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Blood Root © Micah Mathewson
Music, ReviewsSeptember 17, 2020<September 17, 2020

EP Review: Embracing Intimate Upheavals with Blood Root’s Debut ‘Crux’

by Mitch Mosk
Get What's Mine for You - Jack Swing
Music, Music Videos, PremieresSeptember 17, 2020<September 18, 2020

Premiere: Pittsburgh’s Jack Swing Soak Up the Groove on Fresh & Funky “Get What’s Mine for You”

by Mitch Mosk
Kane & James
Music, PremieresSeptember 17, 2020<September 17, 2020

Premiere: Kane & James’ Reflective “Thinking of You” Is the Product of Its Environment

by Nick Matthopoulos
Columns, Music, Today's SongSeptember 17, 2020<September 17, 2020

Today’s Song: Tyson Kelly Lets Fate Run Its Course in New Single “Am I Ever Gonna See You Again”

by Joe Beer
Breaking The Record 2020
Breaking the Record, Columns, MusicSeptember 17, 2020<September 17, 2020

Breaking the Record with Roan Yellowthorn, Part 32: New Things

by Guest Writer
Campbell Sibthorpe
Features, Music, Reviews, Track-by-TrackSeptember 16, 2020<September 16, 2020

Intimate, Freeing, & Expansive: Campbell Sibthorpe Dives Deep into Himself in ‘YTown’ EP

by Mitch Mosk
Chance Peña © 2020
Music, PremieresSeptember 16, 2020<September 16, 2020

EP Premiere: Singer/Songwriter Chance Peña Embraces Life’s Trials in Stunning ‘The Inevitable’

by Mitch Mosk
EVER © Marcus Rexford
Music, PremieresSeptember 16, 2020<September 16, 2020

Premiere: EVER’s Beautifully Bittersweet “Counting Flowers” Is a Stirring, Poignant Love Letter

by Mitch Mosk
Leah Haworth
Columns, Music, Today's SongSeptember 16, 2020<September 15, 2020

Today’s Song: Leah Haworth’s “The Space He Left” Fills in the Gaps of Heartbreak

by Lexi Lane
Arlo Parks © Alexandra Waespi
Features, Interviews, MusicSeptember 16, 2020<March 2, 2025

On Turning Poems into Songs: A Conversation with Arlo Parks

by Lowndes Commander
The Sophomore Series 6
Music, Sophomore SeriesSeptember 15, 2020<October 27, 2020

The Sophomore Series: King Krule’s ‘The OOZ’ & Phoebe Bridgers’ ‘Punisher’

by Leo Culp
Fay Wildhagen © Johanna Siring
Interviews, MusicSeptember 15, 2020<September 15, 2020

Astral, Intimate, and Soaring: A Conversation with Fay Wildhagen

by Mitch Mosk
No Pressure - Logic
Music, Our Take, ReviewsSeptember 15, 2020<September 15, 2020

Our Take: Logic Has Lost None of His Gift for Entertaining Fans on ‘No Pressure’

by Josh Weiner
Photo Ops © 2020
Music, Premieres, ReviewsSeptember 15, 2020<September 14, 2020

Album Premiere: Photo Ops’ Stirring 3rd Album ‘Pure at Heart’ Is a Confessional Alt-Folk Dream

by Mitch Mosk
Columns, Music, Today's SongSeptember 15, 2020<September 15, 2020

Today’s Song: London’s Another Sky Soar on New Single “Fell in Love with the City”

by Bethan Harper
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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