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Noah Kahan © Ben Rosser
Interviews, MusicMay 1, 2020<August 23, 2020

Escape & Inspiration: Noah Kahan’s ‘Cape Elizabeth’ EP Is Pure Acoustic Gold

by Mitch Mosk
Postcard Boy © Charlie Alexander
Interviews, MusicApril 30, 2020<April 30, 2020

Interview: Tap into Creativity and Take “Flight” with Postcard Boy

by Kelsey Fitzgerald
Ley Line © 2020
Interviews, Music, ReviewsApril 30, 2020<April 30, 2020

Interview: Austin’s Ley Line Remind Us to “Slow Down” with a Dreamy, Uplifting Folk Song

by Mitch Mosk
Brother Leo
Features, Interviews, MusicApril 30, 2020<April 30, 2020

Interview: Brother Leo Stuns with a Heavenly “Hallelujah”

by Luke Pettican
Colin Caulfield © Nina Ljeti
Music, Music Videos, PremieresApril 30, 2020<April 29, 2020

Premiere: DIIV’s Colin Caulfield Releases His Ethereal, Heartfelt Song “Second to None”

by Mitch Mosk
Columns, Debut, Music, Today's SongApril 30, 2020<April 30, 2020

Today’s Song: STONE Write an Anthem for All Those Nights You Don’t Remember on “Leave It Out”

by Oliver Crook
Music, Premieres, ReviewsApril 30, 2020<May 1, 2020

Premiere: “Devoted” Marks a Much Welcomed Return for Atta Boy

by Adrian Vargas
WILD © Teren Mabry
Music, PremieresApril 30, 2020<April 30, 2020

Premiere: WILD’s “Surround You” Forges Hope in Helplessness

by Audrey Steeves
Breaking The Record 2020
Breaking the Record, Columns, MusicApril 30, 2020<April 29, 2020

Breaking the Record with Roan Yellowthorn, Part 13: Livestreaming

by Guest Writer
Are We Having Any Fun Yet? - Larkins
Music, ReviewsApril 30, 2020<May 3, 2020

Larkins Break Down Brave Faces & Get Real About Modern Life on “Are We Having Any Fun Yet?”

by Bethan Harper
Orpine
Music, Music Videos, PremieresApril 30, 2020<April 30, 2020

Premiere: UK Duo Orpine’s “Two Rivers” Is a Tender Indie Folk Enchantment

by Mitch Mosk
Atwood Magazine's Editor's Picks 34
Columns, Editor's Picks, Features, MusicApril 29, 2020<May 15, 2020

Editor’s Picks: April 29, 2020

by Mitch Mosk
Showing Up - City Dress
Debut, Music, Music Videos, PremieresApril 29, 2020<April 29, 2020

Premiere: Brooklyn’s City Dress Debuts with a Hug in Heartfelt & Dazzling Song “Showing Up”

by Mitch Mosk
Waiting for Smith © Naomie Laan
Interviews, MusicApril 29, 2020<April 29, 2020

Interview: Waiting for Smith Bears a Reassuring Message in “Long Life”

by Joe Beer
Surya Sen
Debut, Music, ReviewsApril 29, 2020<April 29, 2020

Review: North London’s Surya Sen Releases Unique Debut Single “C U Later”

by Guest Writer
Posts pagination
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Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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    • Weekly Roundup
    • Music You Should Know
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