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Mandy, Indiana © Charles Gall
Columns, Music, Today's SongDecember 1, 2025<December 1, 2025

“Tu peux courir”: Mandy, Indiana Run to Healing with the Electrifying “Magazine”

by Ashley Littlefield
Atwood Magazine's 138th Editor's Picks!
Columns, Editor's Picks, Features, MusicNovember 26, 2025<November 26, 2025

Editor’s Picks 138: néomí, Dove Ellis, St. Panther, JERUB, Chrissy, & JOSEPH!

by Mitch Mosk
Twenty One Pilots © Fabien Kruszelnicki
Columns, Music, Today's SongNovember 26, 2025<November 26, 2025

From ‘Vessel’ to ‘Breach’: The Ten-Year Journey That Led Twenty One Pilots to Their First #1 Alternative Album

by Danielle Holian
Just Penelope © 2025
Artist to Watch, Debut, Interviews, MusicNovember 25, 2025<November 25, 2025

“Sometimes Chaos Has a Certain Swagger”: Bloomington’s Just Penelope Debut with “June, July” and a Sweaty, Searing, Unapologetic Indie Rock Sound

by Mitch Mosk
Taylor Swift ‘The Life of a Showgirl’ © Mert Alas & Marcus Piggott
Editorials, MusicNovember 25, 2025<November 25, 2025

“The Sister I Never Had – Taylor Swift and Me”: An Essay by Danielle Holian

by Danielle Holian
They’re basking in the ‘Afterglow’: Midnight Til Morning © courtesy of the artist
Debut, Features, Interviews, MusicNovember 25, 2025<November 25, 2025

“We couldn’t imagine doing this alone”: Midnight Til Morning’s ‘Afterglow’ Is a Testament to Brotherhood, Trust, & the Bonds That Built the Band

by Miranda Urbanczyk
The Paper Kites © Tim Harris
Interviews, Music, Today's SongNovember 25, 2025<November 25, 2025

“I’m Gonna Try Some Good Living”: The Paper Kites Find Soft Hope and Homecoming on “When the Lavender Blooms,” a Warm Exhale of Light, Gratitude, & Grace

by Mitch Mosk
Henry Grace © Jess Bibby
Artist to Watch, Interviews, MusicNovember 24, 2025<November 24, 2025

Artist to Watch: Henry Grace Emerges with “Say Something Mean,” a Soul-Stirring Song of Humanity, Heat, & Hard-Won Clarity

by Mitch Mosk
mei ehara 'All About McGuffin' © Naoki Usuda
Features, Interviews, MusicNovember 24, 2025<November 24, 2025

“Being Able to Do What You Love Is Happiness”: Mei Ehara Takes a Creative Leap with ‘All About McGuffin’

by Aileen Goos
Truth, Justice and A Better Tomorrow: Tyler Hoechlin, Christopher Reeve, and newcomer David Corenswet as Superman © Aidan Moyer
Film, Music, ReviewsNovember 24, 2025<November 24, 2025

You Can Hear It, Too, If You’re Sincere: Soundtracking Superman

by Aidan Moyer
New Order’s Trifecta – ‘Power, Corruption & Lies,’ ‘Low-Life,’ & ‘Brotherhood’
Columns, Music, Music & CitiesNovember 24, 2025<November 24, 2025

Music & Cities: New Order’s Trifecta – ‘Power, Corruption & Lies,’ ‘Low-Life,’ & ‘Brotherhood’ in New York City

by David Buyze
Kevin Jonas "Changing" © 2025
Columns, Music, Today's SongNovember 24, 2025<November 24, 2025

Kevin Jonas’ “Changing” Is the Quiet Evolution Fans Always Knew He Had

by Danielle Holian
Perren © Hailey Jansson
Interviews, Music, Today's SongNovember 22, 2025<November 22, 2025

“It’s Music About Music”: Perren on “The Spot,” the Flow, & the Joy of Creating Without Expectation

by Mitch Mosk
BEL 'Holy Grail' album art © SJ Spreng
Debut, Features, Interviews, MusicNovember 21, 2025<November 21, 2025

“Just Keep Going”: BEL on Chasing, Making, & Releasing Her ‘Holy Grail,’ and the Quiet Determination at the Heart of Her Debut LP

by Mitch Mosk
Atwood Magazine's Weekly Roundup | November 21, 2025
Columns, Features, Music, Weekly RoundupNovember 21, 2025<November 26, 2025

Atwood Magazine’s Weekly Roundup: November 21, 2025

by Atwood Magazine Staff
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Brand New

  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch”
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens!
  • Atwood Magazine’s Top Artist Discoveries of 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song”
  • “I’m Just Too Soft”: Deadbeat Girl Reclaims Vulnerability as Power on a Volcanic Indie Rock Confession
  • “I’m Just Trying to Get My Head Right”: FIDLAR’s Max Kuehn Finds Forward Motion on “Slide” & Sophomore LP ‘All for Nothing’
  • Tales from the Garden: Seven Lions Is Making and Breaking the Formula

:: discover something new ::

Recent Posts

  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens! December 15, 2025
  • Atwood Magazine’s Top Artist Discoveries of 2025 December 15, 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song” December 15, 2025
  • “I’m Just Too Soft”: Deadbeat Girl Reclaims Vulnerability as Power on a Volcanic Indie Rock Confession December 14, 2025
  • “I’m Just Trying to Get My Head Right”: FIDLAR’s Max Kuehn Finds Forward Motion on “Slide” & Sophomore LP ‘All for Nothing’ December 13, 2025
  • Tales from the Garden: Seven Lions Is Making and Breaking the Formula December 12, 2025
  • Atwood Magazine’s Best Concerts of 2025! December 12, 2025
  • Interview: Clover County on the ‘Finer Things,’ Romanticising Life, and Rediscovering Her Whimsy December 12, 2025
  • “Rev It, Brake It, Love Ya, Mean It”: Savannah Conley Cuts Loose on “Love You Mean It,” a Fun, Feverish Indie Rock Rebirth December 12, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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