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Starfox and the Fleet "Kamasutra Blues" © Conrad Clifton
Music, PremieresMay 19, 2026<May 19, 2026

“Your Chokehold’s Strict Like an Enemy”: Starfox and the Fleet Chase the “Kamasutra Blues” Through a Glamorous, Seductive Psych-Rock Carnival

by Charlie Recksieck
Band of Revelations' Johnny Lloyd © William Kennedy
Columns, Debut, Music, Today's SongMay 19, 2026<May 19, 2026

“I Wasn’t Listening to the Zeitgeist”: Johnny Lloyd Comes Home to Himself on Band of Revelations’ Spirited Debut Single “All the Way Home”

by Mitch Mosk
Chelsea Jordan © Hunter Lyon
Columns, Music, Today's SongMay 18, 2026<May 18, 2026

“I Gotta Lotta Love to Give”: Chelsea Jordan Makes Her Love Count on “picky choosy,” a Soulful Self-Worth Anthem Full of Fire & Freedom

by Mitch Mosk
Lewis Capaldi "Stay Love" © Charlie Sarsfield
Columns, Music, Today's SongMay 16, 2026<May 16, 2026

“Don’t Give Up on Us”: Lewis Capaldi Finds Stillness in the Storm on “Stay Love”

by Danielle Holian
Atwood Magazine's Weekly Roundup | May 15, 2026
Columns, Features, Music, Weekly RoundupMay 15, 2026<May 15, 2026

Atwood Magazine’s Weekly Roundup: May 15, 2026

by Atwood Magazine Staff
Debut, Interviews, Music, Today's SongMay 15, 2026<May 20, 2026

“I Can’t Help Myself, I’m All About You”: Lola Blue Surrenders to the Bright Rush of Young Love on “Heartbeat,” a Dreamy Indie Pop Seduction

by Mitch Mosk
Kacey Musgraves 'Middle of Nowhere' © Kelly Christine Sutton
Music, ReviewsMay 15, 2026<May 15, 2026

Kacey Musgraves Chases Away the Past & Lassos the Future on ‘Middle of Nowhere’

by Yashavi Upasani
Ray Bull © Kyle Berger
Music, ReviewsMay 15, 2026<May 14, 2026

‘Please Stop Laughing’: Ray Bull Find Freedom in the Unknown on a Playful, Spirited Indie Pop Album Full of Jokes, Bruises, & Feeling

by Mitch Mosk
Tom Smith © Edith Smith
Columns, Music, Today's SongMay 14, 2026<May 14, 2026

“You Can Hear Us If You Listen”: Tom Smith’s “Lights of New York City” Is an Ode to Memory, Youth, & Living Beyond Time

by David Buyze
She & Him's Zooey Deschanel and M. Ward
Columns, Music, Nostalgia TracksMay 14, 2026<May 14, 2026

Nostalgia Tracks: She & Him’s “I Thought I Saw Your Face Today” and the Ghosts of Post-Grad Life

by Isabella Appell
Jonathon Penn © Robbie Bruzus
Music, PremieresMay 14, 2026<May 14, 2026

“Why You Digging Your Own Grave?”: Jonathon Penn Unearths Grace, Guilt, & Reckoning on “Compensation (Or, The Snake Song),” a Tender, Rattled Folk Song

by Mitch Mosk
Ed Prosek "Tall Pines" © Charlotte de Bruyn
Debut, Interviews, Music, PremieresMay 14, 2026<May 16, 2026

“Plant Your Roots Upon My Tired Bones”: Driftwood Choir’s Ed Prosek Finds Forever Beneath the “Tall Pines” in a Breathtaking Indie Folk Reverie of Fatherhood, Legacy, & Light

by Mitch Mosk
Bella Cloud "Spin" © Dean Kalaitzidis
Music, PremieresMay 13, 2026<May 13, 2026

“A Eulogy and a Prayer”: Bella Cloud Lets Old Love Linger on “Spin,” a Breathtakingly Intimate Indie Folk Reverie

by Mitch Mosk
Snail Mail "Ricochet" © Daria Kobayashi Ritch
Features, Music, Reviews, RoundtableMay 13, 2026<May 13, 2026

Roundtable Discussion: A Review of Snail Mail’s ‘Ricochet’

by Atwood Magazine Staff
Debbii Dawson "Where Have All the Good Men Gone?" © Aaron Sinclair
Columns, Music, Today's SongMay 13, 2026<May 13, 2026

“Everybody’s Missing Their Medullas”: Debbii Dawson Dances Through Modern Dread on “Where Have All the Good Men Gone?,” a Disco-Pop SOS for the Hero in Us All

by Mitch Mosk
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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