Essays, Music, Women's History MonthMarch 17, 2026<March 18, 2026 “Music Is NOT a Waste of a Good Mind”: An Essay by Linda Marks for Women’s History Month by Guest Writer
Interviews, Music, Today's SongMarch 17, 2026<March 17, 2026 “Staring Straight Down the Lens”: Soda Blonde Turn Shame into Power on “Suit & Tie,” a Liberating Alt-Pop Reckoning with Identity and Self-Worth by Mitch Mosk
Columns, Features, Music, Weekly RoundupMarch 17, 2026<March 17, 2026 Atwood Magazine’s Weekly Roundup: March 17, 2026 by Atwood Magazine Staff
Features, Interviews, MusicMarch 16, 2026<March 16, 2026 Delaney Bailey Isn’t Scared of Growth: The Expansive Pressure of ‘Concave’ and Evolving As an Artist by Rachel Leong
Columns, Music, Today's SongMarch 16, 2026<March 16, 2026 “I’m a Bullet on an Arrow’s Path”: Grace Ives Flips the World the Middle Finger on “Stupid Bitches,” a Defiant Bedroom Pop Anthem by Kevin Cost
Interviews, Music, Today's SongMarch 15, 2026<March 15, 2026 “Hold My Arms, Pin Me Down”: MARIS Unleashes a Sweaty, Smoldering Pop Fever Dream on “Body Is on Fire” by Mitch Mosk
Interviews, Music, Today's SongMarch 14, 2026<March 14, 2026 “Silence Can Become Its Own Kind of Statement”: J.MYSTERY on Finding the Courage to Speak Through “Change” by Joe Beer
Features, Interviews, MusicMarch 13, 2026<March 14, 2026 “There’s No Gold at the Top”: The Format on Reuniting and Making ‘Boycott Heaven,’ a Raw Reckoning with Our Fractured World by Mitch Mosk
Features, Interviews, MusicMarch 13, 2026<March 13, 2026 “You Have to Trust There Will Be a Light”: Tessa Rose Jackson Finds Clarity in ‘The Lighthouse’ by Aileen Goos
Essays, Music, Women's History MonthMarch 13, 2026<March 14, 2026 “When the Song Becomes Bigger Than the Artist”: An Essay by Mia Martina for Women’s History Month by Guest Writer
Music, ReviewsMarch 13, 2026<March 13, 2026 ‘Kiss All The Time. Disco, Occasionally.’ Is Harry Styles’ Most Confident Album Yet by Danielle Holian
MusicMarch 13, 2026<March 13, 2026 “I’m a Canvas of the Place I’m In”: Hayden Everett Lets the Rain in on “Angela,” a Bittersweet Letter to Los Angeles by Mitch Mosk
Debut, Features, Interviews, MusicMarch 12, 2026<March 12, 2026 Living ‘The Dream’ with The Favors: Ashe on Forming a Band with FINNEAS and Rediscovering the Joy of Making Music by Mitch Mosk
Features, Music, Reviews, RoundtableMarch 12, 2026<March 12, 2026 Roundtable Discussion: A Review of The Last Dinner Party’s ‘From the Pyre’ by Atwood Magazine Staff
Debut, Features, Interviews, MusicMarch 12, 2026<March 12, 2026 Dreaming in Sound: Reifier on Identity, Dreams, and the Making of ‘The Unfolding’ by Nicolle Knapová
For the Love of Music
For the Love of Music
