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Anthony Mills © Ted Lindén
Interviews, MusicMay 19, 2020<May 19, 2020

Interview with Anthony Mills: An Ohio Native with Southern Heritage Riding High on a Swedish Indie Label

by Josh Weiner
Arther Blue © Paige Sara Wilson
Debut, Music, PremieresMay 19, 2020<May 19, 2020

Premiere: Arther Blue Evokes Rainy-Day Romance Vibes in “Wet Shoe”

by Mitch Mosk
altopalo © 2020 9.4
Features, Interviews, Music, Our Take, ReviewsMay 19, 2020<December 15, 2020

Feature: altopalo’s Cinematic, Tender, & Stunning Sophomore Album ‘farawayfromeveryoneyouknow’

by Mitch Mosk
Maude Latour © 2020
Columns, Music, Today's SongMay 19, 2020<May 18, 2020

Today’s Song: Maude Latour’s New Single “Furniture” Symbolizes a New Beginning

by Lexi Lane
My Ugly Clementine © Hana Fasching 8.9
Debut, Music, Our Take, ReviewsMay 19, 2020<December 15, 2020

Our Take: My Ugly Clementine’s Debut Album ‘Vitamin C’ Is Empowering, Fresh-Squeezed Indie Rock

by Mitch Mosk
James Gillespie © 2020
Music, Music Videos, PremieresMay 19, 2020<May 18, 2020

Premiere: James Gillespie’s “Rescue Me” Music Video Is As Atmospheric As It Is Mysterious

by Bethan Harper
tri patterns 2020
Music, ReviewsMay 18, 2020<May 19, 2020

Review: tri patterns’ Double Single “Kids” / “Grow” Is a Buoyant Indie Pop Light in the Dark

by Mitch Mosk
I'm Still Here - J.R. Wyatt 9.3
Music, Our Take, ReviewsMay 18, 2020<December 15, 2020

Our Take: J.R. Wyatt’s ‘I’m Still Here’ Sits on the Divide of Past & Present with Unmatched Lyricism

by Lowndes Commander
Moses Sumney grae
Music, ReviewsMay 18, 2020<May 18, 2020

Album Review: Moses Sumney’s Beautiful, Multitudinous ‘græ’

by Mariel Fechik
Boyish © Nicole Teckchandani
Music, Music Videos, PremieresMay 18, 2020<May 18, 2020

Premiere: Boyish’s “FUCK YOU HEATHER” Is a Stunning, Raw, & Impassioned Upheaval

by Mitch Mosk
Interviews, MusicMay 18, 2020<May 18, 2020

Dream Hunting in the Valley of the In-Between: An Interview with Man Man

by Josh Weiner
DoomFolk StarterKit © Savannah Kee
Music, PremieresMay 18, 2020<May 18, 2020

EP Premiere: DoomFolk StarterKit’s ‘SleepyGhost’ Is a Beautiful Result of Creating Within Time Constraints

by Lowndes Commander
Next Best Thing - FLOOR CRY, Vansire
Columns, Music, Today's SongMay 18, 2020<May 18, 2020

Today’s Song: FLOOR CRY and Vansire’s “Next Best Thing” Is Here

by Madison Vettorino
Nevermind - NAWAS
Columns, Music, Today's SongMay 17, 2020<May 17, 2020

Today’s Song: “Nevermind” Proves an Emotionally Raw, Vocally Alluring Number for NAWAS

by Josh Weiner
Features, Music, Weekly RoundupMay 15, 2020<May 15, 2020

Atwood Magazine’s Weekly Roundup: May 15, 2020

by Atwood Magazine Staff
Posts pagination
1 … 429 430 431 432 433 … 737

Brand New

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!

:: discover something new ::

Recent Posts

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral June 6, 2026
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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