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Fort Frances © Ehud Lazin
Music, PremieresSeptember 4, 2019<September 4, 2019

Premiere: Fort Frances Revisit Adolescence with Anthemic Single “Fantasy of Youth”

by Nick Baron
Tow'rs © 2019
Music, Music Videos, PremieresSeptember 4, 2019<September 4, 2019

Premiere: Tow’rs Channel Unconditional Parental Love in “Pink Confetti”

by Mitch Mosk
Marika Hackman © Joost Vandebrug
Features, Interviews, MusicSeptember 4, 2019<September 4, 2019

Finding the Point in Human Contact: A Conversation with Marika Hackman

by Nicole Almeida
Columns, Music, Reviews, Today's SongSeptember 4, 2019<September 4, 2019

Today’s Song: City and Colour Confronts Shortcomings and Connects Fans With “Living in Lightning”

by Madison Vettorino
Bea Miller © Charlotte Rutherford
Columns, Music, Reviews, Today's SongSeptember 3, 2019<September 3, 2019

Today’s Song: Bea Miller Opens Up About Her Demons In “feel something”

by Alicia Bugallo
Tunes and Tumbler Dudes Sade © Pedro Isaac Chairez
Music, Podcast, Tunes & TumblersSeptember 3, 2019<April 30, 2023

Podcast: Tunes & Tumblers Get Steamy with Sade’s Classic ‘Lovers Rock’

by Anthony Kozlowski
Lady Lazarus © Nick Chao
Music, PremieresSeptember 3, 2019<September 3, 2019

Premiere: Lady Lazarus’ “I Recall July” Makes Us Ponder the One Who Got Away

by Oliver Crook
BERG © NKT Studios
Debut, Music, PremieresSeptember 3, 2019<September 3, 2019

Premiere: BERG Ponders Lost Potential Love with “What If”

by Madison Vettorino
Frankie Cosmos
Features, Interviews, MusicSeptember 3, 2019<September 3, 2019

Why ‘Close It Quietly’ Is an Album like No Other: A Conversation with Frankie Cosmos

by Adrian Vargas
Features, Music, Weekly RoundupAugust 30, 2019<August 30, 2019

Atwood Magazine’s Weekly Roundup: August 30, 2019

by Atwood Magazine Staff
Cortney Dixon © Michael Sreenan
Debut, Music, Music Videos, PremieresAugust 30, 2019<August 30, 2019

Premiere: Cortney Dixon Dramatises Post-Relationship Alone Time with “Summer’s Eyes”

by Frankie Rose
Taylor Swift © Valheria Rocha
Essays, MusicAugust 30, 2019<August 30, 2019

Editorial: Welcome to the New Era of Taylor Swift

by Jack Mason-Brase
Golden Age Thinking - Wylder
Music, ReviewsAugust 30, 2019<August 30, 2019

Review: Wylder Shine in ‘Golden Age Thinking’ with Cinematic Folk & Majestic Rock

by Mitch Mosk
Lou Stone © Manon Ouimet 2019
Columns, Music, Today's SongAugust 30, 2019<August 30, 2019

Lou Stone Defends Love Everywhere on New Track “Truth Toy”

by Oliver Crook
Spooky Mansion
Interviews, Music, ReviewsAugust 29, 2019<August 29, 2019

Acting Like a “Real Jerk”: A Conversation with Spooky Mansion

by Adrian Vargas
Posts pagination
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Brand New

  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love”
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach!
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA
  • “The Return of Intuition”: An Essay by Tenille Townes

:: discover something new ::

Recent Posts

  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love” April 11, 2026
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach! April 10, 2026
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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