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Atwood Magazine's Weekly Roundup | May 30, 2025
Columns, Features, Music, Weekly RoundupMay 30, 2025<June 8, 2025

Atwood Magazine’s Weekly Roundup: May 30, 2025

by Atwood Magazine Staff
Nastiya Kai © Ivon Petrov
Interviews, MusicMay 30, 2025<May 30, 2025

“The darkness inside of me is gone”: Nastiya Kai Is Set to Conquer Her Inner Demons and the Art of EDM in One Clean Swoop

by Josh Weiner
Emma Marrone's 'SOUVENIR' album art © Bogdan “Chilldays” Plakov
Columns, Music, Music & CitiesMay 30, 2025<May 30, 2025

Music & Cities: Emma Marrone’s ‘SOUVENIR’ in Milano, Firenze, and Venezia

by David Buyze
Miist © Andrew Ficke 2025
Asian American and Pacific Islander Heritage Month, Columns, Editorials, Mental Health Awareness Month, MusicMay 30, 2025<May 30, 2025

“Could You Lend Me a Smile?”: Changing the World in 15 Seconds with Miist

by Guest Writer
Matt Berninger © Chantal Anderson
Music, ReviewsMay 30, 2025<May 30, 2025

Album Review: Matt Berninger Continues to Rise From His Years-Long Writer’s Block on ‘Get Sunk’

by Kevin Krein
Emilee Petersmark © Mauricio Castro
Asian American and Pacific Islander Heritage Month, Columns, Editorials, Music, PlaylistsMay 30, 2025<May 30, 2025

“Reconnecting Through Music”: An Adoptee Playlist by Emilee Petersmark of The Crane Wives for AAPI Heritage Month

by Guest Writer
Tennis "12 Blown Tires" © Darren Vargas
Columns, Music, Today's SongMay 30, 2025<May 30, 2025

Today’s Song: Tennis Say Goodbye in the Devastatingly Beautiful “12 Blown Tires”

by Mitch Mosk
Spring Term © Claire Hensley
Features, Interviews, Music, Track-by-TrackMay 29, 2025<May 29, 2025

EP Premiere: Spring Term Shines Bright on ‘Kiddo, Vol. 2,’ a Playful & Profound Coming-of-Age Dreamscape

by Mitch Mosk
Julia Wolf 'PRESSURE' © Angelo Kritikos
Features, Interviews, MusicMay 29, 2025<May 29, 2025

Interview: Julia Wolf on Defying Expectations and Turning ‘PRESSURE’ into Motivation

by Noa Jamir
Peter Doran © Darren Sweeney 7.9
Features, Our Take, ReviewsMay 29, 2025<May 29, 2025

Our Take: Peter Doran Invites Us into the Sacred Unknown on ‘All the World Is Running on a Mystic Code’

by Danielle Holian
Nat & Alex Wolff © Jordan Kirk
Columns, Music, Today's SongMay 29, 2025<May 29, 2025

Today’s Song: Nat & Alex Wolff Trade Noise for Nostalgia on “Soft Kissing Hour”

by Danielle Holian
Wolf Alice "Bloom Baby Bloom" © Rachel Fleminger Hudson
Columns, Music, Today's SongMay 28, 2025<May 28, 2025

Wolf Alice Triumphantly Return with the Superbly Defiant “Bloom Baby Bloom”

by Adam Davidson
MARIS © 2025
Features, Interviews, MusicMay 27, 2025<May 27, 2025

Yearning, Euphoria, & Queer Joy: A Conversation with MARIS

by Anthony Kozlowski
GRAE '7 Minutes ’Til Heaven' 7.4
Music, Our Take, ReviewsMay 27, 2025<May 27, 2025

Our Take: GRAE’s ‘7 Minutes ‘Til Heaven’ Is a Fearless Pop Odyssey of Power, Pain, & Reinvention

by Danielle Holian
Glass Tiger © 2025
Columns, Music, Today's SongMay 27, 2025<May 27, 2025

Glass Tiger’s “Canada’s Song” Is a Declaration of True Patriot Love

by Aileen Goos
Posts pagination
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Brand New

  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’

:: discover something new ::

Recent Posts

  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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