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“Drive Thru” & “Take it From Me” - The Undercover Dream Lovers
Interviews, MusicSeptember 10, 2020<September 10, 2020

Interview: The Undercover Dream Lovers Enchants with Intent & Deep Grooves in “Drive Thru” / “Take It From Me”

by Mitch Mosk
The Sea The Sea © Kiki Vassilakis
Features, Interviews, Music, Reviews, Track-by-TrackSeptember 10, 2020<December 11, 2020

“Simple & True”: The Sea The Sea Stun with Enchanting, Warm & Wondrous 3rd Album ‘Stumbling Home’

by Mitch Mosk
Music, Premieres, ReviewsSeptember 10, 2020<September 10, 2020

Album Premiere: Somber & Thrilling Collide on Le Couleur’s ‘Concorde’

by Adrian Vargas
HOAX
Music, Reviews, This Just InSeptember 10, 2020<September 10, 2020

This Just In: HOAX Provide Us the Perfect Remedy with “Western Medicine”

by Kelsey Fitzgerald
Gatlin © 2020
Debut, Music, Reviews, Track-by-TrackSeptember 10, 2020<September 9, 2020

“Hurts So Good”: Gatlin Embraces Intimate & Catchy Depths on Debut EP ‘Sugarcoated’

by Mitch Mosk
penelope © Genevieve Andrews
Music, PremieresSeptember 10, 2020<September 10, 2020

Premiere: penelope’s “coming home” Is a Heartfelt Homecoming

by Mitch Mosk
Breaking The Record 2020
Breaking the Record, Columns, MusicSeptember 10, 2020<September 9, 2020

Breaking the Record with Roan Yellowthorn, Part 31: Music, the Language of the Soul

by Guest Writer
Lorana © Arthur Coppens
Columns, Music, Today's SongSeptember 10, 2020<September 9, 2020

Today’s Song: Lorana Delves into the Complexities of Her Personality in “Moonwater”

by Alicia Bugallo
Half Truths - Grace Turner
Debut, Music, Reviews, Track-by-TrackSeptember 9, 2020<September 9, 2020

Track-by-Track: Grace Turner’s Debut EP ‘Half Truths’ Is Poetic & Bright

by Lowndes Commander
Camille Christel © Eleanor Hardwick
Debut, Music, Reviews, Track-by-TrackSeptember 9, 2020<September 9, 2020

Dreamlike, Blue, & Cinematic: Camille Christel Unveils Her Stirring “Audible Diary” Debut EP, ‘You’

by Mitch Mosk
Interviews, MusicSeptember 9, 2020<September 9, 2020

Interview: Beautiful Things and What They Mean to Porter Robinson

by Audrey Steeves
Gangstagrass performs live at the Hifi Indy presented by IndyMojo Presents, MOKB Presents, Sun King Brewery, Kolman Dental, P.C., and Do317 in Indianapolis, Indiana on Wednesday, May 15, 2019 © Melodie Yvonne
Interviews, MusicSeptember 9, 2020<September 9, 2020

Interview: Gangstagrass Continue Their Dynamic Activism in Music and Beyond

by Ryan Feyre
Interviews, MusicSeptember 9, 2020<September 9, 2020

Interview: Disco-Funk Duo Møme & Ricky Ducati Offer a Promising Look at Their Own Future with Upcoming ‘Flashback FM’

by Josh Weiner
Columns, Music, Today's SongSeptember 9, 2020<September 9, 2020

Today’s Song: tricot Are As Expressive and Dialed in As Ever on “サマーナイトタウン”

by Nick Matthopoulos
Nonsuch Park - Scott Helman
Music, Reviews, Track-by-TrackSeptember 8, 2020<September 8, 2020

Track-by-Track: Scott Helman’s Heart Soars in Sophomore Album ‘Nonsuch Park (sa)’

by Mitch Mosk
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Brand New

  • “It Can Only Be So Wrong for So Long”: Nora Kelly Band Channel Heartbreak into “Irish Goodbye,” a Swaggering Alt-Country Anthem of Hard-Won Freedom
  • “Didn’t Capture the Night”: sundayclub Blur the Line Between Living & Remembering on “Camera Shy,” a Dreamy Indie Pop Rush of Memory & Modern Self-Awareness
  • “Purpose. Momentum. Movement. Freedom”: LIFE Charge Forward on “The Dollywaggon,” a Feverish Post-Punk Leap into the Unknown
  • Stories to Tell Your Grandkids: moondoggy’s Third Album ‘Around the Fire’ is a Book of Learned Lessons Waiting to Be Told
  • The Sound of Stillness: Samara Joy in Palo Alto
  • Big Feelings, Small Rooms: Sophie May on Making Her Soul-Stirring Debut Album, ‘Stars and Teeth’
  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song

:: discover something new ::

Recent Posts

  • “It Can Only Be So Wrong for So Long”: Nora Kelly Band Channel Heartbreak into “Irish Goodbye,” a Swaggering Alt-Country Anthem of Hard-Won Freedom April 21, 2026
  • “Didn’t Capture the Night”: sundayclub Blur the Line Between Living & Remembering on “Camera Shy,” a Dreamy Indie Pop Rush of Memory & Modern Self-Awareness April 21, 2026
  • “Purpose. Momentum. Movement. Freedom”: LIFE Charge Forward on “The Dollywaggon,” a Feverish Post-Punk Leap into the Unknown April 20, 2026
  • Stories to Tell Your Grandkids: moondoggy’s Third Album ‘Around the Fire’ is a Book of Learned Lessons Waiting to Be Told April 20, 2026
  • The Sound of Stillness: Samara Joy in Palo Alto April 20, 2026
  • Big Feelings, Small Rooms: Sophie May on Making Her Soul-Stirring Debut Album, ‘Stars and Teeth’ April 20, 2026
  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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