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Vagabon & Courtney Barnett © Pooneh Ghana
Columns, Music, Today's SongJanuary 30, 2021<January 29, 2021

Today’s Song: Vagabon & Courtney Barnett Cover ‘Reason to Believe,” and It’s Enchanting

by Aaron Scobie
When You Found Me - Lucero
Features, Interviews, Music, Reviews, Track-by-TrackJanuary 29, 2021<March 14, 2021

“You’re Your Family”: Lucero Dive into the Depths of Sweeping Tenth Album ‘When You Found Me’

by Mitch Mosk
Isaac Stuart © Grace Bistro
Music, PremieresJanuary 29, 2021<January 29, 2021

Finding Peace After Discomfort in Isaac Stuart’s “Place for You in My Heart”

by Nina Schaarschmidt
Shrug - Rat Tally
Columns, Music, Today's SongJanuary 29, 2021<January 29, 2021

Today’s Song: Rat Tally’s Raw “Shrug” Is a Tender, Fragile, & Intimate Upheaval

by Mitch Mosk
Calica & Daniel Loumpouridis © Maxine Bowen
Columns, Interviews, MusicJanuary 29, 2021<January 29, 2021

Interview: Calica & Daniel Loumpouridis Discuss Catchy Single “Don’t,” New EP ‘Lens,’ TikTok, and Their Road to Success

by Chloe Robinson
Verzache © 2021
Features, Interviews, MusicJanuary 29, 2021<January 29, 2021

Interview: Toronto’s Verzache Dwells in the Wavey, Hazey Depths of “All I Need” Off Forthcoming Debut ‘My Head Is a Moshpit’

by Mitch Mosk
Atwood Magazine Weekly Roundup 2021-01-29
Columns, Features, Weekly RoundupJanuary 29, 2021<January 29, 2021

Atwood Magazine’s Weekly Roundup: January 29, 2021

by Atwood Magazine Staff
Baio © Pooneh Ghana
Features, Interviews, MusicJanuary 29, 2021<February 5, 2021

Developing a Voice & Spreading Joy Amidst an Apocalypse: A Conversation with Baio

by Frankie Rose
Adam Melchor © 2020
Artist to Watch, Music, ReviewsJanuary 28, 2021<January 28, 2021

Artist to Watch: Adam Melchor Stuns with Breathtakingly Beautiful Songs “Life on Earth?” & “The Last Song on Earth”

by Mitch Mosk
Phantom Wave © 2021
Columns, Music, Today's SongJanuary 28, 2021<January 28, 2021

Today’s Song: Brooklyn’s Phantom Wave Dwell in Ethereal Shoegaze Depths on Overdriven Upheaval “Billows”

by Mitch Mosk
Doohickey Cubicle © Jordyn Taylor-Robins
Music, PremieresJanuary 28, 2021<January 28, 2021

Premiere: Doohickey Cubicle’s Hazey Song “Sign Here” Is a Cheeky & Intoxicating Celebration of Consumerism

by Mitch Mosk
JOYNER © Morgan Demeter
Music, ReviewsJanuary 28, 2021<January 28, 2021

California Duo JOYNER’s 2018 Debut “White Lights” Continues to Burn Bright

by Mitch Mosk
Breaking The Record 2020
Breaking the Record, Columns, MusicJanuary 28, 2021<January 28, 2021

Breaking the Record with Roan Yellowthorn, Part 48: Making Progress

by Guest Writer
Roller Derby © Anja Gurres
Music, Music Videos, PremieresJanuary 28, 2021<January 27, 2021

Premiere: Hamburg’s Roller Derby Weave a World of Dream Pop Wonder in Soaring “Can’t See You”

by Mitch Mosk
Sincere Engineer © Hovland
Music, Music Videos, PremieresJanuary 28, 2021<January 27, 2021

Premiere: Sincere Engineer Infuse the Mundanity of Winter with Blood-Hot Drama on “Tourniquet”

by Ethan James
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Brand New

  • “Surprise!”: Phoebe Bridgers Collapses Time at Madison Square Garden
  • “There’s a Lot of Hope in This Lyric”: Fred again.. and Jamie T Reframe Darkness into Light on “Lights Burn Dimmer”
  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’

:: discover something new ::

Recent Posts

  • “Surprise!”: Phoebe Bridgers Collapses Time at Madison Square Garden June 7, 2026
  • “There’s a Lot of Hope in This Lyric”: Fred again.. and Jamie T Reframe Darkness into Light on “Lights Burn Dimmer” June 7, 2026
  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral June 6, 2026
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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