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Sam Burchfield 'Nature Speaks' © Erin Burchfield
Interviews, MusicOctober 8, 2025<October 8, 2025

“Impatience Is One of My Best Qualities”: Sam Burchfield on Change, Fatherhood, Self-Discovery, & the Ways ‘Nature Speaks’ to Him

by Miranda Urbanczyk
Alicia Clara 'Nothing Dazzled' © Taryn Fleischmann
Debut, Features, Interviews, MusicOctober 8, 2025<October 8, 2025

“It Won’t Necessarily Be Perfect, But It Will Be Art”: Alicia Clara’s Soundwaves Shimmer and Shine on ‘Nothing Dazzled’

by Marissa DeLeon
Blood Orange © Vinca Petersen
Columns, Music, Today's SongOctober 8, 2025<October 8, 2025

“In the Fields Trying to Hide”: Blood Orange Creates a Sunlit Escape from Grief on “Countryside”

by Ashley Littlefield
Benjamin Steer © Andy Broadhurst
Features, Interviews, MusicOctober 7, 2025<October 7, 2025

Interview: Benjamin Steer Is ‘Figuring It Out’ One Honest Song at a Time

by Aileen Goos
TV on the Radio at There Goes The Neighborhood 2025 © Skyler Kim
Festival, Music, ReviewsOctober 7, 2025<October 7, 2025

There Goes the Neighborhood Review: TV on The Radio’s Personally Curated Festival

by Marc Maleri
Portland’s Jente Pironet © Titus Simoens & Nina Swaans
Music, Music Videos, PremieresOctober 7, 2025<October 7, 2025

“I’m Gonna Scream It All Over the Streets”: Belgium’s Portland Embrace “Exactly What I Need” with a Cinematic, Life-Affirming Indie Pop Anthem

by Mitch Mosk
Tiberius © Zoe Hopper
Essays, MusicOctober 7, 2025<October 7, 2025

The Making of Tiberius’ ‘Troubadour’: An Essay by Brendan Wright

by Guest Writer
Haerts 'Laguna Road' © Julian Klincewicz
Features, Interviews, MusicOctober 7, 2025<October 7, 2025

Feature: HAERTS’ ‘Laguna Road’ Is a Testament to “Sacred Mess” & Memory

by Kayleigh Schweiker
Alessi Rose © Sophie Scott
Music, ReviewsOctober 7, 2025<October 7, 2025

Review: Alessi Rose’s ‘Voyeur’ Is Confessional Pop at Its Most Dazzling

by Nicolle Knapová
Haute & Freddy "Freaks" © Noah Kentis
Features, Interviews, MusicOctober 7, 2025<February 13, 2026

From Pop Charts to Court Jesters: The Inspiration Behind Haute & Freddy’s Ingenuity

by Nasim Elyasi
Taylor Swift ‘The Life of a Showgirl’ © Mert Alas & Marcus Piggott
Music, ReviewsOctober 7, 2025<October 6, 2025

Review: ‘The Life of a Showgirl’ Is Taylor Swift at Her Most Ambitious – And Most Underwhelming

by Mariam Bagdady
The Format © Carlo Cavaluzzi
Features, Music, This Just In, Today's SongOctober 6, 2025<October 7, 2025

“I’d Fake My Death If It Weren’t Such a Mess”: The Format Rise Again with Restless Anthem “Holy Roller,” a Fiery, Feverish Prelude to Third Album ‘Boycott Heaven’

by Mitch Mosk
LOVE UPTEMPO: MAX - Kevin Ross
Music, ReviewsOctober 6, 2025<October 6, 2025

Album Review: Kevin Ross Finds a New Depth of Passion Amidst Everyday Distractions on ‘LOVE UPTEMPO: MAX’

by Grace Holtzclaw
Dynamyte © Melanie Veronica
Columns, Interviews, Music, Today's SongOctober 6, 2025<October 6, 2025

From Behind the Drum Kit to Center Stage: Dynamyte Unleashes the Fear and Fire of “Probably”

by Nicolle Knapová
Kalie Shorr 'My Type' EP © Grace Greenan
Features, Interviews, MusicOctober 6, 2025<October 7, 2025

“I’m Never Going to Be Quiet”: Kalie Shorr Is Bringing Back Pop-Rock – Louder, Queerer, & More Defiant Than Ever

by Brian Denney
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Brand New

  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit

:: discover something new ::

Recent Posts

  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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