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Columns, Music, Today's SongApril 8, 2020<April 8, 2020

Today’s Song: Ireland’s Slyrydes Take You on Whirlwind Tour of Their Mind on “I Claim to Be Intelligent”

by Oliver Crook
The Hour © 2020
Music, ReviewsApril 7, 2020<April 7, 2020

EP Review: UK Collective The Hour Spin a Dark, Cinematic Tapestry in ‘Father’ EP

by Mitch Mosk
Michael Baker 8.9
Interviews, Music, Our Take, Reviews, Track-by-TrackApril 7, 2020<December 15, 2020

Track-by-Track: Inside Michael Baker’s Achingly Beautiful Sophomore Album ‘Salt’

by Mitch Mosk
Selling Things - Brian Dunne
Features, Music, PremieresApril 7, 2020<May 15, 2020

Album Premiere: Brian Dunne’s Hopeful & Hopeless ‘Selling Things’ Is a New Timeless Classic

by Mitch Mosk
What The Heart Wants - album art
Music, PremieresApril 7, 2020<April 6, 2020

Premiere: Sophia St. Helen Wants You to Shoot Your Shot in New Single “What the Heart Wants”

by Danny Vagnoni
Vôx Vé © 2020
Interviews, MusicApril 7, 2020<April 6, 2020

Interview: Otherworldly Pop Artist Vôx Vé on Managing Mental Health & Her Debut EP ‘Dream Theory 1’

by Chloe Robinson
Mariposa - Felly
Features, Interviews, MusicApril 7, 2020<April 6, 2020

Interview: Felly Focuses on New Album ‘Mariposa’ and Bigger Picture

by Lexi Lane
Tomo © Laure Noverraz
Columns, Debut, Music, Today's SongApril 7, 2020<April 7, 2020

Today’s Song: Bristol Singer/Songwriter Tomo Rises with Poetic Accountability in Debut “Enough to Drink”

by Kelly McCafferty Dorogy
Sunday - Marsicans
Music, Music Videos, PremieresApril 7, 2020<April 6, 2020

Premiere: Marsicans’ Relaxed “Sunday” Highlights the Togetherness That Only Music Can Bring

by Bethan Harper
Echosmith © Ariana Velazquez
Features, Interviews, MusicApril 6, 2020<April 7, 2020

Interview: Echosmith Lead the ‘Lonely Generation’ Through Dark Times

by Anthony Kozlowski
Suzy & The Lifeguard © Casey Curry
Music, PremieresApril 6, 2020<April 6, 2020

Premiere: Suzy & The Lifeguard’s “Loolluby” Is an Entrancing, Emotional Escape

by Mitch Mosk
A is for Arrows © Maria Jose Govea
Music, PremieresApril 6, 2020<April 6, 2020

Premiere: Toronto’s A Is for Arrows Glisten & Glow in Self-Assured Song “Go Slow”

by Mitch Mosk
Features, Interviews, MusicApril 6, 2020<April 6, 2020

Interview with Camden Welles: Feeling Understood in the Modern Age

by Maggie McHale
Nap Eyes music © 2020
Features, Interviews, MusicApril 6, 2020<April 6, 2020

Feature: Nap Eyes Want ‘Snapshot of a Beginner’ to Become the Keys to Your Brain

by Oliver Crook
Run the Jewels © 2020
Columns, Music, Today's SongApril 6, 2020<June 18, 2020

Run the Jewels Return with Two Backbreaking New Tracks, “Yankee and The Brave (ep. 4)” & “Ooh LA LA”

by Danny Vagnoni
Posts pagination
1 … 435 436 437 438 439 … 729

Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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