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Clipse © Cian Moore 8.3
Music, Our Take, ReviewsAugust 4, 2025<August 4, 2025

Our Take: Clipse Complete Their Comeback in Remarkable Fashion on ‘Let God Sort Em Out’

by Josh Weiner
Demi Lovato © Daniel Sachon
Columns, Music, Today's SongAugust 4, 2025<August 4, 2025

Demi Lovato Races into a Pop Reawakening Era “Fast,” Fierce, and Free

by Danielle Holian
Jamie xx © Laura Jane Coulson
Columns, Music, Today's SongAugust 2, 2025<August 2, 2025

Today’s Song: Jamie xx Leaks Light into a “Dream Night” on His Latest Single

by Ashley Littlefield
Chappell Roan "The Subway" © Ryan Lee Clemens
Music, Reviews, This Just InAugust 1, 2025<August 1, 2025

This Just In: Chappell Roan’s Queer Heartbreak Anthem “The Subway” Was Well Worth the Wait

by Marc Maleri
Djo 'The Crux' album art
Features, Music, Reviews, RoundtableAugust 1, 2025<August 1, 2025

Roundtable Discussion: A Review of Djo’s ‘The Crux’

by Atwood Magazine Staff
Sydney Sprague © Ellie Carty
Features, Interviews, MusicAugust 1, 2025<August 1, 2025

“I’m Just a Person with a Lot of Feelings”: Sydney Sprague on Channeling Emotional Extremes into Indie Rock Catharsis

by Mitch Mosk
Hudson Westbrook 'Texas Forever' © Ian Noh
Debut, Features, Interviews, MusicAugust 1, 2025<August 1, 2025

Feature: Hudson Westbrook’s Bold Debut ‘Texas Forever’ Offers 17 Songs That Prove He’s Here to Stay

by Aileen Goos
OSHEAGA 2024 © Susan Moss
Festival, Music, PreviewAugust 1, 2025<August 1, 2025

Festival Preview: Osheaga 2025 Promises to Be a Festival Like No Other – and Atwood Has You Covered

by Oliver Crook
Dane Baker © 2025
Columns, Music, Today's SongAugust 1, 2025<August 1, 2025

“Growth, Affirmation, & Fulfillment”: Dane Baker’s “Ascension” Urges a Look Inward to Find Happiness

by Adam Davidson
Bec Lauder and the Noise "Nobody Cares" © 2025
Artist to Watch, Interviews, Music, Music Videos, PremieresJuly 31, 2025<July 31, 2025

“Nobody Cares”: NYC’s Bec Lauder and The Noise Premiere Their Explosive Glam-Punk Anthem of Chaos, Rebellion, & Release

by Mitch Mosk
Lollapalooza 2025 © Ismael Quintanilla III
Festival, Music, PreviewsJuly 31, 2025<July 31, 2025

Preview: Lollapalooza 2025 Ends the Summer Off Right With an Unforgettable Lineup

by Miranda Urbanczyk
The Fray "My Heart's a Crowded Room" © Robby Klein
Features, Interviews, MusicJuly 31, 2025<July 31, 2025

Feature: The Fray Reminisce on 20 Years of ‘How to Save a Life’ While Entering a New Era of Music

by Lauren Turner
Charlotte OC © Stewart Baxter
Columns, Music, Today's SongJuly 31, 2025<July 31, 2025

Today’s Song: Charlotte OC Lights Up the Ashes on “Cider and Black”

by Marvin Twiggs
CLOVER "My Kind of Woman" © Caley Senters
Music, Music Videos, PremieresJuly 30, 2025<July 30, 2025

“I’m not afraid to be my kind of woman”: CLOVER Premieres Her Bold, Beautiful, and Unapologetic Celebration of Feminine Power & Truth

by Mitch Mosk
Winnetka Bowling League © Heather Saitz
Features, Interviews, MusicJuly 30, 2025<July 30, 2025

“Wait ‘Til You See My Next Trick”: Winnetka Bowling League’s Matthew Koma Is Ready to Rock Lollapalooza – and Make More Songs

by Mitch Mosk
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Brand New

  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’

:: discover something new ::

Recent Posts

  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
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