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Atwood's Weekly Roundup Aug 28 2020
Columns, Music, Weekly RoundupAugust 28, 2020<September 3, 2020

Atwood Magazine’s Weekly Roundup: August 28, 2020

by Atwood Magazine Staff
Sophie Sanders © 2020
Interviews, MusicAugust 28, 2020<August 28, 2020

“Dear Country Music”… A Conversation with Singer/Songwriter Sophie Sanders

by Guest Writer
The Happy Fits © 2020
Features, Interviews, Music, Reviews, Track-by-TrackAugust 28, 2020<August 28, 2020

Brash, Fast, & Made to Last: The Happy Fits’ Soaring Sophomore Album ‘What Could Be Better’

by Mitch Mosk
Half Stack © The Bait Shop
Columns, Music, Today's SongAugust 28, 2020<August 28, 2020

Today’s Song: Half Stack Evoke the Sea Breeze in Sunny Cruiser “Laguna Seca”

by Mitch Mosk
Tough Pill - Izzy Bizu Artwork
Music, PremieresAugust 28, 2020<August 28, 2020

Premiere: Izzy Bizu Spellbinds with Compelling Acoustic Version of “Tough Pill”

by Luke Pettican
Caroline Jones © Tyler Lord
Music, Music Videos, PremieresAugust 28, 2020<August 28, 2020

Premiere: Caroline Jones Is In Love & Out of Control on Seductive Song “Intimacy”

by Mitch Mosk
Old Sea Brigade & Luke Sital-Singh © Hannah Cousins
Music, Premieres, ReviewsAugust 28, 2020<August 28, 2020

Old Sea Brigade & Luke Sital-Singh Light a Peaceful, Easy Fire in ‘All the Ways You Sing in the Dark’ EP

by Mitch Mosk
Breaking The Record 2020
Breaking the Record, Columns, MusicAugust 27, 2020<August 27, 2020

Breaking the Record with Roan Yellowthorn, Part 29: Finding a Path

by Guest Writer
Aydin Sayer © Jeff Andersen Jnr
Music, PremieresAugust 27, 2020<August 27, 2020

Premiere: Melbourne’s Aydin Sayar Dwells in Heartache on “Missed Calls” ft. Montgomery

by Mitch Mosk
Kate Bollinger © Jonathan Roensch - @roensch_
Music, Reviews, Track-by-TrackAugust 27, 2020<August 27, 2020

Track-by-Track: Kate Bollinger’s Intimate Depths Come Alive in ‘A word becomes a sound’ EP

by Mitch Mosk
Features, Interviews, MusicAugust 27, 2020<August 27, 2020

“Strangely on the Nose”: The Accidental Prescience of Widowspeak’s ‘Plum’

by Tim Horwood
Peter Sandberg © Emma Viola Lilja
Music, Music Videos, PremieresAugust 27, 2020<August 27, 2020

Premiere: Peter Sandberg & Henry Green’s “Pinetrees” Is an Intimate, Cinematic Upheaval

by Mitch Mosk
AUATC - Bon Iver
Columns, Music, Today's SongAugust 27, 2020<April 8, 2021

Today’s Song: Bon Iver Evoke a New Season on “AUATC” (SEASON FIVE Episode 2.)

by Dalia
The Blam Blams © Anana Kaye
Debut, Features, Music, Premieres, ReviewsAugust 26, 2020<August 26, 2020

Album Premiere: The Blam Blams Embrace Theatricality, Excessive Rock, & Storytelling with Debut Record ‘Opening Night’

by Frankie Rose
Silver Lake EP - Jolé
Music, Reviews, Track-by-TrackAugust 26, 2020<August 26, 2020

Track-by-Track: Jolé Delves into Tender & (Bitter)Sweet Depths on ‘Silver Lake’ EP

by Mitch Mosk
Posts pagination
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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