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BENEE © Kelsey Fitzgerald
Concerts, Music, ReviewsJune 28, 2019<June 28, 2019

Live Review: BENEE Confirms She Belongs on Stage at New York’s Mercury Lounge

by Kelsey Fitzgerald
Best Albums of 2019 pt. 1
Features, Music, News, ReviewsJune 28, 2019<July 3, 2019

Atwood Magazine’s Best Albums of 2019… Part 1

by Atwood Magazine Staff
Columns, Music, Today's SongJune 28, 2019<June 28, 2019

Today’s Song: (Sandy) Alex G’s “Gretel” Offers an Artful Progression of Sound for Upcoming Album ‘House of Sugar’

by Harper Beattie
False Alarm - Two Door Cinema Club
Music, Our Take, ReviewsJune 27, 2019<December 15, 2020

Review: Two Door Cinema Club Reach New Heights on ‘False Alarm’

by Meredith Nardino
Delena © 2019
Music, PremieresJune 27, 2019<June 27, 2019

Premiere: No Rearview Mirror Needed as Delena Drives Off on “One Night”

by Josh Weiner
X - The Driver Era
Music, Our Take, ReviewsJune 27, 2019<December 15, 2020

Review: The Driver Era Enter a New Age with Debut Album, ‘X’

by Kelly McCafferty Dorogy
Music, Our Take, ReviewsJune 27, 2019<June 27, 2019

Our Take: Lust for Youth Have Found a Balance Between Their Muses with Their New Self-Titled Album

by Kareem Ghezawi
Bre Kennedy © Jason Lee Denton
Music, PremieresJune 27, 2019<June 27, 2019

Premiere: The Motivating Message of Bre Kennedy’s Strikingly Gripping “One Way”

by Luke Pettican
Swear 2 g-d © Sonny Santos
Columns, Music, Today's SongJune 27, 2019<July 24, 2019

Billie Marten and Sonny Santos Reinterpret “swear 2 g-d,” a Sweet Lullaby for the Not So Young

by Alicia Bugallo
Hayden Everett © Brandon Peterson
Debut, Music, PremieresJune 26, 2019<March 26, 2024

Premiere: Hayden Everett Marks His Turning Point in Hypnotic Debut “Color”

by Mitch Mosk
Julien Baker Red Door
Music, ReviewsJune 26, 2019<June 26, 2019

Review: Julien Baker’s Modern Gospel in “Red Door / Conversation Piece”

by James Meadows
Music, PremieresJune 26, 2019<June 26, 2019

Premiere: Hypnotized by Simple Pleasures with The Parlor’s “Dream”

by Frankie Rose
Kim Petras 2019 © Nicole Almeida
Concerts, Music, ReviewsJune 26, 2019<June 26, 2019

Live Review: Kim Petras Throws the Perfect Pride Party at Philadelphia’s TLA

by Nicole Almeida
Sywel Nyw © 2019
Debut, Music, PremieresJune 26, 2019<June 26, 2019

Premiere: Tackling the Barriers of Language with Sywel Nyw’s Debut Single “Jumping Fences”

by Matthew Dunn
Cosmic Thrill Seekers
Music, ReviewsJune 26, 2019<June 26, 2019

Review: Prince Daddy & The Hyena Explore the Galaxy and Existence in ‘Cosmic Thrill Seekers’

by James Crowley
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Brand New

  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’

:: discover something new ::

Recent Posts

  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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