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Interviews, MusicApril 21, 2020<April 21, 2020

Interview: Climate Change Advocate Emily Magpie Talks World Crisis & New Album ‘Let’s Talk About the Weather’ Muses

by Chloe Robinson
Atwood Magazine Editor's Picks 33
Columns, Editor's Picks, Features, MusicApril 21, 2020<May 15, 2020

Editor’s Picks: April 21, 2020

by Mitch Mosk
Parsonsfield © Jim Dan Dee
Features, Music, Reviews, Track-by-TrackApril 21, 2020<April 20, 2020

Feature: Inside Parsonsfield’s Illuminating Fifth Album ‘Happy Hour on the Floor’

by Kelly McCafferty Dorogy
Nia Whyn © Ant Adams
Columns, Music, Today's SongApril 21, 2020<April 21, 2020

Today’s Song: Nia Wyn Parries Negativity on the Soulfully Empowering “Who Asked You”

by Robin Fulton
BTS © 2020
Concerts, Music, ReviewsApril 21, 2020<April 20, 2020

Livestream Review: The Magnificent Draw of BTS’ BANG BANG CON

by Lexi Lane
Smallpools x morgxn © Chloe Delainey
Interviews, Music, Reviews, This Just InApril 20, 2020<April 20, 2020

Interview: Relax, Take a Deep Breath, and “Slowdown” with Smallpools & Morgxn

by Mitch Mosk
Lauren Ruth Ward © Nicol Biesek
Features, Interviews, MusicApril 20, 2020<April 20, 2020

Interview: Lauren Ruth Ward Introduces Modern Rock N’ Roll with ‘Vol. II’

by Nina Schaarschmidt
Great News © Jonathan Vivaas Kise
Features, Music, Reviews, Track-by-TrackApril 20, 2020<April 20, 2020

Track-by-Track: Great News Returns with Buoyant & Balanced Sophomore Album ‘Now and Them’

by Mitch Mosk
Junie © 2020
Columns, Music, Today's SongApril 20, 2020<March 13, 2021

Today’s Song: Junie Presents the Pursuit of Survival from Doomsday’s Epicenter on “White Picket Fence”

by Dalia
Scarypoolparty © K Shaffer
Features, Interviews, MusicApril 20, 2020<April 20, 2020

Interview: Scarypoolparty Is Musically Fearless and on Fire

by Coco Rich
The Sheratons © Tom Berridge
Columns, Music, Today's SongApril 18, 2020<April 18, 2020

Today’s Song: The Sheratons Roast Rave Culture on Brit-Pop Rocker “Raving and Drooling”

by Oliver Crook
Atwood Magazine's Weekly Roundup 2020-04-17
Columns, Features, Music, Weekly RoundupApril 17, 2020<March 2, 2025

Atwood Magazine’s Weekly Roundup: April 17, 2020

by Atwood Magazine Staff
Shade is on the other side - GIRL SKIN
Debut, Music, Reviews, Track-by-TrackApril 17, 2020<April 17, 2020

Track-by-Track: Inside GIRL SKIN’s Timeless & Beautiful Debut Album ‘Shade is on the other side’

by Mitch Mosk
Music, ReviewsApril 17, 2020<April 17, 2020

EP Review: Kalbells’ Brand of Experimental Pop Astonishes on ‘Mothertime’ EP

by Adrian Vargas
Charlotte - Sody
Debut, Features, Interviews, MusicApril 17, 2020<April 17, 2020

Interview with Sody: Sensational Songwriting with a Personal Edge

by Luke Pettican
Posts pagination
1 … 431 432 433 434 435 … 730

Brand New

  • “It Can Only Be So Wrong for So Long”: Nora Kelly Band Channel Heartbreak into “Irish Goodbye,” a Swaggering Alt-Country Anthem of Hard-Won Freedom
  • “Didn’t Capture the Night”: sundayclub Blur the Line Between Living & Remembering on “Camera Shy,” a Dreamy Indie Pop Rush of Memory & Modern Self-Awareness
  • “Purpose. Momentum. Movement. Freedom”: LIFE Charge Forward on “The Dollywaggon,” a Feverish Post-Punk Leap into the Unknown
  • Stories to Tell Your Grandkids: moondoggy’s Third Album ‘Around the Fire’ is a Book of Learned Lessons Waiting to Be Told
  • The Sound of Stillness: Samara Joy in Palo Alto
  • Big Feelings, Small Rooms: Sophie May on Making Her Soul-Stirring Debut Album, ‘Stars and Teeth’
  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song

:: discover something new ::

Recent Posts

  • “It Can Only Be So Wrong for So Long”: Nora Kelly Band Channel Heartbreak into “Irish Goodbye,” a Swaggering Alt-Country Anthem of Hard-Won Freedom April 21, 2026
  • “Didn’t Capture the Night”: sundayclub Blur the Line Between Living & Remembering on “Camera Shy,” a Dreamy Indie Pop Rush of Memory & Modern Self-Awareness April 21, 2026
  • “Purpose. Momentum. Movement. Freedom”: LIFE Charge Forward on “The Dollywaggon,” a Feverish Post-Punk Leap into the Unknown April 20, 2026
  • Stories to Tell Your Grandkids: moondoggy’s Third Album ‘Around the Fire’ is a Book of Learned Lessons Waiting to Be Told April 20, 2026
  • The Sound of Stillness: Samara Joy in Palo Alto April 20, 2026
  • Big Feelings, Small Rooms: Sophie May on Making Her Soul-Stirring Debut Album, ‘Stars and Teeth’ April 20, 2026
  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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