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Breaking The Record 2020
Breaking the Record, Columns, MusicSeptember 10, 2020<September 9, 2020

Breaking the Record with Roan Yellowthorn, Part 31: Music, the Language of the Soul

by Guest Writer
Lorana © Arthur Coppens
Columns, Music, Today's SongSeptember 10, 2020<September 9, 2020

Today’s Song: Lorana Delves into the Complexities of Her Personality in “Moonwater”

by Alicia Bugallo
Half Truths - Grace Turner
Debut, Music, Reviews, Track-by-TrackSeptember 9, 2020<September 9, 2020

Track-by-Track: Grace Turner’s Debut EP ‘Half Truths’ Is Poetic & Bright

by Lowndes Commander
Camille Christel © Eleanor Hardwick
Debut, Music, Reviews, Track-by-TrackSeptember 9, 2020<September 9, 2020

Dreamlike, Blue, & Cinematic: Camille Christel Unveils Her Stirring “Audible Diary” Debut EP, ‘You’

by Mitch Mosk
Interviews, MusicSeptember 9, 2020<September 9, 2020

Interview: Beautiful Things and What They Mean to Porter Robinson

by Audrey Steeves
Gangstagrass performs live at the Hifi Indy presented by IndyMojo Presents, MOKB Presents, Sun King Brewery, Kolman Dental, P.C., and Do317 in Indianapolis, Indiana on Wednesday, May 15, 2019 © Melodie Yvonne
Interviews, MusicSeptember 9, 2020<September 9, 2020

Interview: Gangstagrass Continue Their Dynamic Activism in Music and Beyond

by Ryan Feyre
Interviews, MusicSeptember 9, 2020<September 9, 2020

Interview: Disco-Funk Duo Møme & Ricky Ducati Offer a Promising Look at Their Own Future with Upcoming ‘Flashback FM’

by Josh Weiner
Columns, Music, Today's SongSeptember 9, 2020<September 9, 2020

Today’s Song: tricot Are As Expressive and Dialed in As Ever on “サマーナイトタウン”

by Nick Matthopoulos
Nonsuch Park - Scott Helman
Music, Reviews, Track-by-TrackSeptember 8, 2020<September 8, 2020

Track-by-Track: Scott Helman’s Heart Soars in Sophomore Album ‘Nonsuch Park (sa)’

by Mitch Mosk
Interviews, MusicSeptember 8, 2020<September 8, 2020

Interview: TRISHES Talks New Video, UK Collaboration, and Profound Understanding of the World Around Her

by Chloe Robinson
in earnest © 2020
Music, PremieresSeptember 8, 2020<October 8, 2020

Premiere: UK Trio in earnest Enchant with Wistful Reflections on “29”

by Mitch Mosk
Alec Wigdahl © Carly Foulkes
Columns, Music, Today's SongSeptember 8, 2020<September 8, 2020

Today’s Song: Alec Wigdahl Enthralls With “Summer Is Over”

by Luke Pettican
Features, Music, Weekly RoundupSeptember 4, 2020<September 4, 2020

Atwood Magazine’s Weekly Roundup: September 4th, 2020

by Atwood Magazine Staff
Dream Wife © Sarah Piantadosi
Features, Interviews, MusicSeptember 4, 2020<September 4, 2020

A Little Dare: A Conversation with Dream Wife

by Nicole Almeida
Josiah Johnson © Sela Shiloni
Debut, Features, Interviews, MusicSeptember 4, 2020<September 4, 2020

“Resilience Instead of Perfection”: Josiah Johnson Dives into Debut Solo Album ‘Every Feeling on a Loop’

by Mitch Mosk
Posts pagination
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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