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Jens Kuross © Mark Oliver
Features, Interviews, Music, Track-by-TrackOctober 3, 2025<October 3, 2025

Track-by-Track: Jens Kuross’ ‘Crooked Songs’ Feels Like a Conversation Cut Short – It Leaves you Wanting More

by Aileen Goos
Daffo © Nolan Knight
Artist to Watch, Debut, Features, Interviews, MusicOctober 3, 2025<October 3, 2025

Looking for a “Quick Fix”? Daffo’s ‘Where the Earth Bends’ Is a Raw Reflection on Confronting Your Vices

by Madeleine Eggen
Getting Killed by Geese
Music, ReviewsOctober 3, 2025<October 3, 2025

Geese: ‘Getting Killed’ Never Sounded So Good

by Anu Sarode
Nostalgia Tracks: 24 Years Later, Why “Mississippi” Is Still Bob Dylan’s Best Song
Columns, Music, Nostalgia TracksSeptember 30, 2025<September 30, 2025

Nostalgia Tracks: 24 Years Later, Why “Mississippi” Is Still Bob Dylan’s Best Song

by Anu Sarode
Still Blank © Travis Bailey
Artist to Watch, Columns, Interviews, Music, Today's SongSeptember 30, 2025<September 30, 2025

The Kids “Ain’t Quite Right”: Still Blank Emerge from the Dark with a Haunting Alt-Rock Fever Dream

by Mitch Mosk
AM I THE DRAMA? - Cardi B 7.6
Music, Our Take, ReviewsSeptember 30, 2025<September 30, 2025

Our Take: Cardi B’s Comeback Album ‘AM I THE DRAMA?’ Is As Striking & Abrasive As Anything in Her Catalog

by Josh Weiner
Doechii © All Things Go
Concerts, Music, ReviewsSeptember 30, 2025<September 30, 2025

Review: Doechii Responds to Lola Young Health Scare at All Things Go in the Sweetest Way

by Julia Dzurillay
Becca Hannah © Nicolangelo Leone
Music, Music Videos, PremieresSeptember 30, 2025<September 30, 2025

Premiere: Becca Hannah’s “Caramel” Is the Perfect Jazzy Paradise for Pining Over a Crush

by Chloe Robinson
Sarah Kinsley © All Things Go / Jazmin Tuscani
Concerts, Music, ReviewsSeptember 29, 2025<September 29, 2025

Sarah Kinsley Is Anything But “Fleeting” at New York City’s All Things Go Music Festival

by Julia Dzurillay
Rachel Chinouriri © All Things Go
Concerts, Music, ReviewsSeptember 29, 2025<September 29, 2025

Review: Rachel Chinouriri Is a Garden of Eden at New York City’s All Thing Go Music Festival

by Julia Dzurillay
Amazonica © 2025
Interviews, MusicSeptember 29, 2025<September 29, 2025

Interview: Amazonica Reflects on Reinvention in “Mirror Baby” & New Album ‘Victory’

by Joe Beer
Ginger Root 'SHINBANGUMI' © David Gutel
Concerts, Music, ReviewsSeptember 29, 2025<September 29, 2025

Review: Ginger Root Introduces a Surprising New Setlist Format with City Pop-Inspired New York City Concert

by Julia Dzurillay
Paris Paloma "Good Boy" © Phoebe Fox
Columns, Music, Today's SongSeptember 29, 2025<September 29, 2025

Paris Paloma’s “Good Boy” Is a Scorching Anti-Capitalist, Feminist Anthem for the Working Class

by Nicolle Knapová
Ellur "Missing Kid" © Sarah Oglesby
Artist to Watch, Interviews, MusicSeptember 27, 2025<September 27, 2025

“This Sinking Feeling, I Know It So Well”: Ellur Channels Anxiety into Anthemic Indie Rock on “Missing Kid”

by Mitch Mosk
Bre Kennedy 'The Alchemist' © Tabitha Turner
Features, Interviews, MusicSeptember 26, 2025<September 26, 2025

Interview: Bre Kennedy Finds Beauty in the Breakdown on Her Fourth Album, ‘The Alchemist’

by Aileen Goos
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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