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Chelsea Cutler live in New York City © Lexi Lane
Concerts, MusicMarch 3, 2020<March 2, 2020

Live Review: Chelsea Cutler Creates Magic Through Music at NYC’s Terminal 5

by Lexi Lane
Love Thy Neighbour - Approachable Members Of Your Local Community
Music, ReviewsMarch 2, 2020<March 2, 2020

Approachable Members of Your Local Community Celebrate, Connect, & Grow with ‘Love Thy Neighbor’ EP

by Mitch Mosk
of Montreal's Kevin Barnes © Christina Schneider
Features, Interviews, MusicMarch 2, 2020<March 2, 2020

Interview: of Montreal’s Kevin Barnes on Vulnerability, Danceability, and New Album ‘UR FUN’

by Mariel Fechik
Soccer Mommy - Color Theory 8.6
Music, Our Take, ReviewsMarch 2, 2020<December 15, 2020

Our Take: Soccer Mommy’s ‘Color Theory’ Explores Darkness in Three Colors

by Lowndes Commander
Dancing on Tables 2020
Music, Music Videos, PremieresMarch 2, 2020<March 2, 2020

Premiere: Redefining Yourself with Dancing on Tables’ “Not to Need You”

by Nina Schaarschmidt
Melody Federer - Matthew Berinato
Music, PremieresMarch 2, 2020<March 2, 2020

Premiere: Melody Federer Unravels Trapped Feelings in New Single “This Town”

by Erica Danielle Garcia
Columns, Music, Today's SongMarch 2, 2020<March 2, 2020

Today’s Song: Aussies Willaris. K & Gordi Unite for a Startling Sonic Exploration of the “Indifferent” Mindset

by Josh Weiner
Features, Music, Weekly RoundupFebruary 28, 2020<February 28, 2020

Atwood Magazine’s Weekly Roundup: February 28, 2020

by Atwood Magazine Staff
Overcoats © Shervin Lainez
Features, Interviews, MusicFebruary 28, 2020<March 6, 2020

Interview: Brooklyn Duo Overcoats Ignite with an Urgent and Irresistible “Fire & Fury”

by Mitch Mosk
Cameo - Swan Levitt
Music, Reviews, This Just InFebruary 28, 2020<February 28, 2020

Singer/Songwriter Swan Levitt Returns with Stunningly Visceral Song “Cameo”

by Mitch Mosk
Tunes and Tumblers © Chandler Juliet Pedro Isaac Chairez
Music, Podcast, Tunes & TumblersFebruary 28, 2020<April 30, 2023

Podcast: Tunes & Tumblers Learn Their “Love Language” with Chandler Juliet

by Anthony Kozlowski
otta 8.1
Debut, Music, Our Take, ReviewsFebruary 28, 2020<December 15, 2020

Our Take: otta’s ‘after it all blew over’ Is a Smart & Captivating Debut EP

by Tim Horwood
Music, ReviewsFebruary 28, 2020<February 28, 2020

Review: Big Thief’s ‘Two Hands’ is a Raw, Authentic, and Earthy Experience

by Nina Schaarschmidt
RLUMR
Debut, Features, Interviews, MusicFebruary 28, 2020<February 28, 2020

A Conduit for Codifying Honesty: A Conversation with R.LUM.R

by Maggie McHale
Emotional Oranges
Columns, Music, Today's SongFebruary 28, 2020<February 28, 2020

Today’s Song: Emotional Oranges Quench Your Morning Thirst with “Sundays”

by Kelsey Fitzgerald
Posts pagination
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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    • Music You Should Know
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