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Atwood Magazine's 135th Editor's Picks!
Columns, Editor's Picks, Features, MusicOctober 30, 2025<January 16, 2026

Editor’s Picks 135: Ax and the Hatchetmen, Savannah Conley, Henry Grace, Tough Cookie, Westside Cowboy, & Jane Leo!

by Mitch Mosk
Magnetic Skies © 2025
Interviews, MusicOctober 30, 2025<October 30, 2025

A Conversation with Magnetic Skies: Conquering the Electro-Retro-Futuristic World in Full Force

by Josh Weiner
The Aces 'Gold Star Baby' © Dana Trippe
Features, Interviews, MusicOctober 30, 2025<October 30, 2025

“Life Is Meant to Be Celebrated”: The Aces’ ‘Gold Star Baby’ Is a Disco-Pop Party of Liberation, Joy, & Queer Euphoria – and Everyone’s Invited!

by Mitch Mosk
Demi Lovato 'It's Not That Deep' © Jane Dylan Cody 8.1
Music, Our Take, ReviewsOctober 30, 2025<October 30, 2025

Our Take: Sorry Not Sorry, But Pop Demi Lovato Is Back (and ‘It’s Not That Deep’)

by Danielle Holian
Asha Banks © Louis Browne
Artist to Watch, Interviews, Music, Today's SongOctober 30, 2025<October 29, 2025

“I Just Wanna Get Out of My Head”: Asha Banks Surrenders to Instinct on “Rerun,” a Beautifully Raw Confessional on Desire, Doubt, & Letting Go

by Mitch Mosk
Brenn! © Josef Lloyd
Features, Interviews, Music, Track-by-TrackOctober 29, 2025<October 29, 2025

Roads, Reveries, & Reckoning: Rising Folk-Pop Artist Brenn! Unpacks the Emotional Arc of His ‘Upstate’ EP

by Mitch Mosk
Nick Mulvey © Dom Palmer
Features, Interviews, MusicOctober 29, 2025<October 30, 2025

“Part 1 was the inhale, and Part 2 is the exhale”: Nick Mulvey Harvests, Becomes, and Shines in ‘Dark Harvest Pt. 2’

by Rachel Leong
Indigo De Souza © Hannah Sommer
Features, Interviews, MusicOctober 29, 2025<October 29, 2025

“I’m less afraid to embody joy now”: Indigo De Souza Stares Down the Edge and Dives into Hope on ‘Precipice’

by Nicolle Knapová
BEL © SJ Spreng
Columns, Music, Today's SongOctober 29, 2025<October 29, 2025

“Feel the Wind”: BEL Embraces an Ethereal Feeling with Her “Parachute”

by Ashley Littlefield
Gatlin © Luke Rogers
Debut, Features, Interviews, Music, Track-by-TrackOctober 28, 2025<October 28, 2025

“I Know Now Who I Am”: Gatlin Reclaims Herself on ‘The Eldest Daughter,’ a Soul-Stirring Debut Rooted in Vulnerability, Intimacy, & Liberation

by Mitch Mosk
The Bones of J.R. Jones 'Radio Waves' © Christian Harder
Features, Interviews, MusicOctober 28, 2025<October 28, 2025

“Dim Summer Street Lights”: The Bones of J.R. Jones Tunes into Himself on ‘Radio Waves,’ an Intimate Album of Memory in Motion

by Mitch Mosk
The author pictured with Jeremy Allen White as Bruce Springsteen, while the Boss looms large over the proceedings © Aidan Moyer
Film, Music, ReviewsOctober 28, 2025<October 28, 2025

“Fix Your Hair Up Nice and Set Up Pretty”: On Set of the Springsteen Biopic ‘Deliver Me From Nowhere’

by Aidan Moyer
Anna Lynch © 2025
Debut, Interviews, MusicOctober 28, 2025<October 28, 2025

“Wake Up” & Bloom: Anna Lynch Is Writing Her Way Back to Herself

by Nicolle Knapová
The Moss © S-Curve Records
Columns, Music, Today's SongOctober 28, 2025<October 28, 2025

“No way I’m gonna waste my life”: The Moss’ “Oasis” Is an Anthem of Recentering & Growth

by Miranda Urbanczyk
The Noisy's Sara Mae © Morgan Kelley
Essays, MusicOctober 27, 2025<October 27, 2025

“Pink Merkins & Meat Sweats: How Philly Nightlife Shaped the Visual World of My Music”: An Essay by The Noisy’s Sara Mae

by Guest Writer
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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