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Once - Anna Leone
Columns, Music, Today's SongJanuary 21, 2021<January 21, 2021

Today’s Song: Breaking Out & Moving Forward with Anna Leone’s Breathtaking Single, “Once”

by Mitch Mosk
Kisos © Laura Harding
Music, Music Videos, PremieresJanuary 20, 2021<January 20, 2021

Premiere: Kisos Finds Acceptance in Haunting “He Didn’t Want Me” Music Video

by Mitch Mosk
Ziggy Alberts © Janneke Storm
Music, PremieresJanuary 20, 2021<January 20, 2021

Premiere: Ziggy Alberts Opens 2021 with Uplifting Single “letting go,” a Tender Outpouring of Inner Light

by Mitch Mosk
Tate McRae © 2021
Features, Interviews, Music, ReviewsJanuary 20, 2021<January 20, 2021

Interview: Artist-to-Watch Tate McRae Reflects on New Single “rubberband,” Perfectionism, & Her Upcoming EP

by Guest Writer
Maybe I’m Just A Little Bit Broken - Richard Fairlie
Columns, Features, Music, Today's SongJanuary 20, 2021<January 21, 2021

Today’s Song: UK Artist Richard Fairlie Stuns with Intimate & Breathtaking “MAYBE I’M JUST A LITTLE BIT BROKEN”

by Mitch Mosk
Talkboy © Sam Crowston
Music, PremieresJanuary 19, 2021<January 19, 2021

Premiere: Leeds’ Talkboy Resolve to Be Happier in “Wrapped in Blue,” a Fresh Indie Rock Outpouring

by Mitch Mosk
Atwood Magazine's 2021 Artists to Watch
Features, MusicJanuary 19, 2021<April 8, 2021

Atwood Magazine’s 2021 Artists to Watch

by Atwood Magazine Staff
Passenger © Mila Austin
Features, Interviews, MusicJanuary 19, 2021<January 19, 2021

Interview with Passenger: “Future-Gazer, Past-Dweller, Storyteller”

by Kelly Liu
Music, Reviews, Track-by-TrackJanuary 19, 2021<January 19, 2021

More Than Just a Boy Band: A Track-by-Track Review of Why Don’t We’s ‘The Good Times and the Bad Ones’

by Nasya Blackshear
Donovan Days © 2021
Features, Interviews, MusicJanuary 19, 2021<January 19, 2021

Interview: Donovan Phillips Discovers a Refreshing Lane on His New Project, Donovan Days

by Ryan Feyre
Pull A James Baldwin - Ric Wilson
Music, Reviews, This Just InJanuary 15, 2021<January 15, 2021

Artist to Watch Ric Wilson Stuns with “Pull a James Baldwin”: “Two pandemics going on – one with health, one with race”

by Mitch Mosk
Spirit of the Bear © 2021 8.9
Features, Interviews, Music, Our Take, Reviews, Track-by-TrackJanuary 15, 2021<January 15, 2021

Midwestern Glitz: Spirit of the Bear’s Soaring & Stunning Eponymous Third Album

by Mitch Mosk
Buck Meek © Robbie Jeffers
Features, Interviews, MusicJanuary 15, 2021<January 29, 2021

Summery Naturalness and the Comfort of Imagination: A Conversation with Buck Meek

by Frankie Rose
Breaking The Record 2020
Breaking the Record, Columns, MusicJanuary 15, 2021<January 15, 2021

Breaking the Record with Roan Yellowthorn, Part 46: Processing

by Guest Writer
G Flip (left) and mxmtoon (right)
Music, Reviews, This Just InJanuary 15, 2021<January 15, 2021

G Flip & mxmtoon Revel in “Queen,” a Fierce Anthem of Strength, Grace, and Love

by Mitch Mosk
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Brand New

  • “Surprise!”: Phoebe Bridgers Collapses Time at Madison Square Garden
  • “There’s a Lot of Hope in This Lyric”: Fred again.. and Jamie T Reframe Darkness into Light on “Lights Burn Dimmer”
  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’

:: discover something new ::

Recent Posts

  • “Surprise!”: Phoebe Bridgers Collapses Time at Madison Square Garden June 7, 2026
  • “There’s a Lot of Hope in This Lyric”: Fred again.. and Jamie T Reframe Darkness into Light on “Lights Burn Dimmer” June 7, 2026
  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral June 6, 2026
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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