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Interviews, MusicDecember 7, 2020<February 10, 2021

Interview: Gaining a Fresh Understanding of Miynt’s Latest Single “A bite of papaya”

by Adrian Vargas
Atwood Magazine's Weekly Roundup December 4, 2020
Columns, Features, Music, Weekly RoundupDecember 4, 2020<December 22, 2020

Atwood Magazine’s Weekly Roundup: December 4, 2020

by Atwood Magazine Staff
Canyon City © Brooke Johnson
Music, Reviews, Track-by-TrackDecember 4, 2020<December 4, 2020

“Life Keeps Expanding”: Canyon City Goes Track-by-Track Through Intimate New EP ‘Circling the Sun’

by Mitch Mosk
Emanuel "Black Woman" © Matt Barnes
Features, Interviews, Music, Reviews, Track-by-TrackDecember 4, 2020<January 30, 2025

Songs About Healing: Toronto’s Emanuel Dives into His ‘ALT THERAPY’ Project & ‘Session 2: Transformation’

by Mitch Mosk
elkyn © Mike Harrison
Music, Reviews, This Just InDecember 4, 2020<December 4, 2020

This Just In: elkyn’s New Single “If Only It Was Alright Now” Is a Beautiful Rising Tempest

by Mitch Mosk
George Holliday © 2020
Interviews, MusicDecember 4, 2020<February 24, 2025

A Conversation with George Holliday: Friendships, Creative Ties, & Memorable Music All “Made on the Road”

by Josh Weiner
Something To Say To You LP - Jordana
Interviews, MusicDecember 4, 2020<December 4, 2020

Interview: Jordana Dazzles Brightly on Sophomore Album ‘Something to Say to You’

by Lowndes Commander
Columns, Music, Today's SongDecember 4, 2020<December 4, 2020

Today’s Song: Lake Stovall Creates a Sultry Wonderland With Latest Single “She”

by Adrian Vargas
Asheville EP - Elevado
Features, Interviews, Music, Reviews, Track-by-TrackDecember 3, 2020<December 3, 2020

“Vulnerable, Personal, Liberation”: Singer/Songwriter Duo Elevado Dive into Debut ‘Asheville’ EP

by Mitch Mosk
I See Rivers © 2020
MusicDecember 3, 2020<December 3, 2020

“Honest, Melancholic & Uplifting”: I SEE RIVERS Go Track-by-Track Through Enthralling Debut ‘Deep & Rolling Green’

by Mitch Mosk
Shadow Clues - Tamar Berk
Debut, Music, PremieresDecember 3, 2020<December 4, 2020

Premiere: Tamar Berk’s Debut Single “Shadow Clues” Is a Dark & Haunting Daydream

by Mitch Mosk
Oddnesse © Lellopepper
Music, PremieresDecember 3, 2020<December 3, 2020

Artist to Watch: Oddnesse Dance with the Mystery of Death in Dreamy Song “Hot Air”

by Mitch Mosk
Shamir - Shamir art
Interviews, MusicDecember 3, 2020<December 3, 2020

Interview: Shamir Showcases Pop Rock Inspirations on Self-Titled Seventh Album

by Atwood Magazine Staff
Eyes Wide Open - TWICE 7
Music, Our Take, ReviewsDecember 3, 2020<December 18, 2020

Review: TWICE Court New Listeners & Old with Their Wildly Varied ‘Eyes Wide Open’

by Danny Vagnoni
Breaking The Record 2020
Breaking the Record, Columns, MusicDecember 3, 2020<December 2, 2020

Breaking the Record with Roan Yellowthorn, Part 42: What Is Time?

by Guest Writer
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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