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Dermot Kennedy
Debut, Features, Interviews, MusicOctober 18, 2019<October 18, 2019

To Make Us Feel: An Interview with Dermot Kennedy

by Kelly McCafferty Dorogy
Lewis Capaldi 2019 © Nicole Almeida
Concerts, Music, ReviewsOctober 17, 2019<October 17, 2019

Live Review: Philadelphia’s TLA Fully Endorses Lewis Capaldi as America’s Next Sweetheart

by Nicole Almeida
Ian Randall Thornton © Lauren Stonestreet
Music, PremieresOctober 17, 2019<October 17, 2019

Premiere: Ian Randall Thornton Returns with a Spiritual Embrace in “North & South”

by Mitch Mosk
Oh Mother - Sive
Music, PremieresOctober 17, 2019<October 17, 2019

Premiere: Sive’s Ethereal, Earthly Lament “Oh Mother” Aches with a Heavy Heart

by Mitch Mosk
Gabriela Eva © Rob Watts
Music, Music Videos, PremieresOctober 17, 2019<October 17, 2019

Premiere: Basking in Gabriela Eva’s Jazzy, Soulful “HEY!”

by Mitch Mosk
Benjamin Roustaing
Music, PremieresOctober 17, 2019<October 17, 2019

Premiere: Stockholm’s Benjamin Roustaing Debuts Breathtakingly Delicate “When You Love Someone Else”

by Mitch Mosk
Leslie Odom Jr. © Jimmy Fontaine
Music, PremieresOctober 17, 2019<December 5, 2019

Premiere: Leslie Odom Jr. Indulges in Love’s Thrill on Frisky New Single “Go Crazy”

by Mitch Mosk
Music, Music Videos, PremieresOctober 17, 2019<October 29, 2019

Video Premiere: ISEEBLUE Creates Celestial Splendor on “WINDOW”

by Adrian Vargas
Halifax Pop Explosion 2019
Festival, MusicOctober 17, 2019<October 16, 2019

Festival Preview: Halifax Pop Explosion 2019 Is a Gem-Studded Lineup Waiting to Be Explored

by Oliver Crook
Yellowlees
Music, PremieresOctober 17, 2019<October 17, 2019

Premiere: English Singer/Songwriter Yellowlees Stuns with “Heading West”

by Luke Pettican
MUNA © Isaac Schneider
Columns, Music, Today's SongOctober 17, 2019<October 16, 2019

Today’s Song: MUNA Captures Beauty in Loss on “Pink Light”

by Alex Killian
Minor Pieces
Features, Music, ReviewsOctober 16, 2019<October 16, 2019

Review: Minor Pieces Weave Intimate Avant-Folk Beauty into Stirring Debut Album ‘The Heavy Steps of Dreaming’

by Mitch Mosk
It's Your Bed Babe, It's Your Funeral - Maisie Peters
Features, Interviews, MusicOctober 16, 2019<October 16, 2019

Songs, Stories and Middle Eights: An Interview with Maisie Peters

by Kelly McCafferty Dorogy
Ghost - Bodies on the Beach
Music, PremieresOctober 16, 2019<October 16, 2019

Premiere: Burning the Midnight Candle with Bodies on the Beach’s “Ghost”

by Mitch Mosk
Columns, Music, Today's SongOctober 16, 2019<October 16, 2019

Today’s Song: Dove Cameron Unveils Her Most Truthful Self in Latest Single “Bloodshot”

by Erica Danielle Garcia
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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