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Debut, Features, Interviews, MusicMarch 13, 2020<March 13, 2020

Ever-Evolving, Figuring Things Out, and Reaching ‘Something Better’: A Conversation with Loose Buttons

by Maggie McHale
Magdalena Bay © Kate Biel lr
Features, Interviews, MusicMarch 13, 2020<March 13, 2020

Escapist Music from an Evocative Vibe: Magdalena Bay Discuss EP ‘A Little Rhythm and a Wicked Feeling’

by Jesse Herb
Jenny Dee © 2020
Debut, Music, Reviews, Track-by-TrackMarch 13, 2020<March 12, 2020

Review: Jenny Dee Dazzles with Debut Album ‘Dancing from a Distance’

by Kelly McCafferty Dorogy
Curren$y & Fendi P
Columns, Music, Today's SongMarch 13, 2020<March 12, 2020

Today’s Song: Curren$y & Fendi P Epitomize Loyalty and Swagger on “Strategize”

by Ryan Feyre
Music, ReviewsMarch 12, 2020<April 16, 2020

Review: Aoife O’Donovan’s Stunning, Poetic EP, ‘Bull Frogs Croon (And Other Songs)’

by Mariel Fechik
Gatlin © Hannah Hall
Music, PremieresMarch 12, 2020<March 12, 2020

Premiere: The Subtle Brilliance of Gatlin’s “I Think About You All The Time”

by Baylee Less
Beauty Queen © Taylor Thompson
Columns, Music, Today's SongMarch 12, 2020<March 12, 2020

Today’s Song: Beauty Queen’s Dreamy “Sweet Memory” Evokes Seductive Wonder

by Mitch Mosk
Breaking The Record 2020
Breaking the Record, Columns, MusicMarch 12, 2020<March 12, 2020

Breaking the Record with Roan Yellowthorn, Part 6: Premastering

by Guest Writer
Superstar by Caroline Rose 9
Music, Our Take, ReviewsMarch 11, 2020<December 15, 2020

Rooted in Cinema & Satire, Caroline Rose’s ‘Superstar’ is a Brilliant Ode to Unbridled Ambition

by Tim Horwood
Lucid State © Jona Boender
Interviews, MusicMarch 11, 2020<March 11, 2020

Charting Their Musical Voyage: A Conversation with Lucid State

by Adrian Vargas
Imbalances - Micah McCaw
Music, Premieres, ReviewsMarch 11, 2020<March 11, 2020

Premiere: Micah McCaw Injects Urgent Energies into Dynamic Sophomore Album ‘Imbalances’

by Mitch Mosk
Aiko "Down"
Music, Music Videos, PremieresMarch 11, 2020<March 11, 2020

Premiere: Sleepless Nights and Feeling “Down” with Aiko

by Nina Schaarschmidt
Columns, Music, Today's SongMarch 11, 2020<March 11, 2020

Today’s Song: Charleston’s Veja Du Compose a Vivid Dreamworld in “TV Land”

by Lowndes Commander
Konradsen © Sara Angelica Spilling
Features, Interviews, MusicMarch 11, 2020<March 11, 2020

Ethereality & Community: Diving into Konradsen’s Breathtaking Debut Album ‘Saints and Sebastian Stories’

by Mitch Mosk
Hotel Mira Promo Shot 2019_2
Music, Music Videos, PremieresMarch 10, 2020<March 10, 2020

Premiere: Hotel Mira’s Visceral Unveiling “Speaking Off the Record” & the Spirit of New Album ‘Perfectionism’

by Mitch Mosk
Posts pagination
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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