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Smallpools © Brandon Keith
Music, Reviews, This Just InDecember 16, 2020<December 16, 2020

This Just In: Smallpools’ “simulation” Is a Song of Sci-Fi Sanctuary, Empathy, & Depth

by Mitch Mosk
Goo Goo Dolls "Miracle Pill" promo shot © Ed Gregory
Features, Interviews, MusicDecember 16, 2020<March 2, 2025

Interview: Goo Goo Dolls Look Back on 35 Years of Rock & 25 Years of “Name”

by Mitch Mosk
Good News - Megan Thee Stallion 7.7
Debut, Music, Our Take, ReviewsDecember 16, 2020<December 16, 2020

Our Take: Megan Thee Stallion Swiftly Claims Dominance in the Rap World on Debut LP, “Good News.”

by Josh Weiner
William Harries Graham © Todd Wolfson
Columns, Music, Today's SongDecember 16, 2020<December 16, 2020

Today’s Song: William Harries Graham’s “Confidant” Is a Light Skip Through Concepts of Love

by Frankie Rose
Ane Brun © Stian Andersen
Features, Interviews, Music, Track-by-TrackDecember 15, 2020<December 22, 2020

“Presence, Passion, & Comfort”: Ane Brun on Her Two Stunning & Stirring Albums of 2020

by Mitch Mosk
Essays, MusicDecember 15, 2020<August 19, 2021

Greta Van Fleet’s Second Act: A Hopeful Skeptic’s Anticipation of ‘The Battle at Garden’s Gate’

by Lilly Eason
Noah Kahan & mxmtoon collaborate on "Pride" © Jenny Alice Watts
Music, ReviewsDecember 15, 2020<December 15, 2020

Isolation & Rejection: Noah Kahan’s “Pride” (ft. mxmtoon) Is the FOMO Song of the Year

by Mitch Mosk
POESY © 2020
Columns, Music, Today's SongDecember 15, 2020<December 15, 2020

Today’s Song: Digging Ourselves Out of Darkness with POESY’s “Diamonds”

by Hermione Kellow
French for Rabbits © Lily Paris West
Music, Reviews, This Just InDecember 14, 2020<December 14, 2020

This Just In: French for Rabbits’ “The Dark Arts” Offers Stirring Reflections on Memory & Meaning

by Mitch Mosk
This is the Deep © 2020
Debut, Interviews, MusicDecember 14, 2020<December 19, 2020

Interview with This Is The Deep: London Indie Rock Collective Dazzles with a Rare Sonic Limitlessness

by Chloe Robinson
Quiet Lives - Garrett Owen
Music, Reviews, Track-by-TrackDecember 14, 2020<December 14, 2020

Track-by-Track: Singer/Songwriter Garrett Owen on His Stirring Sophomore Album ‘Quiet Lives’

by Mitch Mosk
Sunset Rollercoaster © Sofia Lee 9.1
Features, Music, Our Take, Reviews, Track-by-TrackDecember 14, 2020<December 15, 2020

Tenderness in Chaotic Times: Taiwan’s Sunset Rollercoaster on Buoyant 3rd Album ‘SOFT STORM’

by Mitch Mosk
The Flaming Lips © George Salisbury
Features, Interviews, MusicDecember 14, 2020<December 14, 2020

Interview with The Flaming Lips: ‘American Head’, Facing Mortality, & the Healing Power of Music

by Jordan Catagnus
Interviews, MusicDecember 14, 2020<December 14, 2020

Interview: Nané Is an Energetic Texas Group with One Album in the Bag & Sights Set on Further Ambitions

by Josh Weiner
Machinery - Twist Helix
Music, Reviews, Track-by-TrackDecember 14, 2020<December 14, 2020

“Mature, Honest, & Self-Reflexive”: Twist Helix’s ‘Machinery’ Is a Bold, Sweeping Alt-Pop Culture Critique

by Mitch Mosk
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Brand New

  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health”

:: discover something new ::

Recent Posts

  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
  • “I Pride Myself on Healthily Hating”: Alemeda Asserts Her Worth on “Broken Record,” a Blistering Rejection of Cheap Love April 15, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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