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Terrell Hines © Luis Alberto Rodriguez
Debut, Music, ReviewsOctober 15, 2019<October 15, 2019

Review: Terrell Hines’ Debut EP ‘St. Mark Rd.’ Is an Ingeniously Inventive Delight

by Luke Pettican
Dolly Valentine © Dolly Valentine
Debut, Music, PremieresOctober 15, 2019<February 14, 2025

Dolly Valentine Emerges with Breathtaking Indie Folk Lullaby “Flowers on the Highway”

by Mitch Mosk
Tunes & Tumblers 10
Music, Podcast, Tunes & TumblersOctober 15, 2019<April 30, 2023

Podcast: Tunes & Tumblers Floats in Memory with talker’s “Keep Me Safe”

by Anthony Kozlowski
NYSSA #1 Girl Press Photo
Columns, Music, Today's SongOctober 15, 2019<October 15, 2019

Today’s Song: NYSSA’s “#1 Girl” Will Remind You Why You Love Your Best Friend — and the ’80s

by Oliver Crook
Leah Capelle © Mackenzie Breeden
Interviews, Music, ReviewsOctober 14, 2019<July 1, 2020

Leah Capelle Dives into the Aching Pop Polish of “know me better”

by Mitch Mosk
Alter Nature - BATS
Features, Interviews, Music, ReviewsOctober 14, 2019<October 11, 2019

BATS’ ‘Alter Nature’ Is the Mind-Opening Record the World Needs Right Now

by Oliver Crook
N.Y.C.K. © 2019
Music, PremieresOctober 14, 2019<October 16, 2019

Premiere: N.Y.C.K.’s Wild N’ Wondrous Homecoming Song “Threes”

by Mitch Mosk
Yoke Lore © Jakob Wandel
Columns, Music, Today's SongOctober 14, 2019<October 11, 2019

Today’s Song: Yoke Lore Explores Deeper Truths on “Dead Ringer”

by Madison Vettorino
The Academic © Cian Duignan
Features, Interviews, MusicOctober 11, 2019<October 11, 2019

Full Throttle Towards the Future: An Interview with The Academic

by Luke Pettican
Pizzagirl © Neelam Khan Vela
Features, Interviews, MusicOctober 11, 2019<October 11, 2019

Just Sitting in His Room: A Conversation with Pizzagirl

by Nicole Almeida
Atwood Magazine's Favorite Albums of 2010
Albums of the Decade, Columns, Features, MusicOctober 11, 2019<December 5, 2019

Our Favorite Albums of the Decade: 2010

by Atwood Magazine Staff
Emily Blue © Morgan Paije
Interviews, Music, PremieresOctober 11, 2019<January 29, 2026

Premiere: Emily Blue Rewinds & Ignites in Stunning Power Ballad “17”

by Mitch Mosk
Left Vessel
Columns, Music, Today's SongOctober 11, 2019<October 10, 2019

Today’s Song: Left Vessel Latches on Love in “Please Don’t Stop”

by Mitch Mosk
Núria Graham
Music, Music Videos, PremieresOctober 10, 2019<October 10, 2019

Premiere: Núria Graham’s Vibrant “Smile on the Grass” Indulges in the Existential & Intimate

by Mitch Mosk
King Willow © Sakara Birdsong
Music, PremieresOctober 10, 2019<January 28, 2020

Premiere: King Willow Unveil Their Romantic Anxieties with “Talk Like That”

by Abby Jones
Posts pagination
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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