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dawn ep - mxmtoon 2020
Features, Interviews, MusicApril 24, 2020<April 24, 2020

Breaking ‘dawn’ with mxmtoon: Learning to Be Alone, Taking Chances, & Writing Optimistic Music

by Bethan Harper
Quotidian - Marlin's Dreaming 7
Music, Our Take, ReviewsApril 24, 2020<December 15, 2020

Our Take: Marlin’s Dreaming’s ‘Quotidian’ Is a Hazy & Shimmery Full-Length Offering

by Nick Matthopoulos
still from The 1975's "If You're Too Shy (Let Me Know)" live video
Music, Reviews, This Just InApril 24, 2020<April 24, 2020

Review: The 1975’s “If You’re Too Shy (Let Me Know)” Is the Energy Shot We Need Right Now

by Mitch Mosk
Debut, Features, Interviews, MusicApril 24, 2020<May 15, 2020

A Universe to Swim In: An Interview with Nick Leng

by Adrian Vargas
Dadi Freyr © Baldur Kristjáns
Columns, Music, Today's SongApril 24, 2020<April 24, 2020

Today’s Song: In “Think About Things,” Daði Freyr Illustrates an Irreplaceable Bond

by Maggie McHale
Stables © 2020
Music, PremieresApril 23, 2020<April 23, 2020

Premiere: Stables’ Buoyant Return “Marathon” Is a Sweet Breath of Fresh Air

by Mitch Mosk
GAYLE © Jimmy Fisco
Music, PremieresApril 23, 2020<April 23, 2020

Premiere: GAYLE’s “happy for you” Wistfully Confronts the Conflicting Ache of Moving On

by Baylee Less
Caroline Lazar © 2020
Music, PremieresApril 23, 2020<April 23, 2020

Premiere: Singer/Songwriter Caroline Lazar’s “Take It” Is a Gorgeous Surrender

by Mitch Mosk
The Homeless Gospel Choir © Martyna Wisniewska
Features, Interviews, MusicApril 23, 2020<April 23, 2020

Protest Songs As a Relief: An Interview with The Homeless Gospel Choir

by James Crowley
Nathan Vincent
Music, PremieresApril 23, 2020<April 22, 2020

EP Premiere: Indie Folk Singer/Songwriter Nathan Vincent Captures the Journey Between ‘Cedar & Pine’

by Mitch Mosk
John-Robert © Spencer Ford
Debut, Interviews, MusicApril 23, 2020<April 23, 2020

Interview: Meet John-Robert, a Singer/Songwriter Full of Heart, Soul, and Acoustic Sincerity

by Josh Weiner
SAWAYAMA - Rina Sawayama 9
Debut, Music, Our Take, ReviewsApril 23, 2020<December 15, 2020

Our Take: Rina Sawayama’s Debut LP ‘SAWAYAMA’ Is the Epitome of Brilliant & Badass Hyperpop

by Lexi Lane
Chris Milam © Lisa Hubbard
Columns, Music, Today's SongApril 23, 2020<April 22, 2020

Today’s Song: Wistful, Symphonic, and Verdant, Chris Milam Radiates in “Phoenix”

by Baylee Less
lotusbliss
Music, Music Videos, PremieresApril 23, 2020<April 23, 2020

Premiere: Kent’s lotusbliss Delve into Visceral Dark Depths in “Carpet” Video

by Mitch Mosk
Features, Interviews, MusicApril 22, 2020<September 29, 2020

Reintroducing Maya Hawke: A Conversation about ‘Blush’, Poetry, and Identity

by Nicole Almeida
Posts pagination
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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