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Blood Orange © Vinca Petersen
Columns, Music, Today's SongOctober 8, 2025<October 8, 2025

“In the Fields Trying to Hide”: Blood Orange Creates a Sunlit Escape from Grief on “Countryside”

by Ashley Littlefield
Benjamin Steer © Andy Broadhurst
Features, Interviews, MusicOctober 7, 2025<October 7, 2025

Interview: Benjamin Steer Is ‘Figuring It Out’ One Honest Song at a Time

by Aileen Goos
TV on the Radio at There Goes The Neighborhood 2025 © Skyler Kim
Festival, Music, ReviewsOctober 7, 2025<October 7, 2025

There Goes the Neighborhood Review: TV on The Radio’s Personally Curated Festival

by Marc Maleri
Portland’s Jente Pironet © Titus Simoens & Nina Swaans
Music, Music Videos, PremieresOctober 7, 2025<October 7, 2025

“I’m Gonna Scream It All Over the Streets”: Belgium’s Portland Embrace “Exactly What I Need” with a Cinematic, Life-Affirming Indie Pop Anthem

by Mitch Mosk
Tiberius © Zoe Hopper
Essays, MusicOctober 7, 2025<October 7, 2025

The Making of Tiberius’ ‘Troubadour’: An Essay by Brendan Wright

by Guest Writer
Haerts 'Laguna Road' © Julian Klincewicz
Features, Interviews, MusicOctober 7, 2025<October 7, 2025

Feature: HAERTS’ ‘Laguna Road’ Is a Testament to “Sacred Mess” & Memory

by Kayleigh Schweiker
Alessi Rose © Sophie Scott
Music, ReviewsOctober 7, 2025<October 7, 2025

Review: Alessi Rose’s ‘Voyeur’ Is Confessional Pop at Its Most Dazzling

by Nicolle Knapová
Haute & Freddy "Freaks" © Noah Kentis
Features, Interviews, MusicOctober 7, 2025<February 13, 2026

From Pop Charts to Court Jesters: The Inspiration Behind Haute & Freddy’s Ingenuity

by Nasim Elyasi
Taylor Swift ‘The Life of a Showgirl’ © Mert Alas & Marcus Piggott
Music, ReviewsOctober 7, 2025<October 6, 2025

Review: ‘The Life of a Showgirl’ Is Taylor Swift at Her Most Ambitious – And Most Underwhelming

by Mariam Bagdady
The Format © Carlo Cavaluzzi
Features, Music, This Just In, Today's SongOctober 6, 2025<October 7, 2025

“I’d Fake My Death If It Weren’t Such a Mess”: The Format Rise Again with Restless Anthem “Holy Roller,” a Fiery, Feverish Prelude to Third Album ‘Boycott Heaven’

by Mitch Mosk
LOVE UPTEMPO: MAX - Kevin Ross
Music, ReviewsOctober 6, 2025<October 6, 2025

Album Review: Kevin Ross Finds a New Depth of Passion Amidst Everyday Distractions on ‘LOVE UPTEMPO: MAX’

by Grace Holtzclaw
Dynamyte © Melanie Veronica
Columns, Interviews, Music, Today's SongOctober 6, 2025<October 6, 2025

From Behind the Drum Kit to Center Stage: Dynamyte Unleashes the Fear and Fire of “Probably”

by Nicolle Knapová
Kalie Shorr 'My Type' EP © Grace Greenan
Features, Interviews, MusicOctober 6, 2025<October 7, 2025

“I’m Never Going to Be Quiet”: Kalie Shorr Is Bringing Back Pop-Rock – Louder, Queerer, & More Defiant Than Ever

by Brian Denney
Tame Impala © Irie Calkins
Columns, Music, Today's SongOctober 4, 2025<October 4, 2025

“It’s Far Too Late, the Time Has Come”: Tame Impala Shadows a Haunting Anthem with “Dracula” Ahead of Fifth Studio Album ‘Deadbeat’

by Ashley Littlefield
Soft Loft "Dorm" © Flavio Leone
Artist to Watch, Interviews, MusicOctober 3, 2025<October 8, 2025

“I See Mountains, I See Forests”: Soft Loft’s Soul-Stirring “Dorm” Is a Golden Hymn of Perseverance, Hope, & Humanity

by Mitch Mosk
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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