlist

by Guest Writer
Felicity © Hannah Gray Hall
Columns, Interviews, Music, Today's SongJune 26, 2025<June 26, 2025

Felicity Serves Up Heartbreaking Realization With a Wink in “I’ll Have What He’s Having”

by Aileen Goos
Mo Lowda & the Humble © Luda Ronky
Features, Interviews, Music, Track-by-TrackJune 25, 2025<June 26, 2025

Track-by-Track: Mo Lowda & the Humble Unpack the Groove, Chemistry, & Raw Energy of ‘Tailing the Ghost’

by Mitch Mosk
Nxdia © Ryan Jafarzadeh
Columns, Debut, Interviews, Music, Today's SongJune 25, 2025<June 25, 2025

“Feel loudly and proudly”: Nxdia Embraces Love, Lust & Liberation in “Body on Me,” an Uninhibited Alt-Pop Fever Dream

by Mitch Mosk
Posts pagination
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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