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Mating Ritual © Kevin Doan
Features, Music, Reviews, Track-by-TrackAugust 24, 2020<August 24, 2020

Track-by-Track: Mating Ritual’s ‘The Bungalow’ Is a Seductive, Groovy Embrace of the Party

by Mitch Mosk
Chris Thile, Goat Rodeo © Josh Goleman 2020
Features, Interviews, MusicAugust 24, 2020<October 6, 2020

Not His First Goat Rodeo: Chris Thile on Supergroup’s Reunion & New Album

by Mariel Fechik
Kaio Mars © Alex Shahmiri
Debut, Interviews, Music, PremieresAugust 24, 2020<August 24, 2020

Interview: Irvine’s Kaio Mars Soars with Vulnerable, Kaleidoscopic Debut “All I Need”

by Mitch Mosk
The Hunting Birds © 2020
Columns, Music, Today's SongAugust 24, 2020<August 24, 2020

Today’s Song: Get in Sync with The Hunting Birds’ Irresistible Anthem “Catch Up”

by Mitch Mosk
Blush - Maya Hawke
Debut, Music, ReviewsAugust 24, 2020<August 24, 2020

Review: The Growing Pains of Maya Hawke’s Debut Album ‘Blush’

by Nicole Almeida
New Age Norms 2 - Cold War Kids
Features, Interviews, MusicAugust 21, 2020<August 21, 2020

Wild, Loose, & Deep: Nathan Willett on Why ‘New Age Norms 2′ Is Cold War Kids’ “Best Record” Ever

by Mitch Mosk
Emi Meyer © Ayaka Yamamoto
Music, PremieresAugust 21, 2020<August 21, 2020

Premiere: Emi Meyer Lets Go to the Groove with “When I Lose Control” ft. Keb’ Mo’

by Mitch Mosk
Atwood Magazine's Weekly Roundup August 21 2020
Columns, Features, Music, Weekly RoundupAugust 21, 2020<August 21, 2020

Atwood Magazine’s Weekly Roundup: August 21, 2020

by Atwood Magazine Staff
Anna Krantz © 2020
Music, PremieresAugust 21, 2020<August 21, 2020

Premiere: Anna Krantz’s “We Could Be High” Is a Beacon of Light

by Mitch Mosk
Features, Interviews, MusicAugust 21, 2020<August 21, 2020

Interview with Lewis Del Mar: Chaos, Community and Their New Album ‘AUGUST’

by Urooj Ali Rizvi
Prince Johnny Kristina Kashtanova @backtoenough (1)
Music, PremieresAugust 20, 2020<August 20, 2020

Premiere: A Forlorn, Nursery Rhyme of Self-Loathing with Prince Johnny’s “Sex Party”

by Jesse Herb
Imploding the Mirage - The Killers 9.1
Music, Our Take, ReviewsAugust 20, 2020<December 19, 2020

Our Take: The Killers Hold the Torch High in ‘Imploding the Mirage’

by Mitch Mosk
Stonefox © Jeff Anderson Jnr
Interviews, Music, Reviews, Track-by-TrackAugust 20, 2020<August 20, 2020

Track-by-Track: Melbourne’s Stonefox Open Up on Intimate New EP ‘As You Fall In’

by Mitch Mosk
St Valentine © Johannes Greve Muskat
Debut, Features, Interviews, MusicAugust 20, 2020<August 20, 2020

Escape & Indulgence: Ulrik Denizou Lund (Lemaitre) on His New Music As “St Valentine”

by Mitch Mosk
Brett Altman © Hayley Altman
Essays, MusicAugust 20, 2020<August 20, 2020

A Winding Road: Brett Altman on His Search for a Sound & New EP ‘Low Overhead’

by Guest Writer
Posts pagination
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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